These three early symphonies join the series of ASMF/Marriner recordings of all the 'named' symphonies of Haydn. They are delightfully lightweight with unusual prominence given to the woodwind, and they receive here wholly enjoyable 'chamber-music' style performances of great style and precision. The recorded balance has ideal spread and depth, the harpsichord being just in evidence. The sum of its many musical and technical virtues makes this CD compulsive listening through every one of its 13 movements.

Les petits riens (French for "The Little Nothings") is a ballet in one act and three tableaux by Jean-Georges Noverre, with music by Wolfgang Amadeus Mozart and other unknown composers, first performed at the Academie Royale de Musique in Paris on 11 June 1778.

William Walton first foundsuccess in the early 1920s, when he set to music a cycle of abstract poems by Edith Sitwell, whom he was the protégé in his early career. A very inventive score, quite modernist, written for wind sextet, percussion and cello, in which the poems are recited and not sung. Though the suites are popular and often recorded, the original version is quite rare! Featuring as narrators, two great figures of British acting: Fenella Fielding (known for her distinctive voice and numerous recordings of audio books) and Michael Flanders.

A collection of orchestral showpieces with captivating, sparkling sound conducted by Marriner, who is most familiar with how to make the Academy of St. Martin in the Fields sound brilliant. Flight of the Bumblebee, Dance of Time, William Tell Overture, and more. Recorded between 1982 and 1992.

In addition to his lifelong dedication to the Academy of St Martin in the Fields which he founded himself, Neville Marriner was appointed principal conductor of various orchestras, notably the Minnesota Orchestra where he succeeded to Stanisław Skrowaczewski. During his 7-year long mandate, he recorded two albums for EMI, including this program devoted to the music of Aaron Copland, highlighting the ballet suites excerpted from his most popular works inspired by American culture and folklore, Rodeo and Appalachian Spring.

The combination of Neville Marriner and his always sterling evocation of excellence from the Academy of St. Martin's-in-the-Fields offers the perfect accompaniment and support for Malcolm's playing. The late George Malcolm was a brilliantly gifted organist even though his real specialty had always been harpsichord. He always seems to find the lightest most delightful playing to fit the idea of the piece.

Originally recorded in 1977, this splendid re-release per of Haydn’s sacred masterpiece in its original fully orchestral version was never released as a CD or in digital, making it one of the highlights of our Marriner centenary jubilee!

Lilting melodies and exhilarating dance rhythms; gentle pathos, brooding drama and robust high spirits; the spirit of rural Bohemia and the sophistication of Prague, Vienna, New York and London in the late 19th century: Antonin Dvořák’s music is unfailingly distinctive and captivating. In all his works – from the epic ‘New World’ Symphony and Cello Concerto to the irresistible Slavonic Dances, haunting ‘American’ String Quartet, quirky violin Humoresque and yearning Song to the Moon – he is a composer whose heart is open and generous, and whose love for his homeland always shines through. This box provides an illuminating and enriching survey of his works, including his complete symphonies. A number of the celebrated performers have Slavonic roots themselves; all their interpretations draw on a deep affinity with Dvořák’s inspiration and humanity.

The amazing soprano Lucia Popp largely owes her success to her unforgettable roles in the grand German Romantic repertoire by Richard Strauus & Richard Wagner. She was also known to be a brilliant performer of lighter lyrical works, with which such composers as Franz Lehár, Johann Strauss or Carl Zeller triumphed at the Theater an der Wien or the Wiener Staatsoper, ultimately entertaining the Austrian high society to a great degree. This exquisite collection of Viennese bonbons is accompanied by Sir Neville Marriner, the Academy of St Martin in the Fields, with the Ambrosian Opera Chorus featured in choral excerpts from The Merry Widow, Giuditta or Casanova.

Sir Neville Marriner thins out the usual ASMF textures and leads vigorous, stately accounts of both the Water Music Suites and the Music for the Royal Fireworks. The playing is snappy, the feeling of dance-inspired animation just right. This is the ideal compilation, presenting both scores complete; and the sound is open, well balanced, and extremely well defined.

Explore Sir Neville Marriner's beautiful Bach renditions, from instrumental to secular and sacred vocal music, featuring Janet Baker, Andrei Gavrilov, Barbara Hendricks or William Bennett.

Born on 15 April 1924 in Lincoln, Sir Neville Marriner studied at the Royal College of Music and the Paris Conservatoire. He began his career as a violinist, playing first in a string quartet and trio, then in the London Symphony Orchestra. It was during this period that he founded the Academy, with the aim of forming a top-class chamber ensemble from London’s finest players. Beginning as a group of friends who gathered to rehearse in Sir Neville’s front room, the Academy gave its first performance in its namesake church in 1959. The Academy now enjoys one of the largest discographies of any chamber orchestra worldwide, and its partnership with Sir Neville Marriner is the most recorded of any orchestra and conductor.

As a specialist of Baroque and classical eras, the albums Neville Marriner dedicated to modern music are quite rare among his discography, making them all the more interesting! This 1978 recording highlights two Genevan composers, the greatest Swiss figures of their generation. Ernest Bloch (famous for his hit for cello and orchestra Schelomo) composed a beautiful and lively neo-classical Concerto grosso for piano and strings, as for Frank Martin, one of his most celebrated compositions is the Petite Symphonie concertante and its unusual distribution – a double string orchestra accompanied by a piano, a harp and a harpsichord. Featuring Osian Ellis, Francis Grier, Philip Ledger, and Simon Preston.

This premiering album by Neville Marriner includes modern, witty instrumental arrangements of the most famous arias and scenes from Verdi and Puccini’s operatic masterpieces: Nessun dorma, La donna è mobile… Don’t miss the moving chant of the ondes Martenot in Madama Butterfly or the voluble cimbalom in the Anvil Chorus from Il trovatore!