Iko Iko, an Album by The Scorpio Brothers. Released in 1974 on Thimble.

Milton Bland (October 3, 1930 – July 3, 1986), better known as Monk Higgins, was an American saxophonist born in Menifee, Arkansas.

Allan Rich released album Allan Rich on label Epic Records.

SOUTHERN STEEL "Get On Through" out of Miami, Florida in 1974 firmly resides in the upper realms of rare early '70s southern rock LPs and the brilliant guitar interplay, vibrant vocals and finely crafted songs will seriously grab late '60s westcoast rock ears as well. It's really accessible stuff, heartfelt country inflected vocals with appealing vivid guitar textures and rhythms that fly. Echoes of Buffalo Springfield, Flying Burrito Brothers, Byrds, more on the rock than the country side but genuine about both. It's southern but it's also eastcoast-westcoast. In fact the opening track titled "San Francisco Man" is loaded with searing guitar licks and propulsive rhythmic action hitting pleasure points similar to the first Moby Grape LP. "Get On Through" contains thoughtful song oriented outdoors rock with little in the way of "south's gonna rise again" attitude, bluesy grit, bad women, whiskey, or hard livin' roadhouse action. These guys genuinely sound turned on to life, everyday regular dude seeker post '60s style and it is contagious. You can really feel it when the sweet southern fried dual guitar leads cascade out at just the right moment.

Artiste pluridisciplinaire, Nicole Croisille passe allègrement de la chanson au cinéma et de la comédie musicale au théâtre. L'iinterprète de l'immortel « Chabadabada » d'Un Homme et une femme (1966) a multiplié les succès au cours des années 1970 : « Une femme avec toi », « Téléphone moi », « Parlez-moi de lui (Il ne pense qu'à toi) » ou « Les Uns et les autres » ont marqué les esprits par sa voix chaude et puissante. En 2006, elle rend hommage à Claude Nougaro dans un spectacle et le disque Nougaro, le jazz et moi.

This is a Record Store Day 2024 release. This vinyl will be for sale in our store in Scheveningen on April 20. If there is still stock left, online sales will start April 22 at 9:00 PM (Dutch time).

Natty Dread is the seventh album by Bob Marley and the Wailers, released in 1974. Previously Marley had recorded with Peter Tosh and Bunny Wailer as the Wailers, and this was his first record without them.

Jim Dawson (born September 10, 1944) is an American author and self-proclaimed "fartologist", who has specialized in pop culture of early rock and roll and the history of flatulence, having written three books on the latter subject.

A really hip record from flutist Jeremey Steig – and a set that's nice and lean, with a very cool groove! The lineup just features Eddie Gomez on bass, Ray Mantilla on congas, and Marty Morrell on drums – and Gomez is fantastic, with a rich sound that's very different than his work with Bill Evans – funky at times, and sounding great next to the percussion! Titles include "Djinn Djinn", "Space Maiden", "Monium", and "Dream Passage".

Mastered direct to DSD from the original master tape by Bernie Grundman.
Steely Dan's gold-selling third studio album Pretzel Logic, charted at No. 8 on the Billboard 200 and restored the group's radio presence with the single "Rikki Don't Lose That Number," which became the biggest pop hit of their career and peaked at No. 4 on the Billboard Hot 100. The 1974 album was produced by Gary Katz and was written primarily by Walter Becker (bass) and bandleader Donald Fagen (vocals, keyboards). The album marked the beginning of Becker and Fagen's roles as Steely Dan's principal members.

Record Store Day 2019 RSD Exclusive Release, quantity 7,500. Housed in a rough cardstock sleeve with punch-hole, title/tracklist stickers on both sides, with additional die-cut plain paper inner sleeve. Record Store Day-branded hype sticker on the shrinkwrap (catalog number 19075931221S3) with Columbia "Walking Eye" logo reads: "The original New York version of Blood on the Tracks Replica of the 1974 test pressing Featuring unique mixesAvailable for the first time ever".

"Waterloo" is the first single from the Swedish pop group ABBA's second album of the same name, and their first under the Atlantic label in the US. This was also the first single to be credited to the group performing under the name ABBA. The title and lyrics reference the 1815 Battle of Waterloo, and use it as a metaphor for a romantic relationship. The Swedish version of the single was backed with the Swedish version of "Honey, Honey", while the English version featured "Watch Out" on the B-side.

The Incredible Bongo Band, also known as Michael Viner's Incredible Bongo Band, was a project started in 1972 by Michael Viner, a record artist manager and executive at MGM Records, producer, MGM Records executive and Curb Records founder Mike Curb and arranger Perry Botkin, Jr. Viner was called on to supplement the soundtrack to the B-film The Thing With Two Heads.[3] The band's output consisted of upbeat, funky, instrumental music. Many tracks were covers of popular songs of the day characterized by the prominence of bongo drums, conga drums, rock drums and brass.
Bongo Rock was featured in Robert Dimery's book 1001 Albums You Must Hear Before You Die.

in 1974, the Eagles released their third studio album, an LP that earned them their first - but certainly not their last - hit single.
Produced by Glynn Johns ("You Never Cry Like a Lover" and "Best of My Love") and Bill Szymczyk (everything else) during sessions at Record Plant Studios in Los Angeles and Olympic Studios in London, ON THE BORDER was the first Eagles album with guitarist Don Felder in the lineup, but it could have been a very different album if the guys in the band hadn't tired of Johns' efforts to play country in their rock. Johns' argument was, "The Who is a rock and roll band, and you're not," and you can imagine how well that went over. After working with Johns in London for six weeks, the Eagles returned to L.A., where they teamed up with Szymczyk, and it was during those sessions that Felder joined the band. Admittedly, he joined rather late, so he can only be heard on two tracks - "Good Day in Hell" and "Already Gone" - but it was enough to make a name for himself and be officially accepted into the band.

The Choice Four were a very classy all male quartet that I imagine RCA had high hopes for.