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Seta Tanyel, Andrew Manze - The Romantic Piano Concerto Vol. 49: Wilhelm Stenhammar: Piano Concertos Nos. 1 & 2 (2009)

Posted By: ArlegZ
Seta Tanyel, Andrew Manze - The Romantic Piano Concerto Vol. 49: Wilhelm Stenhammar: Piano Concertos Nos. 1 & 2 (2009)

Seta Tanyel, Andrew Manze, Helsingborg Symphony Orchestra - The Romantic Piano Concerto Vol. 49: Wilhelm Stenhammar: Piano Concertos Nos 1 & 2 (2009)
EAC | FLAC | Image (Cue & Log) ~ 324 Mb | Total time: 75:16 | Scans included
Classical | Label: Hyperion | # CDA67750 | Recorded: 2008

These two splendid concertos by Stenhammar are offered together on one CD for the first time. The original orchestration of Stenhammar's first concerto was long thought to be lost when the offices of the publisher were bombed during the second world war. However, in 1983 a copy of the original was found in the Library of Congress and this version is featured here. The twenty-two year old's opus one is a masterpiece. Majestic and virtuosic at its opening, the work explores a world of Nordic mystery in the third movement and ends with music of sad, reflective sweetness. The second concerto is a distinctly different work, with a novel structure and a steady tension between soloist and orchestra that is only resolved in the virtuosic finale.

Seta Tanyel, Tadeusz Strugała - The Romantic Piano Concerto Vol. 33: Franz Xaver Scharwenka: Piano Concertos Nos 2 & 3 (2003)

Posted By: ArlegZ
Seta Tanyel, Tadeusz Strugała - The Romantic Piano Concerto Vol. 33: Franz Xaver Scharwenka: Piano Concertos Nos 2 & 3 (2003)

Seta Tanyel, Tadeusz Strugała, Radio Philharmonie Hannover des NDR - The Romantic Piano Concerto Vol. 33: Franz Xaver Scharwenka: Piano Concertos Nos 2 & 3 (2003)
EAC | FLAC | Image (Cue & no Log) ~ 287 Mb | Total time: 78:51 | Scans included
Classical | Label: Hyperion | # CDA67365 | Recorded: 1996

Continuing her inspiring series of discs exploring the solo piano repertory of the Polish Romantic, Xaver Scharwenka, Seta Tanyel here turns her attention to two of his four piano concertos. These unashamedly appealing works should by no means be judged by their relative unfamiliarty; they are among the most impressive of all the neglected concertos championed in our series, as Stephen Hough’s Gramophone Award winning recording of the 4th concerto (CDA66790) has shown. In the capable hands of Tanyel, the 2nd and 3rd concertos are rich with the harmonic poise of Schumann, the melodic coquettishness of Chopin and even the passion of Rachmaninov; a disc as enlightening as it is thrilling.