Recorded in 1985, The Spirit of Christmas finds Ray Charles performing a variety of holiday favorites with vocal assistance from the Raelettes and an appearance by jazz trumpeter Freddie Hubbard. The ten tracks mix standards and originals, including "Santa Claus Is Coming to Town," "Rudolph the Red-Nosed Reindeer," and the ballad "That Spirit of Christmas," which was featured in the movie National Lampoon's Christmas Vacation. The Spirit of Christmas is perfect background music for any holiday celebration.

The Triple Feature series by Sony Legacy compiles three – usually well-known – catalog albums by big-name artists, assembles them in a slipcase box, and sells them at a budget price to consumers. While the reason may be simply a new package in order to clear shelves of excess inventory, this exercise also serves a purpose for collectors and fans filling in holes for a favorite artist. In the case of Frank Sinatra, Sony actually compiled three previously issued compilations – Classics & Standards, I’ve Got a Crush on You, and Songs from the Movies. Sinatra-philes already know that the earliest part of his career was spent recording for Columbia, and these titles reflect more the crooner than the finger-popping swing daddy of jazz and pop. It’s not that the music here isn’t worth hearing…

Nat King Cole's album 10th Anniversary proved to be an interesting watershed in his career. First finding fame as a popular jazz pianist leading a trio, Cole gradually added more and more vocals until he had pretty much left jazz behind for a full-time career as a singer. This compilation, issued on LP in 1955, drew from unreleased recordings from both his jazz and easy listening sessions. One can hear Cole's growth as a singer in his jazz tracks, scatting a bit in his "Lulubelle," though it is his impressive piano that dominates another original, "I'm an Errand Boy for Rhythm." "Peaches" is a rather pedestrian affair with the heavy-handed bongos of Jack Costanzo proving to be more of a distraction than a benefit. The easy listening vocals are a mixed bag. "Too Soon" is overwhelmed by Nelson Riddle's strings, though Dave Cavanaugh's campy Western satire "Rough Ridin'" fares better. Liner note writer James Ritz sings praises for Les Baxter's scoring of the ballad "The Story of My Wife," though the bland arrangement and melody bring to mind the prevailing attitude among other arrangers of the '50s ("The less Baxter, the better!").

Named after the 1934 Ray Noble-penned standard made famous by Bing Crosby, The Very Thought of You is the sixth studio album from Canadian jazz vocalist Emilie-Claire Barlow. Released in 2007, it features silky-smooth renditions of Nat King Cole's "Almost Like Being in Love," Billie Holiday 's "What a Little Moonlight Can Do," and Mama Cass' "Dream a Little Dream of Me" alongside interpretations of hits from various musicals including Guys and Dolls, Oklahoma!, and Pennies from Heaven.

Some critics might dismiss Sophie Milman as simply another pretty female singer, yet with her third CD, she continues to show an adventurous spirit, tackling standards and obscurities while also forging ahead into pop. Retaining many of the musicians from her previous release, Make Someone Happy, the upbeat alto offers a hip take of Duke Ellington's long overlooked "Take Love Easy," exuding sex appeal and backed by guitarist Rob Piltch, bassist Kieran Overs, and percussionist Mark McLean (who also arranged it), with a brief solo added on soprano sax by PJ Perry. Pianist Paul Shrofel contributed the breezy bop vehicle "That Is Love," which showcases Milman in her best light. She soars in the brisk treatment of the old chestnut "Day In, Day Out," starting in a samba setting and switching to bop, featuring alto saxophonist Wessel Warmdaddy Anderson.

Though her career stretched from the '30s to the '80s and she's widely considered possibly the greatest female jazz singer or all time, Ella Fitzgerald will probably forever be best known for a mid-'50s collection of albums collectively called the Songbooks, where she devoted entire albums to the works of such composers as Harold Arlen, Cole Porter, and Duke Ellington. THE BEST OF THE SONGBOOKS: THE BALLADS is one of the many compilations based on these recordings, and one of the best. From its beautiful, informative packaging to its gorgeously remastered sound, this 16-track, 64-minute collection treats the material with the respect it deserves. The material, of course, is first-rate, wall-to-wall standards from Johnny Mercer's wistful "Laura" to Ellington's sly "Do Nothin' Til You Hear From Me." Fitzgerald's performances are equally outstanding, as are the mostly big-band arrangements. This is as good as jazz ballad collections get.

This is the Keith Jarrett Trio's – featuring bassist Gary Peacock and drummer Jack DeJohnette – elegy for their former employer Miles Davis, recorded only 13 days after the maestro's death. The lonely figure in shadow with a horn on the cover contrasts with the joyous spirit of many of the tracks on this CD, yet there is still a ghostly presence to deal with – and in keeping with Miles' credo, Jarrett's choice of notes is often more purposefully spare than usual. There is symmetry in the organization of the album, with "Bye Bye Blackbird" opening and the trio's equally jaunty "Blackbird, Bye Bye" closing the album, and the interior tracks immediately following the former and preceding the latter are "You Won't Forget Me" and "I Thought About You." The centerpiece of the CD is an 18-and-a-half-minute group improvisation, "For Miles," which after some DeJohnette tumbling around becomes a dirge sometimes reminiscent of Miles' own elegy for Duke Ellington, "He Loved Him Madly." As an immediate response to a traumatic event, Jarrett and his colleagues strike the right emotional balance to create one of their more meaningful albums.