Duval is joined by Herb Robertson, Bob Hovey & Jay Rosen on a very coherent & varied free jazz album. To justify the title, the four musicians play an incredible array of instruments, including bass, electronics, trumpet, whistles, voices, flute harp, trombone, foreign language, turntable, drums, percussion, bells, shark, and even an egg beater.

A major early release by tenorist Murray, 3D Family appeared originally on Hat Hut records as a double LP before eventually being re-released on disc by hat ART. Murray performs here in a live context with one of his very strongest rhythm sections: the intensely musical South African bassist Johnny Dyani and veteran master drummer Andrew Cyrille. The program consists of all Murray compositions, weaving between burners, funky dances, and soulful ballads…

These four segments are really one continuous free style improvisation between trumpeter Herb Robertson and drummer Phil Haynes, conveniently divided between pauses for listening purposes. There are extremes in dynamics and tempos, all of which are realistically captured by CIMP's unique engineering technique of recording unadulterated sound…

This second installment from an electrifying concert should thrill Taylor fans and win a few converts. It defies odds that the pianist, after so many years, continues to astound with his totally original performances. This one is vintage Taylor, with the pianist in full throttle, winding and turning phrases with characteristic brilliance…

Cecil Taylor has never compromised his ideals, and this recording is no exception. During the course of more than one hour, Taylor and his quartet perform only one piece, but do it with such exquisite finesse that it incorporates dozens of shades and styles of expression…

Strange as it sounds, this is a somewhat typical date by avant-garde master Cecil Taylor. Recorded live at a Minneapolis concert, the performance consists of three improvisations (two of which are quite lengthy) that have Taylor in mostly thunderous form, leavened by a few brief lyrical moments. Bassist Dominic Duval and drummer Jackson Krall do their best to keep up with Taylor but there is no doubt who the leader is. Taylor's remarkable technique and endurance are in evidence, as is his ability to build on the most abstract ideas and somehow have it all make musical sense…

Braxton had long been fond of working with improvising wind ensembles. In fact, the earliest incarnation of what would become the World Saxophone Quartet appeared on his landmark Arista album, New York, Fall, 1974. So his collaboration with the ROVA quartet, perhaps the most important practitioners of the form after the WSQ, came as no surprise…

How much shit can one take? Well that depends. If it is being served by the quirky Polish trio 100nka—featuring guitarist Tomek Leś, bassist Adam Stodolski and percussionist Przemek Borowiecki—there may not be quite enough. Their music is rather undefinable, jumping and sneaking as it does into odd nooks and crannies…

Formed in 1998 by Yoshida Tatsuya, Japan’s KOREKYOJINN (alternately spelled Korekyojin) is a progressive-jazz-rock band determined to redefine the polyrhythmic ensemble. The band’s name translates to “This Giant”, a sly pun inspired by THIS HEAT and GENTLE GIANT, two band’s the group draws inspiration from. In Japanese the word “kore” translates as “this”, while “kyojinn” is “giant”. While the style of KOREKYOJINN will be recognizable to fans of Yoshida Tatsuya’s other acts, the band has carved out a sound all its own. The trio dance on razors, are sharp as a tack – and their overwhelming ability jettisons them into the outer limits – where progressive rock and contemporary jazz collide into a breathtaking, futuristic, hard rock funk.