The music of Guillaume Dufay is often said to lie on the boundary between medieval and Renaissance. It is complex in the manner of medieval polyphony, sometimes with multiple texts in different languages, and intricate rhyme schemes. Yet, in its evocative use of vertical sonority and its original texts in the songs, it approaches a manner of text-setting that you can recognize as modern. His chansons are not often recorded, so this release of 18 chansons from the Orlando Consort would be welcome on general principles; it has virtues considerably beyond that.

This is the second recording of Machaut's music by the all-male Orlando Consort (countertenor on top), and their way with Machaut is excellent. They have a nice, light tone in the secular pieces that contrasts with the more severe Gothic Voices, and they convey the weighty, ceremonial quality of the big motets. Machaut goes far enough back that nobody can be sure of how it sounded (and the graphics for this all-vocal album show a painting including instruments), but if you like the unaccompanied approach, this will do as well as anything for putting the basic sound of Machaut in your head. And "basic," in the best way, describes this album in another respect as well: the booklet notes by Anne Stone (given in English and French) give the most complete, and more importantly most enthusiastic, introduction one could ask for in a few pages to Machaut's stylistic world.

Guillaume de Machaut was one of the most influential composers of the 14th century, and his secular love songs were as significant as his sacred masterpiece, the Messe de Nostre Dame. The Orlando Consort began its survey of Machaut's music with the 2013 album, Songs from Le Voir Dit, which was followed by The Dart of Love in 2015, and A Burning Heart in 2016, thus making Sovereign Beauty, their 2017 release on Hyperion, the fourth installment in this impressive series.

The titular ‘lion of nobility’ was (probably) King John II of France, making the most expansive work on this album a lament for a historical event: the French defeat at the Battle of Poitiers in 1356. Elsewhere, Machaut’s protagonist continues to scrutinize the joys and sorrows of courtly love in obsessive detail.

The rose as symbol of both the beloved and of love itself: the ‘fleur des fleurs’ of the Roman de la rose is paid due homage by The Orlando Consort in this latest instalment of their essential series.