Fine selection of contemporary swedish pop music. Lykke Li, Frida Hyvönen, Miss Li, Maia Hirasawa, Per Gessle, Kleerup, Fever Ray and many more..

In the world of Radical Romantics, Fever Ray presents their struggle with love, or to be precise, the myth of love. Following 2017’s Plunge, Radical Romantics speaks to both the heart and the head, the dance floor and the bedroom. Dreijer is one of pop’s true visionaries, and in their hands, crude and familiar clay is twisted into endlessly beautiful and terrible forms that balance strength with vulnerability, anxiety with safety. Dreijer first started on Radical Romantics in fall 2019; working in the Stockholm studios built with brother and fellow The Knife member Olof Dreijer after the former completed the last Fever Ray tour in 2018 and the latter returned from living in Berlin. These tracks on Radical Romantics are the first time the siblings have produced and written music together in eight years. Other co-producers and performers include the power duo of Trent Reznor and Atticus Ross (Nine Inch Nails), Portuguese DJ and producer Nídia, Johannes Berglund, Peder Mannerfelt and Pär Grindvik’s technicolor dance project Aasthma, and experimental artist and producer Vessel. Long-time collaborator, Martin Falck, joins Dreijer in creating the all encompassing visual world of Radical Romantics-era Fever Ray.

2009 debut album from Fever Ray AKA Karin Dreijer Andersson, one half of The Knife. Fever Ray is the title, of both project and album, an evocation of the music's sound, intense and anxious, yet luminous. After having her second child and eight months of the most productive daydreaming later, Karin had a batch of new songs and the raw materials for the production of Fever Ray. Unsure how to get them over the finishing line, she took half to Christoffer Berg (who mixed The Knife's work), half to Stockholm production duo Van Rivers & The Subliminal Kid for a final brush and tickle. The result is Fever Ray, an album that, while recognizably the work of the same artist, is dramatically different from The Knife.