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Michael Alexander Willens, Kölner Akademie - Forgotten Treasures, Vol. 3: Wiener Kontrabasskonzerte (2006)

Posted By: ArlegZ
Michael Alexander Willens, Kölner Akademie - Forgotten Treasures, Vol. 3: Wiener Kontrabasskonzerte (2006)

Michael Alexander Willens, Kölner Akademie - Forgotten Treasures, Vol. 3: Wiener Kontrabasskonzerte: Hoffmeister, Ppichl, Vaňhal (2006)
EAC | FLAC | Image (Cue & Log) ~ 296 Mb | Total time: 56:39 | Scans included
Classical | Label: ARS Produktion | # ARS 38 020 | Recorded: 2006

Canadian bassist David Sinclair's new CD is an outstanding release, musically, technically and historically. Featuring three concertos from the second half of the eighteenth century, it is the first recording of the Hofmeister Concerto and first recording of the Vanhal on Viennese violine (Lars Baunkilde recorded the Pichl on Viennese violine in 1997). It is superbly recorded in Super Audio (surely the first solo bass CD in this format) on Annette Schumacher's wonderful Ars Produktion label. The balance has been carefully considered in every movement and the accompaniment from fellow bassist and conductor Michael Willens directing the Cologne-based ensemble Kölner Akademie is sensitive and supportive.

Matthias Bamert, London Mozart Players - Václav Pichl: Symphonies (1999)

Posted By: ArlegZ
Matthias Bamert, London Mozart Players - Václav Pichl: Symphonies (1999)

Matthias Bamert, London Mozart Players - Václav Pichl: Symphonies (1999)
EAC | FLAC | Image (Cue & Log) ~ 325 Mb | Total time: 68:07 | Scans included
Classical | Label: Chandos | # CHAN 9740 | Recorded: 1997

Václav (Wenzel) Pichl was born on September 25, 1741 of humble parentage, at Bechyne. He began his musical studies with Jan Pokorny, the local choirmaster and teacher. Pichl's list of works includes twenty operas, thirty masses, eighty-nine symphonies, thirty concertos, and a huge body of chamber music, including 148 pieces which he wrote for Joseph Haydn's employer. The Symphony in B flat, Z23 is scored for strings, two oboes and two horns. A solemn and substantial introductory Grave prefaces a vivacious sonata-form Allegro assai with two contrasting themes, a taut development section, and a condensed recapitulation….