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Jean-Christophe Spinosi, Ensemble Matheus - Antonio Vivaldi: Orlando furioso (2004)

Posted By: ArlegZ
Jean-Christophe Spinosi, Ensemble Matheus - Antonio Vivaldi: Orlando furioso (2004)

Jean-Christophe Spinosi, Ensemble Matheus - Antonio Vivaldi: Orlando furioso (2004)
EAC | FLAC | Image (Cue & Log) ~ 937 Mb | Total time: 182:34 | Scans included
Classical | Label: Naïve | # OP 30393 | Recorded: 2004

Diving into Vivaldi's Orlando furioso with Jean-Christophe Spinosi, Matheus Ensemble, and a shockingly good cast is enough to make even the most jaded listener smile. It is fresh, unrelentingly impressive, and entertaining to a fault. The opera is over-plotted: the first paragraph of the synopsis is enough to confuse anyone not taking notes. And listening to the entire thing would amount to more flowery, athletic vocalism than most can stand in one sitting. But those with the remotest interest in Vivaldi opera, or opera at all, will be hard pressed not to marvel at the quality of what's recorded here. Spinosi is a brilliant Vivaldian who pulls sweet-toned lyricism and down-and-dirty sawing from his Matheus Ensemble, making the most of the composer's rich orchestration. And the cast pulls one rabbit after another out of its collective hat, tackling Vivaldi's consummately difficult arias with élan.

Ottavio Dantone, Accademia Bizantina - Antonio Vivaldi: Tito Manlio (2005)

Posted By: ArlegZ
Ottavio Dantone, Accademia Bizantina - Antonio Vivaldi: Tito Manlio (2005)

Ottavio Dantone, Accademia Bizantina - Antonio Vivaldi: Tito Manlio (2005)
EAC | FLAC | Image (Cue & Log) ~ 0,99 Gb | Total time: 184:57 | Scans included
Classical | Label: Naïve | OP 30413 | Recorded: 2005

Most of Vivaldi's operas were composed for Venice, but between 1718 and 1720, he was in the employ the Austrian governor of Mantua, and he composed Tito Manlio for the governor's wedding celebration. The wedding never took place, but the opera was performed in 1719. The Mantuan court was very wealthy, and this is clear from the lavish scoring of Manlio: in addition to the usual strings, Vivaldi uses horns, trumpets, oboes, bassoon, two different registers of flutes, timpani and viola d'amore.

Dorothee Oberlinger - Italian Sonatas: Corelli, Geminiani, Sammartini, Vivaldi, Detri (2007)

Posted By: ArlegZ
Dorothee Oberlinger - Italian Sonatas: Corelli, Geminiani, Sammartini, Vivaldi, Detri (2007)

Dorothee Oberlinger - Italian Sonatas: Corelli, Geminiani, Sammartini, Vivaldi, Detri (2007)
EAC | FLAC | Image (Cue & Log) ~ 353 Mb | Total time: 67:30 | Scans included
Classical | Label: Deutsche Harmonia Mundi | # 88697115712 | Recorded: 2007

Wer erkunden möchte, welche Brillanz und Farbenvielfalt das Spiel auf einer Blockflöte ermöglicht, sollte in dieses vielgestaltige Programm mit italienischen Sonaten hineinhören. Dorothee Oberlinger verfügt über eine phänomenale Technik, mit der sie jeden musikalischen Impuls umzusetzen und ihre Spielfreude ungebremst auszuleben vermag. Selbst in den rasantesten Läufen und vertracktesten Verzierungen bleibt die Artikulation glasklar, der Ton wunderbar präsent und konturiert.

Walter Reiter, Cordaria - Antonio Vivaldi: 12 Sonatas for violin and continuo Op 2 (2000)

Posted By: ArlegZ
Walter Reiter, Cordaria - Antonio Vivaldi: 12 Sonatas for violin and continuo Op 2 (2000)

Walter Reiter, Cordaria - Antonio Vivaldi: 12 Sonatas for violin and continuo Op 2 (2000)
EAC | FLAC | Image (Cue & Log) ~ 539 Mb | Total time: 55:41+50:49 | Scans included
Classical | Label: Signum Classics | # SIGCD014 | Recorded: 1998

These works, often thought of in terms of being ‘immature’, are currently under recorded. This is a pity because although lacking in the depth of Vivaldi’s next opus, the masterwork ‘L’Estro armonico’, these sonatas are sophisticated and artful studies.

Concerto Köln, Shunske Sato - Vivaldi: The Four Seasons (2016)

Posted By: tirexiss
Concerto Köln, Shunske Sato - Vivaldi: The Four Seasons (2016)

Concerto Köln, Shunske Sato - Vivaldi: The Four Seasons (2016)
WEB | FLAC (tracks) - 297 MB | MP3 (CBR 320 kbps) - 135 MB | 51:04
Genre: Classical | Label: Berlin Classics

“Something new every moment.” If we are to believe Shunske Sato, leader of Concerto Koln and soloist on this sparkling new release of Antonio Vivaldi’s “Four Seasons,” what is at the heart of this recording is the idea of freedom. Freedom, too, in more ways than one. True to the principles of historical performance practice, the ensemble delivers the vitality of spontaneous playing in Vivaldi’s music.

Dorothee Oberlinger, Sonatori de la Gioiosa Marca - Flauto Veneziano (2012)

Posted By: ArlegZ
Dorothee Oberlinger, Sonatori de la Gioiosa Marca - Flauto Veneziano (2012)

Dorothee Oberlinger, Sonatori de la Gioiosa Marca - Flauto Veneziano (2012)
EAC | FLAC | Image (Cue & Log) ~ 370 Mb | Total time: 68:54 | Scans included
Classical | Label: Deutsche Harmonia Mundi | # ‎88691955142 | Recorded: 2011

Die Blockflötistin und ECHO Klassik-Preisträgerin Dorothee Oberlinger ist mittlerweile weit über die Alte Musik- und die Klassik-Szene hinaus bekannt. Erst Ende vorigen Jahres widmete die Vogue ihr einen Artikel und in der Talkshow »3nach9« begeisterte sie die Zuschauer, auch durch ihr Duett mit Klaus Doldinger. Auf ihrer neuen CD »Flauto Veneziano« widmet sich Dorothee Oberlinger ganz der Flötenkunst Venedigs von der Renaissance bis zum Spätbarock. Die Blockflöte, im Italienischen bis zum Anfang des 18. Jahrhunderts schlicht »flauto«, war in Venedig bis zur Mitte des 18. Jahrhunderts ein sehr beliebtes und verbreitetes Instrument.

Richard Hickox, Collegium Musicum 90 - Antonio Vivaldi: Ottone in villa (1998)

Posted By: ArlegZ
Richard Hickox, Collegium Musicum 90 - Antonio Vivaldi: Ottone in villa (1998)

Richard Hickox, Collegium Musicum 90 - Antonio Vivaldi: Ottone in villa (1998)
EAC | FLAC | Image (Cue & Log) ~ 663 Mb | Total time: 75:54+68:47 | Scans included
Classical | Label: Chandos | # CHAN 0614(2) | Recorded: 1997

This, Vivaldi's very first opera, was premièred in Vicenza in 1713 and was an instant hit. The story is a relatively uncomplicated one by the standards of Baroque opera, of amatory pretences and misunderstandings: it has been admirably summarised by Eric Cross (who has edited the work) as a 'light-weight, amoral entertainment in which the flirtatious Cleonilla consistently has the upper hand, and gullible Emperor Ottone (a far from heroic figure) never discovers the truth about the way he has been deceived'. The score proceeds in a succession of secco recitatives (with just a very occasional accompagnato) and da capo arias – which the present cast ornament very stylishly.

Gilbert Bezzina, Ensemble Baroque de Nice - Antonio Vivaldi: Rosmira Fedele (2003)

Posted By: ArlegZ
Gilbert Bezzina, Ensemble Baroque de Nice - Antonio Vivaldi: Rosmira Fedele (2003)

Gilbert Bezzina, Ensemble Baroque de Nice - Antonio Vivaldi: Rosmira Fedele (2003)
EAC | FLAC | Image (Cue & Log) ~ 855 Mb | Total time: 76:19+61:40+31:18 | Scans included
Classical | Label: Dynamic | # 437/1-3 | Recorded: 2003

In collaboration with the Opéra de Nice and with the Ensemble Baroque de Nice, Dynamic releases a Vivaldian rarity, Rosmira Fedele, first staged at Venice’s Teatro Sant’Angelo on 27th January 1738. Written on a libretto by Silvio Stampiglia, Rosmira Fedele is the last opera by Vivaldi that has come down to us. Written three years before the composer’s death, this work heralds the end of one of the most fertile theatrical careers in the history of music.

Fabio Biondi, Rinaldo Alessandrini, Maurizio Naddeo - Antonio Vivaldi: Sonate di Dresda (2011)

Posted By: ArlegZ
Fabio Biondi, Rinaldo Alessandrini, Maurizio Naddeo - Antonio Vivaldi: Sonate di Dresda (2011)

Fabio Biondi, Rinaldo Alessandrini, Maurizio Naddeo - Antonio Vivaldi: Sonate di Dresda (2011)
EAC | FLAC | Image (Cue & Log) ~ 295 Mb | Total time: 55:53 | Scans included
Classical | Label: Naïve | # OP 30154 | Recorded: 1995

Nel vastissimo catalogo delle opere di Antonio Vivaldi (circa 1.000 numeri considerando le appendici), la musica da camera rappresenta una parte non considerevole e, probabilmente, una delle meno note rispetto alla frequentatissima produzione concertistica e sacra, a cui si è agggiunta, negli ultimi anni, quella operistica. Per quest'ultima si pensi, ad esempio, alle recenti produzioni dell'etichetta "Naive" o alle arie d'opera riscoperte e magistralmente eseguite in forma di concerto da Cecilia Bartoli.

Gilbert Bezzina, Ensemble Baroque de Nice - Antonio Vivaldi: La Silvia (2000)

Posted By: ArlegZ
Gilbert Bezzina, Ensemble Baroque de Nice - Antonio Vivaldi: La Silvia (2000)

Gilbert Bezzina, Ensemble Baroque de Nice - Antonio Vivaldi: La Silvia (2000)
EAC | FLAC | Image (Cue & Log) ~ 416 Mb | Total time: 73:00 | Scans included
Classical | Label: Ligia Digital | # Lidi 0203090-00 | Recorded: 2000

The restoration of this pastoral drama, created in 1721 in Milan, was supervised by French musicologist and Vivaldi specialist Frederic Delamea. These landmark performances from the Nice Baroque Ensemble are lead by Gilbert Bezzina and feature a cast of international soloists including Roberta Invernizzi, Gloria Banditelli, Johan Elwes and Philippe Cantor.

Orchestra of the Age of Enlightenment - Antonio Vivaldi: Concerti (2000)

Posted By: Designol
Orchestra of the Age of Enlightenment - Antonio Vivaldi: Concerti (2000)

Orchestra of the Age of Enlightenment - Antonio Vivaldi: Concerti (2000)
XLD | FLAC | Tracks (Cue&Log) ~ 376 Mb | Mp3 (CBR320) ~ 181 Mb | Scans included
Genre: Classical | Label: Linn Records | # CKD 151 | Time: 01:14:03

The popular Orchestra of the Age of Enlightenment presents a fantastic and exuberantly played selection of Vivaldi. Named a ‘Choice' recording by Gramophone upon release, the OAE joyfully celebrate some of Vivaldi's finest instrumental writing. The soloists are drawn from within the distinguished ranks of the OAE including Anthony Robson (oboe), Andrew Clark (horn), Roger Montgomery (horn), David Watkin (cello), Lisa Beznosiuk (flute), Elizabeth Kenny (lute) and Catherine Mackintosh (viola). The concertos assembled on this disc afford the listener a glimpse of Vivaldi's originality, not only as a sensitive colourist and master of form, but also as a felicitous melodist whose harmonies and phraseology are charged with heady atmosphere. The dancing rhythms and distinctive characters of these concerti together with the variety of instrumental combinations and sparkling performances make this a fresh and constantly engaging listen.

Bernarda Fink, Giovanni Antonini, Il Giardino Armonico - Il Pianto di Maria: The Virgin's Lament (2009)

Posted By: ArlegZ
Bernarda Fink, Giovanni Antonini, Il Giardino Armonico - Il Pianto di Maria: The Virgin's Lament (2009)

Bernarda Fink, Giovanni Antonini, Il Giardino Armonico - Il Pianto di Maria: The Virgin's Lament (2009)
EAC | FLAC | Image (Cue & Log) ~ 269 Mb | Total time: 60:54 | Scans included
Classical | Label: DECCA | # 478 1466 | Recorded: 2008

Rare recordings of two settings of Mary’s passionate Easter lament. For their second L’Oiseau Lyre disc, Il Giardino Armonico, again under their director Giovanni Antonini, are joined by celebrated mezzo-soprano Bernarda Fink, for a project exploring the Passion of Christ as seen through the eyes of the Virgin Mary. The two central works are both vocal settings of the Virgin’s lament.

Dorothee Oberlinger, I Sonatori de la Gioiosa Marca - Night Music (2019)

Posted By: ArlegZ
Dorothee Oberlinger, I Sonatori de la Gioiosa Marca - Night Music (2019)

Dorothee Oberlinger, I Sonatori de la Gioiosa Marca - Night Music (2019)
EAC | FLAC | Image (Cue & Log) ~ 333 Mb | Total time: 68:29 | Scans included
Classical | Label: Deutsche Harmonia Mundi | # 19075912522 | Recorded: 2018

The present recording brings together various examples of night music from the European tradition and constitutes a kaleidoscope refracting the manifold facets of night. In tells of brilliant celebrations, nocturnal love dramas and desires, tender lullabies, ghosts, birds of the night and the most holy of nights. It is Antonio Vivaldi's music that is pivotal to our recording. Providing a bridge between his works and functioning as interludes are songs, diminutions, motets, madrigals, sommeils and chaconnes from Spai, the Netherlands, France, England, Italy, Germany and Austria.

Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: Arsilda, Regina di Ponto (2004)

Posted By: ArlegZ
Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: Arsilda, Regina di Ponto (2004)

Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: Arsilda, Regina di Ponto (2004)
EAC | FLAC | Image (Cue & Log) ~ 775 Mb | Total time: 166:12 | Scans included
Classical | Label: CPO | # 999 740-2 | Recorded: 2001

Antonio Vivaldi composed Arsilda, Regina di Ponto for the Venetian theater of Sant'Angelo in the fall of 1716. While Vivaldi had, by its debut, been an important member of Venetian musical culture for over a decade as a violinist and composer, he had begun composing only three years earlier. Domenico Lalli, his librettist, who settled in Venice in 1710 after fleeing his native Naples upon being charged with embezzlement, was one of the most important librettists of the first decades of the eighteenth century.

Cecilia Bartoli - Queen of Baroque (2020)

Posted By: ArlegZ
Cecilia Bartoli - Queen of Baroque (2020)

Cecilia Bartoli - Queen of Baroque (2020)
EAC | FLAC | Image (Cue & Log) ~ 366 Mb | Total time: 78:40 | Scans included
Classical | Label: Decca | # 485 1275 | Recorded: 1991-2017

A collection of the very best of Bartoli's treasured recordings of musical delights and discoveries of the 17th and 18th century. Featuring two previously unreleased world premiere recordings of forgotten jewels by Leonardo Vinci and Agostino Steffani. With guest appearances from Philippe Jaroussky, June Anderson, Franco Fagioli and Sol Gabetta.