After losing founding vocalist David Byron in 1976, many hard rock fans thought Uriah Heep had reached the end of the line. However, the group bounced back in 1977 with Firefly, an album that pursued a stripped-down sound harking back to the group's early-'70s successes. They also boasted a new singer in John Lawton, a vocalist who had made his fame working with artsy German hard rockers Lucifer's Friend. Although he lacked the multi-octave range of David Byron, Lawton boasted an impressive and emotionally rich hard rock voice that instantly jelled with the Uriah Heep sound. An ideal example of this new synergy was provided by the opening track, "The Hanging Tree," which featured Lawton dramatically delivering a narrative about an outlaw on the run over a spooky musical track that blended echo-drenched synthesizers with some typically gutsy guitar riffs from Mick Box.

Although Uriah Heep is known for its extensive personnel changes, its lineup has been stable since the mid-'80s; unfortunately, that stability coincided with the band's commercial decline (its last album to chart in the U.S. came in 1983, its last in its native U.K., 1985). So, no one outside the group's fan base noticed that the quintet of founding member and guitarist Mick Box, drummer Lee Kerslake (1971-1978, 1982-2007), bassist Trevor Bolder (who joined in 1977, left during the band's hiatus in the early '80s, and returned a couple of years after its re-formation), singer Bernie Shaw, and keyboard player Phil Lanzon (both of whom joined in the mid-'80s) remained in place through numerous world tours and the studio albums Raging Silence (1989), Different World (1991), Sea of Light (1995), and Sonic Origami (1998).

Ken Hensley (Uriah Heep) recorded the Weed album during March 1971 in between the Uriah Heep albums Salisbury and Look At Yourself. Some members of the 1970/71 Virus line-up were also involved: Reinhold Spiegelfeld, Bernd Hohmann and Werner Monka.
Ken Hensley not only contributed the vocals, but also keyboards and guitars to an album that was referred as a mix of "Guru Guru and Status Quo" by the British music press, mentioned in the same breath with acts such as Sperrmüll, Reaction and Tiger B. Smith - all of them German acts who proved to be part of a Krautrock division specialising mainly in British influences.

Blending plain old hard rock with prog rock tendencies and a clear ear for a good radio-ready pop hook, Uriah Heep never exactly wowed the critics, perhaps because their lyrical fascination with wizards and demons could make them seem as addled as Spinal Tap in that band's famous Stonehenge concert scene. But critics don't make rock memories, and Uriah Heep, despite countless lineup changes, remained a steady band that played at being outlaws on the run and produced at least a couple of enduring rock radio classics in the early '70s, most notably their fun versions of "Stealin'" and "Easy Livin'," both of which present the band at its best. This set has both of those songs, plus other bare-bone essentials like "Lady in Black" and "The Wizard," and for most casual fans, it'll fill the bill.

Initially released in 1972 ‘Demons And Wizards’ is the fourth album by British rock band Uriah Heep. Fast forward 45 years it still remains a timeless classic. Painstakingly remastered by Andy Pearce. ‘Demons And Wizards’ catapulted the band into the stratosphere with over 3 million copies sold worldwide. The newfound chemistry with Gary Thain joining Heep midway through their American tour immediately paid dividends, the classic line-up of Uriah Heep was born. Tracks such as ‘The Wizard’ & ‘Easy Livin’’ became synonymous with the band's success, with biographer K.Blows later going on to say “Everything clicked into place” and it did. ‘Demons And Wizards’ reached No.20 in the UK, No.23 in the US and for 14 weeks it topped the charts in Finland.

Uriah Heep are releasing their anticipated brand new studio album - the 25th in their storied career - which will be titled, appropriately enough, Living The Dream . "We have been together for 47 years and we have seen many bands come and go, so in effect we are Still Living The Dream, so it was the perfect title for the new album, says Uriah Heep guitarist and founding member Mick Box. Famed Canadian engineer, Jay Ruston has been called in to produce the album. Mick continues: We chose Jay because we admire his work with The Winery Dogs, Stone Sour, Black Star Riders, Paul Gilbert, and Europe. Jay has either produced, mixed or both for these bands, and he brought a fresh approach to Heep.

This is the album that solidified Uriah Heep's reputation as a master of gothic-inflected heavy metal. From short, sharp rock songs to lengthy, musically dense epics, Demons and Wizards finds Uriah Heep covering all the bases with style and power. The album's approach is set with its lead-off track, "The Wizard": it starts as a simple acoustic tune but soon builds into a stately rocker that surges forth on a Wall of Sound built from thick guitar riffs, churchy organ, and operatic vocal harmonies. Other highlights include "Traveller in Time," a fantasy-themed rocker built on thick wah-wah guitar riffs, and "Circle of Hands," a stately power ballad with a gospel-meets-heavy metal feel to it.

This album was recorded their gig at San Diego Sports Arena in San Diego, California, February 8, 1974. The line-up featured Mick Box, David Byron, Ken Hensley, Lee Kerslake, Gary Thain, were so called "classic" Heep line up and it's easy to hear why. This night was a powerful night.

Evoking an era when prog, hard rock and heavy metal co-existed in an era of glorious, boundary-breaking music, the songs on this 2CD and digital collection trace the evolution of Heep from inexperienced studio musicians with everything to prove to bona fide, limo inhabiting rock stars. The Anthology cherry picks tracks from some of Heep’s most celebrated albums including ‘Demons And Wizards’, ‘Look At Yourself’, ‘Return To Fantasy’, ‘Equator’, ‘Conquest’ and ‘The Magician’s Birthday’. Created with the full collaboration of Heep themselves and curated by guitarist and founder member Mick Box, the reissues come as 2CD expanded packages, with the original album on CD1 re-mastered by renowned engineer Andy Pearce of Lou Reed and Black Sabbath fame and complete with liner notes in extensive booklet with rare photos by the bestselling rock author Joel McIver. Box and Heep’s sometime member Ken Hensley, composer of many of the band’s best-known songs, contribute to each album’s notes.

Outsider is Uriah Heep's 24th studio album. It follows the untimely passing of their beloved bass player, Trevor Bolder in May 2013. The recording started in late 2013 at Liscombe Park Studios in Buckinghamshire, England and features 11 brand new songs, including some epic additions to the band's huge catalog of rock classics. Uriah Heep debuted in 1970 with the release of one of Hard Rock music's milestones Very 'eavy… Very 'umble (which some rock historians argue contains the very FIRST heavy metal song ever, the classic Gypsy) and have since sold in excess of 30 million albums worldwide.

Chaos & Colour, the energetic and triumphant 25th studio album from British hard rock legends and progenators Uriah Heep, bristles with explosive classic rock guitars, supreme harmonies, and Heep's famously generous keyboard foundation. This deluxe edition includes a demo version of 'Save Me Tonight' as a bonus track. Led by founding member Mick Box, it is no surprise that themes of light, love and, ultimately, positivity are constant through the eleven tracks. Opener "Save Me Tonight" shows the band's weighty yet blistering chops, whilst "One Nation, One Sun" is a journey of soaring balladic contemplation.