Software formed in 1983 by German duo Peter Mergener and Michael Weisser, Software owes much to electronic pioneer Klaus Schulze. Software's music usually builds on sequencer patterns and simple melodies, creating a lighter version of the Schulze style.

Software formed in 1983 by German duo Peter Mergener and Michael Weisser, Software owes much to electronic pioneer Klaus Schulze. Software's music usually builds on sequencer patterns and simple melodies, creating a lighter version of The Schulze style. Digital-Dance is globally very relaxing and alternates floating pieces (Magnificient-Shore), atmospherical tunes (Island Sunrise, Sea-Gulls-Audience) and for sure synthetic tracks (Oceans-Breath, Digital-Dance) and odd passages (Waving-Voices). Soundscapes are very reminiscent of Tangerine Dream is the mid 80s.

Chip-Meditation is one of the better efforts from the Software "team" of Peter Mergener and Michael Weisser. The inspiration for the set comes from contemporary philosophers. Their statements regarding rapid change, technological advancement, and the unpredictable stretching of boundaries and human imagination sent Weisser and Mergener to the studio to examine new limits. They have found several questions to ask. The examination of these issues manifests itself in Software's Berlin-school electronica and metallic textures. This is a fairly strong CD. It will appeal to fans of Klaus Schulze, Dweller at the Threshold, and Ashra.

A conversation with an international fashion designer inspired Software's Michael Weisser to create a series of compositions based on his interaction with eight different perfumes. Fragrances CD music Whatever the impetus, the end result is too much music with not enough "nose. " The basic Software sound remains intact, with support from Georg Stettner and the godfather of German electronic music, Klaus Schulze. Eight tracks are dedicated to a particular scent, while the ninth track is a compendium of themes developed earlier; sort of a mixture of fragrances. The overall sound is typically German electronic new age art-rock with repetitive themes that modulate endlessly. Digital percussion and drum programming are pervasive, though there are gentle passages here and there. The cuts are lengthy (most around seven minutes) with a playing time of over 66 minutes.

The Software "team" is merely an extension of Michael Weisser and Peter Mergener. Syn-Code: Symphony for Computer and DNA Molecules, Life-in-Concept is based on a science-fiction novel by Weisser. It is a set of Berlin school electronica with samples and atmospheres.

Software formed in 1983 by German duo Peter Mergener and Michael Weisser, Software owes much to electronic pioneer Klaus Schulze. Software's music usually builds on sequencer patterns and simple melodies, creating a lighter version of The Schulze style. Their later work is woven into concept albums, yet the music rarely lives up to their poetic aspirations. Software's earlier recordings with Peter Mergener are generally more satisfying.

Lange Zeit arbeitete er mit Michael Weisser zusammen, mit dem er insgesamt 14 Alben auf dem vom Elektroniksolisten Klaus Schulze gegründeten Label IC/Innovative Communication veröffentlichte, zuerst unter dem Namen Mergener & Weisser, dann unter dem Namen Software. Die Musikformation Software setze sich konzeptionell mit dem aufkommenden Thema „Computerkultur“ auseinander. Software-Cover und das Artwork aller Tonträger (LP, MC, CD) zeigen Grafiken von Computerkünstlern wie MAPART (Heinz-Otto Peitgen), Herbert W. Franke, Jürgen Brickmann, Able Image Research, Yoichiro Kawaguchi, Nelson L. Max, David Sherwin, Andy Kopra, Mental Images.