Tags
Language
Tags
April 2024
Su Mo Tu We Th Fr Sa
31 1 2 3 4 5 6
7 8 9 10 11 12 13
14 15 16 17 18 19 20
21 22 23 24 25 26 27
28 29 30 1 2 3 4
https://canv.ai/
The picture is generated by canv.ai

We are excited to announce that Canv.ai now features a built-in translator, allowing you to communicate in your native language. You can write prompts in your language, and they will be automatically translated into English, facilitating communication and the exchange of ideas!

We value freedom of speech and guarantee the absence of censorship on Canv.ai. At the same time, we hope and believe in the high moral standards of our users, which will help maintain a respectful and constructive atmosphere.


👉 Check for yourself!

Marcello Rota, Orchestra del Bergamo Musica Festival Gaetano Donizetti - Donizetti: Poliuto (2012)

Posted By: ArlegZ
Marcello Rota, Orchestra del Bergamo Musica Festival Gaetano Donizetti - Donizetti: Poliuto (2012)

Marcello Rota, Orchestra del Bergamo Musica Festival Gaetano Donizetti - Donizetti: Poliuto (2012)
NTSC 16:9 (720x480) | Italiano | (LinearPCM, 2 ch) | (Dolby AC3, 6 ch) | 120 min | 7,03 Gb (DVD9)
Classical | Label: Bongiovanni | Sub: Italiano, English | Recorded: 2010

Composed in 1838, Poliuto is a masterpiece from Donizetti's mature years. It is rarely performed because the title role - the most dramatic part which Donizetti ever wrote for a tenor - is so difficult to sing. The opera was forbidden by the Naples censors and was finaly staget only after Donizetti had died.

Marcello Rota, Bergamo Musica Festival Orchestra - Donizetti: Roberto Devereux (2008)

Posted By: Vilboa
Marcello Rota, Bergamo Musica Festival Orchestra - Donizetti: Roberto Devereux (2008)

Marcello Rota, Bergamo Musica Festival Orchestra - Donizetti: Roberto Devereux (2008)
NTSC 16:9 (720x480) | Italiano | Dolby AC3, 2 ch | Dolby AC3, 6 ch | DTS, 6 ch | 7.44 Gb (DVD9) | 134 min
Classical | Naxos | Sub.: English, Italiano

One of Donizetti’s most emotionally raw operas, Roberto Devereux ossia Il conte di Essex was also the third to be loosely based on episodes in the life of Queen Elizabeth I. It deals with the love of Elizabeth and her favourite, the Earl of Essex, perhaps most tellingly expressed in the Act I duet, Nascondi, frena i palpiti, o misero mio core / Hide, hold back your palpitation, oh my wretched heart! Elizabeth’s subsequent abdication is, however, a matter of dramatic licence, yet provides a memorable operatic conclusion to this tragedy of love and jealousy as she despairs at the death of her lover – Quel sangue versato al ciel s’innalza / The blood that is spilt rises up to Heaven.