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Junge Deutsche Philharmonie, Rudolf Barshai - Mahler: Symphony No. 10 & No. 5 (2003)

Posted By: tirexiss
Date: 11 Mar 2024 16:41:03
Junge Deutsche Philharmonie, Rudolf Barshai - Mahler: Symphony No. 10 & No. 5 (2003)

Junge Deutsche Philharmonie, Rudolf Barshai - Mahler: Symphony No. 10 & No. 5 (2003)
EAC | FLAC (image+.cue, log) | Covers Included | 02:23:34 | 1.4 Gb
Genre: Classical | Label: Brilliant Classics | Catalog: 92205

Simply put, this set is a treasure that is also a bargain. Two masterful performances by Barshai and the outstanding Junge Deutsche Philharmonie (a youth orchestra playing like a world class orchestra), both performances among the best available versions of each work. Mahler's unfinished score for his Tenth symphony has been ably projected and realized in performing editions of (most commonly) Deryck Cooke, Joe Wheeler, Clinton Carpenter, Remo Mazzetti, and others. Performances of the Tenth are now commonplace, and there are numerous recordings, many compelling.
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Sviatoslav Richter - J.S. Bach: English Suite No. 3; Piano Concerto BWV 1052; Concerto for 2 Pianos BWV 1061 (2003)

Posted By: Designol
Date: 30 May 2023 10:33:33
Sviatoslav Richter - J.S. Bach: English Suite No. 3; Piano Concerto BWV 1052; Concerto for 2 Pianos BWV 1061 (2003)

J.S. Bach: English Suite No. 3; Piano Concerto BWV 1052; Concerto for 2 Pianos BWV 1061 (2003)
Sviatoslav Richter, piano; Anatoly Vedernikov, piano (BWV 1061)
USSR State Symphony Orchestra, conductor Kurt Sanderling
Moscow Chamber Orchestra, conductor Rudolf Barshai
EAC | FLAC | Image (Cue&Log) ~ 249 Mb | Mp3 (CBR320) ~ 149 Mb | Scans included
Genre: Classical | Label: Melodiya | # MEL CD 10 00731 | Time: 01:01:33

From the irresitably forceful opening bars of the English Suite's prelude to the throbbing repeated octaves of the D minor concerto, Richter shows why many of Bach's works are ideally suited to the piano. The Bach concerto is often regarded as a student piece, or relegated to refined performances on the harpsichord. Not here – the bookend movements are as maniacal, pulsing and driving as the best of John Coltrane or Prokofiev. The CD is worth it just for those movements, but Richter's treatment of the English Suite is equally enlightening, especially the Prelude and Gavotte.
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