Tags
Language
Tags
May 2024
Su Mo Tu We Th Fr Sa
28 29 30 1 2 3 4
5 6 7 8 9 10 11
12 13 14 15 16 17 18
19 20 21 22 23 24 25
26 27 28 29 30 31 1

John Tchicai, Charlie Kohlhase, Garrison Fewell - Good Night Songs (2006) 2CDs

Posted By: Designol
John Tchicai, Charlie Kohlhase, Garrison Fewell - Good Night Songs (2006) 2CDs

John Tchicai, Charlie Kohlhase, Garrison Fewell - Good Night Songs (2006) 2CDs
EAC | FLAC | Tracks (Cue&Log) ~ 383 Mb | Mp3 (CBR320) ~ 211 Mb | Scans included
Avant-Garde Jazz, Free Jazz | Label: Boxholder Records | # BXH 050/051 | Time: 01:25:08

Good Night Songs documents a 2003 concert by a trio of two saxophonists—John Tchicai and Charlie Kohlhase—with guitarist Garrison Fewell. Though the lineup is unusual, the results are mesmerizing throughout this two-disc set. Tchicai rose to prominence in the 1960s avant-garde scene in New York. He recorded with Albert Ayler, Don Cherry, John Coltrane, and even John Lennon and Yoko Ono. Forty years later he continues to produce music that is pure, passionate and beyond categorization.

Archie Shepp - Four for Trane (1964) Japanese Remastered Reissue 2001

Posted By: Designol
Archie Shepp - Four for Trane (1964) Japanese Remastered Reissue 2001

Archie Shepp - Four for Trane (1964) Japanese Reissue 2001
EAC | FLAC | Tracks (Cue&Log) ~ 266 Mb | Mp3 (CBR320) ~ 124 Mb | Scans included
Avant-Garde Jazz, Free Jazz, Hard Bop | Label: Impulse! | # UCCI-9020 | Time: 00:37:00

From 1964, Archie Shepp's first date as a leader featured – as one would expect from the title – four tunes by John Coltrane, his mentor, his major influence, and his bandleader. The fact that this album holds up better than almost any of Shepp's records nearly 40 years after the fact has plenty to do with the band he chose for this session, and everything to do with the arranging skills of trombonist Roswell Rudd. The band here is Shepp on tenor, John Tchicai on alto, Rudd on trombone, Trane's bassist Reggie Workman, and Ornette Coleman's drummer Charles Moffett. Even in 1964, this was a powerhouse, beginning with a bluesed-out wailing version of "Syeeda's Song Flute." This version is ingenious, with Shepp allowing Rudd to arrange for solos for himself and Tchicai up front and Rudd punching in the blues and gospel in the middle, before giving way to double time by Workman and Moffett. The rawness of the whole thing is so down-home you're ready to tell someone to pass the butter beans when listening.