It takes a long time to find such a distinguished conductor who, in his early 20s, has already conducted orchestras such as the Berlin Philharmonic, the London Symphony Orchestra and the Los Angeles Philharmonic with great success. You will find what you are looking for in this class with the conductor Daniel Harding, who was born in 1975. After many great CD recordings, Harding's work can now be experienced in a fascinating DVD production: in the recording of Mozart's opera »Così fan tutte« at the Aix-en-Provence Festival in 2005 - staged by Patrice Chéreau, the director of the legendary Bayreuth-Rings from 1980. Elina Garança, the new star in the Mozart heavens (who released a sensational Mozart recital on Virgin Classics in November 2005), is there as Dorabella.

After several successful years as a freelancer in Vienna it appears as if Mozart was no longer interested in pleasing Viennese society’s taste with music for pure entertainment. The composer continued down the path of personal discovery he had embarked upon the year before, and with ever more resolve: while Vienna was still “Piano Land” to Mozart, it was now on his terms. His head was primarily full of opera. Mozart’s work on Figaro led him to paint situation and emotion with new colouristic tools which would spill over into the piano concertos that followed it, each of them imbued with a more fluid sense of dialogue between soloist and orchestra. The first concerto on this recording exchanges material with Figaro’s rapid, conversational and changeable style. He expands the orchestration and “there are manic changes in the music.

Mozart Momentum 1785 is the first of two releases on which pianist Leif Ove Andsnes and the Mahler Chamber Orchestra are exploring the remarkable years of 1785/86 in W.A. Mozart's life. It includes piano concertos Nos 20-22, the Piano Quartet in G minor, Masonic Funeral Music and Fantasia in C minor for solo piano.

The first chapter of an exciting new recording project. The portrait of a master composer at the top of his game. Exploring two of the most remarkable, creative and game-changing years in music history: 1785 & 1786.

There is no shortage of recordings of Manuel de Falla's El sombrero de tres picos (The Three-Cornered Hat) and El amor brujo (Love, the Wizard), with more on the way, thanks to the centenary of the former in 2019. Even casual listeners may reflect that this delightful work has never, despite plenty of changes in taste in music of the interwar period, fallen out of style. It was on the cutting edge when it was premiered, and yet its fusion of flamenco influences with growing French neoclassicism is irresistible for general symphonic audiences.