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Miriam Feuersinger, Capricornus Consort Basel - Johann Sebastian Bach: Ich bin vergnügt... Kantaten BWV 51, 82, 84 (2022)

Posted By: ArlegZ
Miriam Feuersinger, Capricornus Consort Basel - Johann Sebastian Bach: Ich bin vergnügt... Kantaten BWV 51, 82, 84 (2022)

Miriam Feuersinger, Peter Barczi, Capricornus Consort Basel - Johann Sebastian Bach: Ich bin vergnügt… Kantaten BWV 51, 82, 84 (2022)
EAC | FLAC | Image (Cue & Log) ~ 368 Mb | Total time: 68:51 | Scans included
Classical | Label: Christophorus | # CHR 77459 | Recorded: 2021

"Ich bin vergnugt" (I am content) is the title of the new CD by soprano Miriam Feuersinger. It refers to Johann Sebastian Bach's cantata "Ich bin vergnugt mit meinem Glucke" BWV 84, but it also corresponds entirely to the feelings of the singer, who is fulfilling a long-cherished wish of her heart with this programme.

Stefan Temmingh, Capricornus Consort Basel - Antonio Vivaldi: The Concertos for Recorder; J.S. Bach: Preludes (2017)

Posted By: Designol
Stefan Temmingh, Capricornus Consort Basel - Antonio Vivaldi: The Concertos for Recorder; J.S. Bach: Preludes (2017)

Antonio Vivaldi: The Concertos for Recorder; J.S. Bach: Preludes (2017)
Stefan Temmingh (recorder); Capricornus Consort Basel

EAC | FLAC | Image (Cue&Log) ~ 362 Mb | Mp3 (CBR320) ~ 166 Mb | Scans included
Classical, Baroque | Label: Accent | # ACC24332 | Time: 01:08:38

GRAMOPHONE Magazine Editor's Choice. Stefan Temmingh is a member of the new young generation of world-class recorder players. Born in Cape Town, he comes from a Dutch-South-African family of musicians and now lives in Munich. Being an early music specialist, he plays internationally with his baroque ensemble at renowned festivals and concert series, and can also be heard as a member of ensembles of all sizes in Europe, Asia and Africa. His fine playing is regularly compared to the style of the legendary Frans Brüggen. On this collaboration with the Capricornus Consort Basel, he makes use of his wide array of technical and musical resources to render a reference version of Vivaldi’s Recorder Concertos.

Miriam Feuersinger, Peter Barczi, Capricornus Consort Basel - Graupner: Himmlische Stunden, selige Zeiten (2014)

Posted By: ArlegZ
Miriam Feuersinger, Peter Barczi, Capricornus Consort Basel - Graupner: Himmlische Stunden, selige Zeiten (2014)

Miriam Feuersinger, Peter Barczi, Capricornus Consort Basel - Johann Christoph Graupner: Himmlische Stunden, selige Zeiten (2014)
EAC | FLAC | Image (Cue & Log) ~ 374 Mb | Total time: 76:06 | Scans included
Classical | Label: Christophorus | # CHR 77381 | Recorded: 2013

The young Austrian soprano Miriam Feuersinger presents her debut CD accompanied by the Capricornus Consort Basel with a selection of several cantatas by the Kapellmeister at the Darmstadt court. With the agreeable timbre of her easily appealing voice, she succeeds wonderfully in recreating the appropriate tone of Graupner's sensuous cantata style. As with those of Bach, the cantatas of Graupner aim to stir the listener, but without sacrificing intellectual elegance or even the composure fitting for a predominantly courtly community. Unlike the confidently catchy Telemann, Graupner prefers a refined and subtle elaboration that audibly reckons with skilful interpreters and always seeks to move the listener. Despite all these advantages, the discographical exploration of Graupner's over 1400 cantatas has only just begun.

Stefan Temmingh & Capricornus Consort Basel - Leipzig 1723 (2021)

Posted By: delpotro
Stefan Temmingh & Capricornus Consort Basel - Leipzig 1723 (2021)

Stefan Temmingh & Capricornus Consort Basel - Leipzig 1723 (2021)
XLD Rip | FLAC (tracks+log+.cue) | Digital booklet | 01:06:13 | 404 Mb
Classical | Label: Accent

The Thomaskantor position in Leipzig was one of the most important jobs for musicians in Germany in the 18th century; several important musicians applied to succeed Johann Kuhnau after his death in 1722. In the recruitment process, the Leipzig city council was able to choose from the most famous personalities of the time. The first choice was Georg Philipp Telemann, who declined however, after he had obtained a decent salary increase at his Hamburg post.