[Partitura] Pétrouchka

Completed in 1911, Petrouchka was the second of Stravinsky's great ballets and is one of the most famous ballet scores of the twentieth century, equally at home in the concert hall as in the theatre. Now published in The Masterworks Library: Landmark 20th century works from the Boosey & Hawkes catalogue available for the first time in full score format at pocket score prices with introductory notes, illustrations and photographs. Ideal for students, conductors, performers, libraries, CD collectors and general music enthusiasts.

Revised 1947 version
description: (Full score - Masterworks)

ISMN 9790060107092
ISBN 9780851622002
Publisher B&H London
Series Masterworks Library

Scoring
original version:4(III,IV=picc).4(IV=corA).4(IV=bcl).4(IV=dbn)-4.2. 2crt.3.1-timp.perc(7):xyl/tam-t/tamb/tambourin/BD/glsp/tgl/cyms/SD-cel-pft- 2harps-strings revised version:3(III=picc).2.corA.3(III=bcl).2.dbn-4.3.3.1-timp. perc(4):xyl/cyms/tam-t/tgl/BD/SD/tamb-harp-cel-pft-strings

World Premiere
6/13/1911
Theatre du Chatelet, Paris
Michel Fokine, choreographer / Theatre du Chatelet / Pierre Monteux


Repertoire Note
Stravinsky first envisioned "a puppet suddenly endowed with life, exasperating the patience of the orchestra with diabolical cascades of arpeggi." The puppet became Petrushka, the Slavic Pierrot – in Stravinsky's works, "the immortal and unhappy hero of every fair in all countries." As theater, Petrushka is both comic and harrowing. In concert, the four scenes of the ballet are typically performed complete – but are readily compressed. According to Eric Walter White: "When a shorter version is preferred, one can start with the Legerdemain Scene in Scene One followed by the Russian Dance and Scenes Two and Four. In order to shorten the final movement, Stravinsky occasionally authorized the use of the special nine-bar concert ending after the Masqueraders' Scene."

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