The polyphonic choral concerto performed a cappella first appeared in Russian music at the beginning of the 18th century. Sacred in origin, it began as a multimovement setting of liturgical texts. Although it later became more secular in character, it nonetheless retained an elevated nature thanks to its use of Christian imagery. Most of the composers who worked in this genre were choirmasters and conductors, and inherited the traditions of the oldest professional choirs in Russia: the Moscow Synodal Choir and the Saint Petersburg Court Chapel.

The Yekaterinburg Philharmonic Choir approached one of the heights of the Russian sacred music - Sergei Rachmaninov's All-Night Vigil (1915). “It was completed in less than two weeks,” the composer wrote about it.

The Yekaterinburg Philharmonic Choir (artistic director and conductor Andrei Petrenko) presents Great Music of Small Forms, an album of works by Russian composers of the 19th and 20th centuries. These include works by Varlamov and Glinka as representatives of the St. Petersburg school, by Mussorgsky, Rimsky-Korsakov, Borodin, Balakirev and Cui (The Mighty Handful), and by Arensky, Anton Rubinstein and Tchaikovsky. Whilst these composers were primarily known for their large-scale compositions, here they reveal themselves as consummate masters of the choral miniature, finding their inspiration in the masterpieces of Russian poetry, in folk songs and in salon romances. Listeners will here discover not only world-famous works by these composers but also original choral arrangements of their music that were made especially for this recording.