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Mario Rossi, RAI Orchestra «Alessandro Scarlatti» & Chorus, Naples - Domenico Cimarosa: Le astuzie femminili (2002)

Posted By: ArlegZ
Mario Rossi, RAI Orchestra «Alessandro Scarlatti» & Chorus, Naples - Domenico Cimarosa: Le astuzie femminili (2002)

Mario Rossi, RAI Orchestra «Alessandro Scarlatti» & Chorus, Naples - Domenico Cimarosa: Le astuzie femminili (2002)
EAC | FLAC | Image (Cue & Log) ~ 519 Mb | Total time: 60:18+51:49 | Scans included
Classical | Label: Opera D'oro | # 1365 | Recorded: 1959

Le astuzie femminili (Feminine wiles) is an dramma giocoso in four acts by Domenico Cimarosa with an Italian libretto by Giuseppe Palomba (it). The opera buffa premiered at the Teatro dei Fiorentini in Naples, Italy, on 26 August 1794. The opera was subsequently performed in Barcelona in 1795, Lisbon in 1797, Vienna in 1799, Paris in 1802, and London in 1804, remaining popular during the first quarter of the nineteenth century. Although not performed often today, the opera is still occasionally revived and a number of recordings have been made.

Mario Rossi, BBC Concert Orchestra - Verdi: Les Vêpres Siciliennes (2004)

Posted By: ArlegZ
Mario Rossi, BBC Concert Orchestra - Verdi: Les Vêpres Siciliennes (2004)

Mario Rossi, BBC Concert Orchestra - Verdi: Les Vêpres Siciliennes (2004)
EAC | FLAC | Image (Cue & Log) ~ 845 Mb | Total time: 67:37+61:31+67:04 | Scans included
Classical | Label: Opera Rara | # ORCV 303 | Recorded: 1969

Les Vêpres Siciliennes is one of Verdi’s misunderstood operas. It is usually presented to audiences today as I vespri Siciliani - that is, in a clumsy and pedestrian Italian translation and as such gives a false representation of Verdi’s original concept. This opera was composed for the Paris Opera to a libretto by Eugene Scribe, one of the greatest poets of the day and Charles Duveyrier. Verdi embraces the French idiom – the musical forms, the orchestration, the vocal writing – with the same grandeur and sense of occasion as Rossini and Meyerbeer before him. Certainly to give an opera in translation is no crime but to continually deprive the public of this particularly beautiful marriage of text and music is close to criminal. This is the third in the Verdi Originals series and this BBC recording of the opera finally restores the original French libretto.