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Ragazze Quartet - But Not My Soul: Price, Dvořák & Giddens (2024)

Posted By: delpotro
Ragazze Quartet - But Not My Soul: Price, Dvořák & Giddens (2024)

Ragazze Quartet - But Not My Soul: Price, Dvořák & Giddens (2024)
WEB FLAC (tracks) - 297 Mb | MP3 CBR 320 kbps - 144 Mb | Digital booklet | 01:00:51
Classical | Label: Channel Classics Records

Ragazze Quartet perform works by two female composers Rhiannon Giddens (*1977) and Florence Price (1887-1953), combined with the ‘American’ String Quartet No.12 by Antonín Dvořák (1841-1904). Florence Price was the first African-American woman to be recognized for her symphonies, yet her music was forgotten for many years. Her String Quartet No.2 is a mix of European romanticism, her ‘Southern’ roots, the emerging blues and African-American spirituals. The title of the album derives from a song Rhiannon Giddens wrote after seeing a 19th-century advertisement for a 22-year-old female slave whose 9-month-old baby was also for sale, but 'at the purchaser’s option'.

Ragazze Quartet, Slagwerk Den Haag, Kapok - Four Four Three: Music of Terry Riley (2016)

Posted By: Designol
Ragazze Quartet, Slagwerk Den Haag, Kapok - Four Four Three: Music of Terry Riley (2016)

Ragazze Quartet, Slagwerk Den Haag, Kapok - Four Four Three: Music of Terry Riley (2016)
EAC | FLAC | Image (Cue&Log) ~ 235 Mb | Mp3 (CBR320) ~ 134 Mb | Artwork included
Classical, Contemporary, Minimalism | Label: Channel Classics | # CCS37816 | 00:57:28

The Ragazze Quartet with its classical roots, Slagwerk Den Haag with the sounds of today, and the idiosyncratic jazz trio Kapok… Contrasting contours, but a common denominator: none of our three ensembles belong to a specific category. All three push the boundaries of our genres in our quest for new forms and adventurous joint projects. It is through this inquisitive musicianship that the unusual combination feels so wonderfully natural. The choice for Riley’s repertoire gave another stir to our boundary reconnoitre. For Riley’s music allows considerable space for creativity and improvisation. The tension that arises through freedom within strict frames means that every performance is different. And it brings with it that the music has a strong sense of spontaneity and joie de vivre. In In C, performed by the Ragazze Quartet and Slagwerk Den Haag, the dynamic range is enormous. Long, melodic lines as well as short, rhythmic motifs may be employed, producing an effect of both tranquil contemplation and pulsating explosiveness. Sunrise of the Planetary Dream Collector was originally written for string quartet. But the Ragazze Quartet invited jazz trio Kapok to make a new arrangement together.The mix of string quartet and horn, electric guitar and percussion, all expanded with electronic effects, offers a rich pallet of timbres.

Ragazze Quartet - Bartók Bound, Vol. 2: String Quartets Nos. 3, 5 & 6 (2021)

Posted By: ArlegZ
Ragazze Quartet - Bartók Bound, Vol. 2: String Quartets Nos. 3, 5 & 6 (2021)

Ragazze Quartet - Bartók Bound, Vol. 2: String Quartets Nos. 3, 5 & 6 (2021)
EAC | FLAC | Image (Cue & Log) ~ 312 Mb | Total time: 75:48 | Scans included
Classical | Label: Channel Classics | # CCS 42421 | Recorded: 2019, 2021

Bartók Bound (Vol. 2): String Quartets 3, 5 & 6 - The music of Béla Bartók has everything: the mysterious tension of a thriller, loving lyricism, warm string sounds, almost impossible techniques challenging any string player to rediscover his instrument, and exhilarating rhythms which could well be rooted in folk dance. With the second volume of Bartók Bound, Ragazze Quartet complete their string quartet cycle.

Ragazze Quartet - Bartók Bound, Vol.1: String Quartets Nos. 1, 2 & 4 (2019)

Posted By: ArlegZ
Ragazze Quartet - Bartók Bound, Vol.1: String Quartets Nos. 1, 2 & 4 (2019)

Ragazze Quartet - Bartók Bound, Vol.1: String Quartets Nos. 1, 2 & 4 (2019)
EAC | FLAC | Image (Cue & Log) ~ 342 Mb | Total time: 80:55 | Scans included
Classical | Label: Channel Classics | # CCS 41419 | Recorded: 2018

The music of Béla Bartók has everything: the mysterious tension of a thriller, loving lyricism, warm string sounds, almost impossible techniques challenging any string player to rediscover his instrument, and exhilarating rhythms which could well be rooted in folk dance. With the first volume in a complete string quartet cycle, The Ragazze Quartet has declared itself Bartók Bound.