Tags
Language
Tags
April 2024
Su Mo Tu We Th Fr Sa
31 1 2 3 4 5 6
7 8 9 10 11 12 13
14 15 16 17 18 19 20
21 22 23 24 25 26 27
28 29 30 1 2 3 4
https://canv.ai/
The picture is generated by canv.ai

We are excited to announce that Canv.ai now features a built-in translator, allowing you to communicate in your native language. You can write prompts in your language, and they will be automatically translated into English, facilitating communication and the exchange of ideas!

We value freedom of speech and guarantee the absence of censorship on Canv.ai. At the same time, we hope and believe in the high moral standards of our users, which will help maintain a respectful and constructive atmosphere.


👉 Check for yourself!

Galanterie, John Schneiderman - Johann Kropfgans: Lute Concerto, Sonatas & Divertimentos (2005)

Posted By: Designol
Galanterie, John Schneiderman - Johann Kropfgans: Lute Concerto, Sonatas & Divertimentos (2005)

Johann Kropfgans: Lute Concerto, Sonatas & Divertimentos (2005)
Galanterie: John Schneiderman, lute; Elizabeth Blumenstock, violin; William Skeen, cello

EAC | FLAC | Image (Cue&Log) ~ 302 Mb | Mp3 (CBR320) ~ 165 Mb | Scans included
Classical, Baroque | Label: Profil | # PH 05012 | Time: 01:09:20

The lute reigned supreme as the instrument of choice throughout the Renaissance, but waned in popularity in the seventeenth century as keyboard instruments became more refined and widespread. Yet, it held its own in the Baroque era in certain regions, particularly in France, where large quantities of dance suites were written. Toward the end of the century, the lute enjoyed something of a revival as it became extremely popular in German-speaking countries, and in regions of central Europe. Today, it has found a home as a continuo instrument, often preferred to the harpsichord for its rich and gentle tone, and its warmer sound. Artists such as Stephen Stubbs, Lucas Harris, Daniel Swenberg and Michael Fields have brought the Baroque Lute into a new daylight, championing, post-Renaissance compositions and making it the continuo instrument of choice in a large body of vocal and chamber music. This disc of works by Johann Kropfgans brings the lute into prominence as a chamber music partner, and although the pieces are simple and most likely intended originally for amateurs, this fine ensemble brings the music to life with all the care and dedication that one might expect to go into a disc of Bach or Handel.