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Have you ever wondered what Marilyn Monroe, Pamela Anderson, Dolly Parton, Farrah Fawcett, and Cindy Crawford all have in common? It's not just their legendary status in the entertainment industry - they've all graced the pages of Playboy Magazine at some point in their illustrious careers. Experience the timeless allure of these global icons and many more in the complete Playboy Archive!

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Bart Van Reyn & Il Gardellino - C.P.E. Bach: Die Auferstehung und Himmelfahrt Jesu, H. 777 (2022)

Posted By: delpotro
Date: 28 Apr 2024 15:18:01
Bart Van Reyn & Il Gardellino - C.P.E. Bach: Die Auferstehung und Himmelfahrt Jesu, H. 777 (2022)

Bart Van Reyn, Kieran Carrel, Andreas Wolf, Lore Binon, Vlaams Radiokoor & Il Gardellino - C.P.E. Bach: Die Auferstehung und Himmelfahrt Jesu, H. 777 (2022)
EAC Rip | FLAC (tracks+log+.cue) - 370 Mb | MP3 CBR 320 kbps - 161 Mb | Digital booklet | 01:09:14
Classical, Sacred, Oratorio | Label: Passacaille

Radical, daring and extremely refined: that’s how Carl Philipp Emanuel Bach saw his new path for the Oratorio, after his father’s Passions had marked the climax of the baroque era. Encouraged by his godfather Telemann and liberated from the yoke of the capricious Frederick of Prussia, he found himself in Hamburg with an audience hungry for new music. And he brought them his oratorios, no longer in churches but in concert halls, where he demanded the listener’s undivided attention for sudden changes of mood and colour.
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Herve Niquet - Mozart, Salieri & Requiem (2022)

Posted By: Fizzpop
Date: 10 Nov 2022 18:14:45
Herve Niquet - Mozart, Salieri & Requiem (2022)

Hervé Niquet, Le Concert Spirituel, Valentina Naforniță, Ambroisine Bré, Robin Tritschler, Andreas Wolf - Mozart, Salieri & Requiem (2022)
WEB FLAC (Tracks) 329 MB | Cover | 01:08:57 | MP3 CBR 320 kbps | 160 MB
Classical | Label: Château de Versailles Spectacles

Two illustrious composers at odds with their Requiem? When, in 1791, a 36-year-old Mozart composed the one that would remain unfinished due to his death, he did so in response to a commission from the eccentric Count von Walsegg. Mozart would never hear his music. At the time, Salieri was at the height of his glory at the age of 41, famed for his operas from Paris and Milan to Rome and of course Vienna, where he was Court Composer and Director of the Italian Opera. Having put an end to his lyrical career, in 1804 he composed his Requiem, which was strictly intended for his own funeral, where it was indeed played - in 1825. Hervé Niquet brings us these two monuments of Viennese liturgy with panache.
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