Duke Ellington And His Orchestra recorded this album in Chicago, IL on 7 & 8 February 1956 for the Bethlehem label. Ray Nance has vocals on I Can't Get Started, Jimmy Grissom sings on Everything But You. The Polydor reissues have slightly more adventurous titles, as well as the track listing changed. At the same session, the orchestra recorded another 12 tracks, released as "Historically Speaking - The Duke".

Take the "A" Train is the vibrant signature composition of Duke Ellington, the most important composer in the history of jazz, also a rare bandleader who held his large group together for almost 50 years. It is quite impossible for one album to capture the full flavour and rich diversity of Duke Ellington’s music and orchestra. The eight tracks here offer a remarkably well-balanced sample of the prolific repertoire – the immortal compositions, the arresting arrangements, the outstanding soloists and, not least, the distinctive solo work of the piano player, Edward Kennedy Ellington, the Duke who became King of Orchestral Jazz.

The superb November 1960 session recorded by the Ben Webster-Johnny Hodges sextet in studio conditions at the Jazz Cellar, in San Francisco (without an audience). It is presented here in its complete form for the first time ever. These recordings are exceptional in that no other date exists in their collaborative discography featuring them as the only horns. The two great saxophonists were the only horn players heard at the session. They were backed by a rhythm section of piano, guitar, bass and drums. As bonus, to this new DSD release has added a complete (and very rare) octet session featuring Johnny Hodges and His Orchestra from August 27, 1964.

"Midnight in Paris" is an album by American pianist, composer and bandleader Duke Ellington recorded in 1962 for the Columbia label. The album features performances of compositions inspired by or associated with Paris…

"Indigos" is a 1958 jazz album by Duke Ellington and His Orchestra. This album stands as an outstanding example of the Ellington Orchestra playing Jazz, features standards such as "Mood Indigo", "Autumn Leaves", "Prelude To a Kiss" and more.

"Blues In Orbit" captures the essence of a late-night recording date that was as much a loose jam as a formal studio date, balancing the spontaneity of the former and the technical polish of the latter. If you're just getting into jazz, this album is highly recommended as a great way to initiate your collection

The experimental "Afro-Bossa" features Duke Ellington pushing his talented group to their limits. The jazz master tosses around the forms he knows so well. Other players include Cat Anderson, Paul Gonsalves, Harry Carney, and Cootie Williams. There is plenty of cornet, violin and plunger-muted trumpets.

"Ellington ‘65" is an illuminating eleven-track album of standards from the legendary Duke Ellington. The album is among the very best in his career and highlights some of the most exceptional performances from veteran players like Johnny Hodges, Russell Procope and Lawrence Brown. With blistering horn arrangements, the ensemble delivers passionate and virtuosic performances on songs like “Hello, Dolly!”, “Never on Sunday”, “Blowin’ in the Wind” and “I Left My Heart in San Francisco”. A must have for any music library.

This lush, Caribbean-themed collection created a new standard for big band music. The recording includes four original compositions representing the “Virgin Island Suite” and new readings of classics from Ellington’s extensive repertoire. The pieces on this set are as impressive as the stellar line up of musicians including Cat Anderson, Jimmy Hamilton, Billy Strayhorn, among others. The inspired performances and textured nuances are captured with the highest fidelity.

The Count Meets the Duke is an album by American pianists, composers and bandleaders Duke Ellington and Count Basie with their combined Orchestras recorded and released on the Columbia label in 1961. On stereo releases of the album, Basie's band is featured on the left channel and Ellington's on the right.