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Robert Rawson, The Harmonious Society of Tickle-Fiddle Gentlemen - Johann Christoph Pepusch: Venus and Adonis (2016)

Posted By: ArlegZ
Robert Rawson, The Harmonious Society of Tickle-Fiddle Gentlemen - Johann Christoph Pepusch: Venus and Adonis (2016)

Robert Rawson, The Harmonious Society of Tickle-Fiddle Gentlemen - Johann Christoph Pepusch: Venus and Adonis (2016)
EAC | FLAC | Image (Cue & Log) ~ 470 Mb | Total time: 85:01 | Scans included
Classical | Label: Ramée | # RAM1502 | Recorded: 2015

The German-born English transplant Johann Christoph Pepusch was an older contemporary and colleague of George Frederick Handel, and he is best remembered for arranging the music of John Gay's The Beggar's Opera. His involvement in London's music scene also led him to compose his own works for the stage, such as the masque Venus and Adonis, a vehicle for two of the leading sopranos of the day, Jane Barbier and Margarita de L'Epine.

Claudio Ferrarini, Barocco Veneziano - Johann Christoph Pepusch: VI Concertos, Op.8; VI Secondieme Solos (2000)

Posted By: ArlegZ
Claudio Ferrarini, Barocco Veneziano - Johann Christoph Pepusch: VI Concertos, Op.8; VI Secondieme Solos (2000)

Claudio Ferrarini, Barocco Veneziano - Johann Christoph Pepusch: VI Concertos, Op.8; VI Secondieme Solos (2000)
EAC | FLAC | Image (Cue & Log) ~ 503 Mb | Total time: 107:02 | Scans included
Classical | Label: Mondo Musica | # MM 96035 | Recorded: 1999

Johann Christoph Pepusch (1667 – 20 July 1752), also known as John Christopher Pepusch and Dr Pepusch, was a German-born composer who spent most of his working life in England. Pepusch was born in Berlin. At the age of 14, he was appointed to the Prussian court. About 1700, he settled in England where he was one of the founders, in 1726, of The Academy of Vocal Music, which around 1730/1 was renamed The Academy of Ancient Music. In Joseph Doane's Musical directory for the year 1794, the founding of the Academy is discussed; on page 76, Doane states that: In the year 1710 (memorable for Handel’s first appearance among us) a number of the most eminent composers and performers in London [agreed] to concert a plan of an Academy for the study and practice of Vocal and Instrumental Music, which was no sooner announced than it met the countenance and support of the principal persons of rank.