Watermark is the second studio album by Irish singer, songwriter and musician Enya, released on 19 September 1988 by Warner Music internationally and on 10 January 1989 by Geffen Records in the United States. Watermark received many positive reviews from critics and it became an unexpected commercial success, which propelled Enya to worldwide fame. It peaked at number five on the UK Albums Chart, number twenty-five on the Billboard 200 in the United States, and reached number one in New Zealand and Switzerland. It was certified quadruple platinum by the British Phonographic Industry and the Recording Industry Association of America.

This, along with Realms of Light, is one of Iasos' most celestial album and combines the richness of traditional symphonic music with the creative freedom of electronic music, to produce these 6 pieces of electronic symphonic heavenly music. This album is entitled "Elixir" because it is a powerful flood of only positive uplifting emotions. It is offered as a vibrational gateway, through sound, to the celestial realms of Light.

Georg Deuter is a German New Age composer known for his innovative blend of acoustic and electronic instruments, ethnic influences, and nature sounds.
Like many artists in the contemporary instrumental realm, Deuter mixes acoustic and electronic instruments, ethnic influences, and sounds from nature - only he's been doing it since the early '70s. His style is characterized by gentle melodies and joyful rhythms that render his music accessible even as he presents an intriguing blend of Eastern and Western styles…

Best Of 3CD (The Platinum Collection on the first 2009 issue) is a triple-disc set that contains one disc of Enigma’s greatest hits, one disc of remixes, and one disc of “The Lost Ones,” brief instrumental snippets that were used as source material and ideas for full-length tracks. Naturally, this last disc is what’s interesting for the hardcore fan which, unlike the rest, consists of unreleased material - but even the hardcore may find this slightly ephemeral; after all, these were designed as something like work tapes, not for release. The rest of the set is a good overview of basics, but it’s still unclear exactly who this is for, as this recycles too much for the hardcore, and it’s too lengthy for the casual fan.

Opal Fire (2002). Son of a UN diplomat and classically trained, exciting young pianist Akram grew up digesting musical influences from around the world. These exotic flavors are brilliantly woven together in melodies that take flight and soar with expansive orchestrations and passionate rhythms and in more soothing moments, evoke an emotional response in a beautifully serene way.
Free As A Bird (2004). Free As a Bird is the much-anticipated follow-up to Omar's 2002 release, Opal Fire. Exotic, sensual, and brimming with life, it was worth the wait! Richly arranged and orchestrated by David Dial and Gregg Karukas, real instruments replace some of the keyboards from the earlier release, and the interaction of great musicians…

Kitaro is one of the most popular and influential new age artists of all time, having sold millions of records and toured across the world numerous times, in addition to winning Grammy and Golden Globe awards. His style fuses contemplative, highly melodic synthesizer work with acoustic instrumentation, drawing from Eastern musical traditions as well as folk, classical, and rock influences.

Channeling new age and spiritual jazz, the multidisciplinary artist’s debut solo album creates its own thoughtful and potent world with the help of many guests and many flutes.

Of the 14 tracks on Aquarello, 12 are live recordings. Hans-Joachim Roedelius, Nicola Alesini, and Fabio Capanni performed together at the VI Musica Visual in Lanzarote. The liner notes are in German, so listeners are left with no "graphic interference" as they interpret these atmospheres, textures, and timbres. Roedelius is a sound design genius and has crafted some very different music on this CD. It is definitely e-music, but there are extras. Alesini's saxophones offset the atmospheres. The atmospheres approach listeners from two or three different levels. It is almost like harmonic overtones. The deep electronics have minimalist qualities. There are mechanical repetitions with organic overtones. This is a relatively unique effort. It will appeal to fans of Brian Eno, Robert Rich, Matt Harris, and Cyber Zen Sound Engine.

It's been four long years since pianist and composer Keiko Matsui released the spare, elegant Moyo. That is an atypical break for an artist who has recorded 22 studio albums since her debut in the late 1980s. Appearing on Shanachie for the first time, The Road was largely self-produced. Matsui appears in varying contexts here, from trios to quartets and quintets to an octet on a musically diverse set that sums up virtually every place she's been while continuing to point the way forward. Some of these players have collaborated with her for decades while still others make their initial appearances.

From MEDIUM, an electronic music label run by Masanori Nozawa, a writer/producer based in Utsunomiya City, Tochigi Prefecture, who has produced outstanding works centered on dance music/ambient chillout, a masterpiece dedicated to Japan's ambient scene has been released. Long-awaited appearance!

In the spirit of the Olympics and in celebration of the 1992 games, Australian composer, keyboardist, producer, arranger and recording artist Mars Lasar brings us Olympus. This music is triumphant, romantic and uplifting. These 13 tracks are filled with very diverse and powerful instrumental music. The strength of some selections is offset by the beautifully melodic passion of others.

After celebrating his 2012 Grammy-winning "Echoes of Love", Omar softens the mood to serenade us with the romantic melodies of "Daytime Dreamer". Featuring six brand new tracks and five previously released selections, the familiar splashes of Omar's signature world textures (oud, duduk, violin and guitar) weave back and forth in a sublime dance with his exquisite piano compositions.

Omar Akram's piano-driven, instrumental music elegantly defies borders and has played a crucial role in defining modern New Age and World music. In 2013, he became the first Afghan-American to win a Grammy Award with ''Echoes Of Love''. In 2013, he also released ''Daytime Dreamer,'' presenting an enchanting blend of World, New Age and electronica music that lures listeners with masterful musicianship and his well-traveled wisdom. ''Destiny'' was produced by the legendary Walter Afanasieff and features an eighty-piece symphony orchestra conducted by Shardad Rohani (Yanni: Live at the Acropolis).