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Ives Ensemble - Morton Feldman: String Quartet (2007)

Posted By: tirexiss
Ives Ensemble - Morton Feldman: String Quartet (2007)

Ives Ensemble - Morton Feldman: String Quartet (2007)
EAC | FLAC (image+.cue, log) | Covers Included | 76:57 | 332 MB
Genre: Classical | Label: hat[now]ART | Catalog: 167

There's always been a crossover appeal among avant, jazz artists with renegade contemporary classical composers. As with various musical forms, and perhaps life in general, rules are sometimes meant to be broken. String Quartet features a 1979-penned composition by Morton Feldman, recorded by the highly-regarded Dutch group known as the Charles Ives Ensemble.

Steffen Schleiermacher - Feldman: The Late Piano Works (2008)

Posted By: tirexiss
Steffen Schleiermacher - Feldman: The Late Piano Works (2008)

Steffen Schleiermacher - Feldman: The Late Piano Works (2008)
WEB | FLAC (tracks) - 419 MB | 02:54:44
Genre: Classical | Label: MDG Scene

Triadic Memories is one of Morton Feldman's most popular and frequently performed works for piano. Here, more than is usual in his music, Feldman uses the repetition of patterns and gestures. The repetitions are rarely exact – they are characterized by very subtle rhythmic variations – but almost every gesture, whether large or small, is repeated a few or many times. The repeated figures, while all being quiet and relatively simple and brief, vary in their length, structure, and texture. The unpredictability of the number of repetitions, the asymmetry of the repeated figures, the avoidance of a regular pulse, and the subtlety with which Feldman alters the repetitions keep the music continually intriguing for the attentive listener.

Sabine Liebner - Morton Feldman: Triadic Memories (2009)

Posted By: tirexiss
Sabine Liebner - Morton Feldman: Triadic Memories (2009)

Sabine Liebner - Morton Feldman: Triadic Memories (2009)
WEB | FLAC (tracks) - 308 MB | 02:04:06
Genre: Classical | Label: Oehms Classics

Few atonal piano compositions are so amenable to generate new meaningful, extremely sombre soundscapes as ‘ Triadic Memories’, according to different modalities of execution some would call rendition. This one execution, excruciatingly slow, generates aural hallucinations in the guise of rational insights. Beware of the illusion of order, this Feldman classic piece proves that that is way more harmful, as in pathetically alienating, than the illusion of depth..