In the early '70s, Paul Kossoff was a much-heralded young guitarist from a much-heralded young rock band called Free. In a short period of time, Kossoff and his cohorts punched out some classic rock. A brief solo career followed for the inspired axeman, but his untimely death in 1976 from a drug-related heart attack put an end to the potential that his peers and fans were looking forward to seeing fully realized. All one can do is celebrate and enjoy what this stylistically unique and utterly precocious musician left behind, and this 17-track disc, which culls Kossoff's best work from both his days with Free and as a solo performer, is an excellent way to do just that. A player who made his name with unusual phrasings, brazen fills, and an intuitive use of sustained notes – and rarely going for fretboard-smoking speed – Kossoff had a prototypical signature sound. His ability to do the work of two guitarists – Free, for the most part, was a barebones guitar/bass/drums/singer outfit – was one of his greatest strengths and, despite a good deal of studio dubbing, you can hear it in places on this album. The best cuts are definitely the eight Free tracks, which include the raunchy "The Hunter," the good-time rock-blues of "Ride on a Pony," the dramatic "Fire and Water" and "Mr. Big," and the band's all-time classic, "All Right Now".

A unique compilation of the best and most beautiful rock classics for everyone.

This double CD contains the earliest known recordings of the UK's Paul Kossoff (Free), whose tragic death at 25 in 1976 robbed the rock world of one of its finest-ever blues guitarists. Taped at rehearsals with Black Cat Bones in London in 1967, the raw, lo-fi tracks find the teenaged Kossoff already a master of his instrument. Accompanied by musicians including Derek and Stuart Brookes (later to form the legendary Leaf Hound), and featuring a guest appearance from Paul Rodgers (later to form Free with Kossoff), the recordings are of considerable historical importance. They are released here for the very first time, along with a booklet featuring rare photographs, full liner notes and an introduction from the band's drummer, Frank Perry, making the album an essential purchase for all serious rock fans.

Unsurprisingly, this quartet sounds uncannily like Free and its English descendant Bad Company. Drummer Simon Kirke was in both bands. Guitarist Paul Kossoff, bassist Tetsu Yamauchi, and keyboardist John "Rabbit" Bundrick were in Free, although the latter two appeared only in the band's ragged, final days. The problem with this side project, besides the unexceptional music, is that Paul Rodgers was a vastly better singer than Kirke or Bundrick. This album would be a fine addition for Free and Bad Company completists.