As Time Goes By: The Very Best of Little Feat is an extraordinary collection that contains almost every essential Little Feat song from their '70s heyday with Lowell George, plus the two hits ("Let It Roll," "Hate to Lose Your Lovin'") from their late-'80s comeback. Most of the band's albums are worth hearing, but this is a great introduction for the curious and – since it features "Dixie Chicken," "Willin'," "Two Trains," "Fat Man in the Bathtub," "Sailin' Shoes," "Oh Atlanta" and "All That You Dream" in one place – it's a great summation of the group's achievements, and George's songwriting talent in particular. Unfortunately, As Time Goes By has only been released by the British division of Warner Bros, but it's worth tracking down.

This album found them at a musical peak as a stellar 70s rock band who had oodles of swamp blues and funk, with a loose shambling style that spoke of confidence rather than sloppiness. Lowell George was singing better than ever on this album, notably with the sublime "Roll Um Easy," where his voice was chillingly expressive. Bill Payne and Richie Haywood play their respective keyboard and drums with calm and precision. There are no weak tracks here, and this is another vital album, in keeping with all recordings that featured George.

Perhaps realizing that Down on the Farm wasn't the proper swan song for Little Feat, the group persuaded Warner Brothers to release a compilation of rarities and overlooked tracks as a swan song and farewell to fans. Filled with live performances, obscurities, album tracks, and a new song apiece from Bill Payne and Paul Barrere, Hoy Hoy is a bit scattered, a bit incoherent, a little bewildering, and wholly delightful – a perfect summation of a group filled with quirks, character, and funk, traits which were as much a blessing as they were a curse. Hoy Hoy is one of those rare albums that may be designed for diehards – who else really needs radio performances, early recordings from before the band was signed, and outtakes, especially if they're surrounded by early album tracks? – but still is a great introduction for novices. That doesn't mean it's as good as such masterpieces as Sailin' Shoes, Dixie Chicken, or Waiting for Columbus, but it does capture the group's careening, freewheeling spirit, humor, and musical versatility, arguably better than any single album.

Nestled between the classic album releases Dixie Chicken and Feats Don’t Fail Me Now and performed for a small and intimate assembled studio audience, this recording finds Little Feat in their prime, live from Ultrasonic Studios in Hempstead, NY on September 9, 1974. Often discussed as their ‘best’ line up, this recording features the 1974 version of Little Feat containing Lowell George (Guitar, Vocals), Paul Barrere (Guitar, Vocals), Kenny Gradney (Bass), Richie Hayward (Drums, Vocals) Sam Clayton (Percussion, Vocals), and Bill Payne (Keyboards).