The ultimate collection of jazz recordings perfectly suited for a relaxing evening at home. Whether you're entertaining company over a candlelit dinner or simply kicking off your shoes with a glass of wine after a long day, this compilation finds the perfect balance of intrigue, tranquility, and sonic brilliance. Sit back, relax, and let some of the greatest names in Jazz put you at ease

After nearly 10 years as Argo, the name of Chess Records’ jazz imprint was supposed to be the only thing about it that changed. But as Cadet Records assumed its new identity in the mid-’60s, the influence of the dawning psychedelic era, a boom of recording technology advances and, crucially, the arrival of a cadre of eager artists and brilliant producers put the label on a new, bewildering course to greatness. Tragic circumstances would bring about the label’s unraveling almost as rapidly as its meteoric rise, but not before Cadet released some of most audacious, boundary-pushing jazz, soul, blues and rock albums of the ’60s and ’70s — music that’s inspired generations of superstars, DJs and cratediggers ever since.

Four CD set. The definitive post-Motown collection from the legendary songwriting trio Holland-Dozier-Holland. 68 tracks taken from the period 1969-1977 when the trio had started their group of labels; Hot Wax, Invictus and Music Merchant. Holland, Dozier and Holland are arguably the greatest songwriters ever. More prolific than Lennon and McCartney, they shaped "the Sound of Young America" and propelled the Motown sound in the mid-1960s into a creative stratosphere unmatched by any other independent music label. Although synonymous with Berry Gordy's Motown, it was their departure from Motown after a stand-off strike in 1967 and a brutal legal battle that led them to run their own group of labels, Invictus, Hot Wax and Music Merchant. This compilation is a definitive look at this period in history, exploring how H-D-H, under a new guise 'The Creative Corporation', drove the next generation of soul music in a myriad of different ways, towards funk, underground disco and jazz. Featuring 68 tracks, this collection documents HDH's creativity and growth over this seminal 8 year period. During this time the trio developed new artists to rival Motown's success such as Chairman Of The Board, Freda Payne, Honey Cone, Glass House, Flaming Ember, 8th Day, Laura Lee & Eloise Laws.

EIGHTEEN AND I LIKE IT… if you survived trips 1-17 with one tiny speck of psychedelic sunshine intact, Brown Acid The 18th Trip will be your coming of age nightmare. Vintage underground ’70s hard rock, coming at you from bizarre angles, local scene wasteland America when everybody was out for themselves and the drugs went bleak. The guitars kill, the attitude is twisted, even the sex is headed down the wrong road. Real people, no compromise, pure and potent. Get stoked, take the 18th Trip and know that the artists will get paid for pulverizing your soul!

Pressed here onto black vinyl with the original crow etching included, this is the original soundtrack to the 1994 film, the Crow.
Featuring tracks from rock legends such as Stone Temple Pilots, Rage Against the Machine and the Cure, this soundtrack is often considered as one of the greatest film soundtracks of all time. The album was met with widespread critical acclaim upon release and charted at no.1 upon release on the billboard 200 chart. The album has since gone on to be certified x3 platinum in the US by the RIAA.

Lost In Translation was the soundtrack to Sofia Coppola’s Academy Award winning movie of the same name. The soundtrack earned supervisor / composers Brian Reitzell and Kevin Shields a BAFTA nomination. It featured five Kevin Shields tracks (one of which was a My Bloody Valentine track) it also featured artists including; Air, Death in Vegas, Squarepusher and The Jesus and Mary Chain.

Light in the Attic Records (LITA) proudly announces The Power Of The Heart: A Tribute To Lou Reed. The star-studded album celebrates the pioneering singer-songwriter’s enduring influence—as well as the timeless appeal of his songs—through performances by Reed’s closest friends and biggest fans, including Keith Richards, Rosanne Cash, Lucinda Williams, Joan Jett and the Blackhearts, The Afghan Whigs, Bobby Rush, Maxim Ludwig & Angel Olsen, Mary Gauthier, and Automatic. Blending generation-defining hits (“I’m Waiting for the Man,” “Walk on the Wild Side,” “Perfect Day”) with lesser-known gems, the collection spans the artist’s five-decade-long career: from his earliest days with The Velvet Underground to his groundbreaking solo work.

There are two quite distinct faces to the world of the rock musician: faces so contrasting that it is little wonder that so many contemporary stars appear at times to have lost touch with any kind of reality. While mass adulation hounds and sometimes even destroys the successful ones, the road to that status remains a golden dream for generation after generation of young people. Show me a boy with an interest in pop music who never once imagined himself as a rock superstar and I’ll show you a liar. Jim Maclaine, the anti-hero of the film STARDUST, was such a boy. To him success as a star was an end in itself, and before he achieved it he never questioned what price he might have to pay for that goal. And it is the way in which he achieves his ambition and the resulting pressures and despairs that are the subject of the film. Jim Maclaine is a fictitious figure, created on screen by David Essex. But the problems he faces are known and understood by all of today’s top musicians. And ironically it is out of these problems that some of the best music of the last decade has sprung. Rock music is to do with contemporary life: with the way in which young people see themselves and their problems. On stage, or in the recording studio, an artist can, by virtue of his creativity, cast aside the self doubts and neuroses which were frequently responsible for much of his success.

Tripple Album with the Isle Of Wight festival from 1970 and the second Atlanta Pop Festival also from 1970 which was held in Byron, Georgia - not in Atlanta again. So many great Stars and great songs on 3 records. Fantastic!

This 2-CD single-layer SACD compilation album contains 22 tracks selected from the titles that have been produced as single-layer SACDs from Deutsche Grammophon's analog period recordings as a Japanese original project. DISC1 contains symphonies and orchestral pieces. DISC2 contains concertos, chamber music, instrumental music, and vocal music from a wide range of classical music genres. Available for the price of one SACD. Celebrating Deutsche Grammophon's 125th anniversary.

Introducing "Ansonia Records Presents - Salsa Con Estilo - Dance Floor Gems from the Vaults: 1950s - 1980s," a vibrant compilation that traces the musical journey of salsa through the iconic NYC-based Latin label, Ansonia Records and its founder Rafael "Ralph" Pérez. A trailblazer in the U.S. recording industry, Pérez played a pivotal role in shaping the Latin music landscape, particularly during the label's heyday from the 1950s to the 1970s.

This album covers the period 1979 to 1987 and features 14 tracks. When punk rock started to fizzle out and Squat Punks started to appear on the streets, many of the UK's disaffected youths had already moved sideways into Modernism and fell in love with bands like The Jam, Secret Affair, The Purple Hearts, The Lambrettas and The Chords but lets also remember our love for The Beat, Madness and The Specials. Mod was another gang culture, to some a way of life, to some it became life. The smart, striking fashion sense, the scooters, the music; (some from the 60's, soul and Motown), some from the 70's and 80's, guitar driven power pop. Wow! Mod was the real deal.

A love of poetry lies at the core of Monica Houghton’s A BREATH OF AIR from Navona Records. She has set to music not only lyrical giants such as Whitman, Dickinson, and Hughes, but also some contemporary poets with their own magnificent lyrical gifts. These soul-touching works are performed to the highest possible standard by select world-class singers and accompanists. A perfect symbiosis on all fronts.

'Rosie' The Musical is an exciting new historical drama based on an inspirational true story with Music and Lyrics by Chris Broom and Book by Sam Babenia. This eagerly awaited 'Rosie' Original Studio Cast Recording features a stunning selection of musical highlights from the show. This album showcases the multiple award-winning ballads which are at the heart of the Musical's score. The sensational Lucy Thomas sings the title role with a series of magnificent solos, including 'Starlight', 'Suddenly' and 'Broken Dreams'. Lucy is joined by rising West End star Will Callan for two beautiful duets, 'Above the Clouds' and 'Hold On' and the hugely talented Desmonda Cathabel who sings the wonderful 'I Still Believe in Love'. The album also includes exhilarating ensemble numbers sung by the brilliant Kantos Chamber Choir and St. Bede's Catholic High School Chamber Choir. With its collection of outstanding recordings this Studio Cast Album is set to become a much-loved classic.

Boléro, composed by Maurice Ravel in 1928, has always captured the world’s attention. Repetitive, mesmeric, colourful and thrilling, it has also proved a seminal work, influencing composers over the past century. Now it lends its name to a film inspired by the life of Ravel: directed by Anne Fontaine and starring Raphaël Personnaz. The soundtrack of Bolero features Erato and Warner Classics artists of today and yesterday. Among them are luminaries of the present – such as Alexandre Tharaud, Aurélien Pontier, Renaud Capuçon, Gautier Capuçon and Frank Braley – and legends of the past like Samson François, Dinu Lipatti and André Cluytens. Boléro itself has been specially recorded for the film by the Brussels Philharmonic, conducted by Dirk Brossé. Other works by Ravel on the soundtrack include Pavane pour une infante défunte, La Valse, Alborada del gracioso, Ma Mère l'oye, the Piano Concerto in G major and String Quartet, while three piano pieces by Chopin can also be heard.