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Gabriela Montero - Baroque: Improvisations (2007)

Posted By: Designol
Gabriela Montero - Baroque: Improvisations (2007)

Gabriela Montero - Baroque: Improvisations (2007)
Vivaldi, Pachelbel, Handel, Albinoni, J.S. Bach, D. Scarlatti

EAC | FLAC | Tracks (Cue&Log) ~ 144 Mb | Covers included
Genre: Classical | Label: EMI | # 50999 5 14837 2 2 | Time: 00:52:28

Gabriela’s extraordinary ability as an improviser, rare in the classical world, is fast becoming her trademark. The passion, poetic musicality and sense of structure Gabriela brings to classical works translate to her classy improvisations. And no matter how complex the variations, the original melody always emerges triumphantly from a musical tapestry that might weave blues, jazz, tango, Bach or Debussy into a multihued framework. Such a skill for improvisation – to blend a vast range of styles – makes Gabriela an extremely rare talent. In “Baroque” Gabriela takes some of the best known Baroque themes, including Pachelbel’s Canon in D Major, Albinoni’s Adagio, Vivaldi’s Four Seasons, Boccherini’s Minuet and Handel’s Water Music, and brings to her classy improvisations the same passion, poetic musicality and sense of structure that she brings to classical works.

Gli incogniti, Amandine Beyer, Hans Jorg Mammel - Johann Pachelbel: Un orage d’avril: Suites, Canon & Songs (2016)

Posted By: Designol
Gli incogniti, Amandine Beyer, Hans Jorg Mammel - Johann Pachelbel: Un orage d’avril: Suites, Canon & Songs (2016)

Johann Pachelbel - Un orage d’avril: Suites, Canon & Songs (2016)
Gli incogniti; Amandine Beyer, leader & violin; Hans Jörg Mammel, tenor

EAC | FLAC | Image (Cue&Log) ~ 460 Mb | Mp3 (CBR320) ~ 202 Mb | Scans included
Genre: Classical, Vocal | Label: Harmonia Mundi | # HMC 902238 | Time: 00:19:54

Though the bass line of a certain celebrated Canon may have made Pachelbel the most frequently heard classical composer in the world, this sparkling program shows he was not just a "one hit wonder." It is built around suites for two violins and continuo from a collection called the Musikalische Ergötzung. The title means "musical delight," and indeed one cannot but be ravished by the extraordinary sonic hedonism displayed in these works. A few songs written for special occasions add further spice to this delightful recording featuring tenor Hans-Jörg Mammel and the ensemble Gli Incogniti led by Amandine Beyer.

John Butt - Johann Pachelbel: Hexachordum Apollinis; Chaconnes in D and in F (1990) Reissue 1997

Posted By: Designol
John Butt - Johann Pachelbel: Hexachordum Apollinis; Chaconnes in D and in F (1990) Reissue 1997

John Butt - Johann Pachelbel: Hexachordum Apollinis; Chaconnes in D and F (1990)
EAC | FLAC | Tracks (Cue&Log) ~ 280 Mb | Mp3 (CBR320) ~ 162 Mb | Scans included
Classical | Label: Harmonia Mundi USA | # HMT 7907029 HM76 | Time: 01:05:07

Arguably Pachelbel's masterpiece, "Apollo's Lyre" is a series of six arias, each of which consists of a set of highly contrasted variations on the initial theme. As a composer, Pachelbel was perhaps most interested in the variation principal, in direct contrast to his great successor, Bach, who used the form only rarely (but then typically wrote the greatest variation work ever–the "Goldberg Variations"). The musical argument is easy to follow, and the tunes themselves simple and memorable. John Butt frames the work with two mighty chaconnes. A chaconne is basically the same thing as a passacaglia, namely a series of variations over a constantly repeating bass line. Try this disc. You're in for a pleasant surprise.

Anton Batagov - The Battell: Johann Pachelbel, William Byrd (2014)

Posted By: tirexiss
Anton Batagov - The Battell: Johann Pachelbel, William Byrd (2014)

Anton Batagov - The Battell: Johann Pachelbel, William Byrd (2014)
EAC | FLAC (tracks+.cue, log) | 57:32 | 225 MB
Genre: Classical | Label: Fancymusic | Catalog: FANCY053

I was about to begin this text with something like this: "True minimalists lived in the 16 th – 17 th centuries." And then I thought you might say: "Hmm, there he goes again talking about that minimalism." And it’s true: the word is so unfit. Human language is very limited, and every time we attempt to express something important we discover that our language simply doesn't work.