Joseph Bologne, Chevalier de Saint-Georges, possessed a panoply of talents – leading swordsman, athlete, virtuoso violinist, composer and musical director – so it is not surprising that by the standards of his age he was not especially prolific. Nevertheless, Saint-Georges’ violin concertos demonstrate a gift for writing attractive and engaging music as well as a virtuoso technique with which to dazzle audiences, not least in his own performances. Published in pairs, the concertos recorded here show his originality of expression, his command of structure and a bravura exploitation of the violin’s higher register.

The G major Anton Rubinstein violin concerto is a fine and powerful work, quite as good as many a lesser-known Russian example in the same genre, and easily as deserving of wider currency as, say, the Taneyev Suite de Concert, which is just as rarely heard these days. Nishizaki gives a committed and polished reading, though you often feel that this is music written by a pianist who had marginally less facility when writing for the violin. Still, here’s a well-schooled performance, full of agreeable touches of imagination (the Andante shows Nishizaki’s fine-spun tone to particularly good effect) delivered with crisply economical urgency that makes good musical sense even of the work’s plainer and less idiomatic passages.