Klaus Schulze and Australian singer Lisa Gerrard (formerly of Dead Can Dance) proved to be an appealing combination on their studio recording Farscape, and they also work well together on Rheingold: Live at the Loreley. This was recorded at the Night Of Prog Festival at Loreley in July of 2008. We get over 131 minutes of music.

After the extremely successful studio album Farscape and the live CD/DVD Rheingold, Schulze and Gerrard released yet another live CD revealing further highlights, entitled Dziękuję Bardzo (Polish for 'Many Thanks'). This 3-CD set not only contains a complete recording of the concert which took place on the 13th of November 2008 in the Bazylika Ojców Salezjanów in Warsaw, but also a complete concert recorded the day before in the Schiller's Theatre in Berlin.
The Warsaw concert in particular was a big emotional moment and a triumphant return for Klaus Schulze: 25 years after his last concerts in Poland (which can be heard on the double CD Dziekuje Poland Live 83) he returned to the place where he can count on his most loyal fans. As always with Klaus Schulze, exclusive new pieces were played at both concerts…

Time shapes our world and our concepts. From earth’s erosion to patterns in nature — fossils, stone formations, crystalline ice, glaciers, or delicate shells — all visual images of forms show us the linear time which passed across them. Simultaneously, there is the quite personal psychological time that shapes our life and memories; it’s how we perceive the progress of our consciousness. Within both, time remains an abstract term with no shape. It can only be explained as a rate and duration of observed change.

Acts of Light is a fugue comprised of nine slow hypnotic dirges.
Vulnerability, majesty, and candour elicited with drone, double bass, cello, synth, viola, field recordings, electronics, noise, vocals, processing and sacred choral chant compose its private ritual. Following excavations and explorations in intuition and physicality through sound which culminated in her 2021 EP Feral Hymns, Acts of Light is a disquiet personal offering to wilderness, loss, absence, mystery and love supreme.

Mount Wittenberg Orca is named so because it is about whales, it was inspired by events on Mt. Wittenberg in California, and because it elaborates on David Longstreth's obsession with vocal harmony introduced on Dirty Projectors' 2009 album Bitte Orca. This seven-song, twenty-one minute collection is the first original music the band has recorded since Bitte Orca, and it feels more like a small album than an EP. It is also their most staggering collaboration yet — with the Icelandic artist Björk.

During the latter half of the 1980s, a wave of alternative artists began to explore a gentler, more ethereal sound, bringing a dream-like aesthetic to the rock and pop idiom. Taking its lead from the UK (and the 4AD label in particular), this refined approach soon spread, particularly to the United States, slowly picking up the moniker “dream pop” – a catch-all term rather than a genre within itself.
Curated by the same team as our successful ‘Still In A Dream’ 2016 shoegaze set, ‘Cherry Stars Collide’ explores that sound as it emerged in the mid-80s and proceeded to define a less grounded, more thoughtful approach to musical expression than was offered elsewhere. Fusing and blending with other genres along the way. – from the guitar driven shoegaze movement and proto-Britpop to the post ‘C-86’ generation and the nascent leftfield clubbing scene – that sound both drew in artists already operating elsewhere and inspired new artists to embark their own journey.

BBC Sessions is an album of BBC studio recordings by the band Cocteau Twins released in 1999 by Bella Union in the UK and Rykodisc in the USA. The album spanned the band's career from the early 1980s through the 1990s. Much of the first disk was taken from a series of early 1980s Peel sessions. The second disk contained several tracks recorded during the group's performance on the 1980s Radio 1 series Saturday Live. The compilation peaked at No. 87 on the UK Albums Chart.

Music is shaped by the time and place it’s created… And in the 80s changes in politics, technology and culture came together to produce an explosion of new sounds that have come to define a generation. The importance and continued popularity of the 80s can’t be underestimated, from the pioneering producers of synthesised music like The Human League, Gary Numan and Giorgio Moroder to the immortal David Bowie. In addition, there are the brilliant electronic pop sounds of Soft Cell, Yazoo, Tears For Fears, Duran Duran, Pet Shop Boys, Boy George and Visage… Play just one of these epoch defining tracks and you can feel the electricity of the era. And then there are the sounds which are uniquely British; from The Cure, New Order, Dream Academy and Black to Spandau Ballet and Bryan Ferry. These bands/artists perfectly summarise the mood of 80s Britain. Chilled Electronic 80s brings to life an alternative side of the decade; One of equal wonder to the dance floor electro classics but also of chilled cool. Over 3CDs, these classic laid back tracks chart the birth of modern chill-out, chilled dance and electronic today… So sit back, relax and drift back in time as Ministry of Sound presents… Chilled Electronic 80s.

Paul Thomas Saunders is a young, Leeds-based singer/ songwriter who until now fit that mold comfortably. His three previous EPs were largely introspective guitar and vocal affairs. He's gifted with a clear, high voice and a falsetto to die for, but that's the icing on Beautiful Desolation. For his Atlantic debut, Saunders has built an enormous sonic palace. It's full of soaring synths, grand pianos, big drums, thrumming basses, wafting electric guitars, organs, and massively layered effects. It's simultaneously cinematic and melodic. One can hear traces of the late '80s in his production, but it's not nostalgic.

2022 release. Steve Howe's second collaboration with his son Virgil continues the journey that is fueled by the love and energies he draws from his wife Jan and their family, a passion for the guitar, and of course, the never-ending drive to create and perform music. The Yes guitarist's creative passion has put him on an experimental lifelong journey, with each new album a venture into genre-bending territory.

The Cocteau Twins' latter-period work - spanning the years 1993 to 1996 - are compiled this fall on this 53-track box set that includes the dreampop icons' final two albums plus two discs' worth of B-sides, EP tracks, live radio sessions and rarities. The set's first two discs include the studio albums Four-Calendar Café (1993) and Milk & Kisses (1996), while the latter two discs round up songs appearing on the six EPs and singles released during that span, along with radio sessions and a couple rarities. The collection comes in a sturdy box with a booklet that includes photos, sleeves notes by Chris Roberts and a discography. The collection pulls together the music the Cocteaus - guitarist Guthrie, singer Elizabeth Fraser and bassist Simon Raymonde - recorded for Fontana Records after leaving the 4AD label.

Emma Ruth Rundle’s second installment in her Electric Guitar series, EG2: Dowsing Voice, is like the soundtrack to a film that hasn’t been made. The mostly instrumental record follows her on a trip to the Welsh coast and down a magical well into the waters of nature, myth and the Old Golds - by way of her improvised music. The 40 plus minute album was sewn together from recordings channeled during her month-long solo journey in the early days of 2020 and completed before 2021’s critically lauded album Engine of Hell was even written.

Vox Archangeli combines original Gregorian chants from early medieval times with modern electronic sounds. The inspiration comes from a wide range of musical influences, from classical and folk music, through to pop and rock. In recent years Vox Archangeli have gained attention both internationally and in their native Sweden. Besides having had all their three full length releases placed in the official Swedish album charts, they have performed several times on Swedish television, at numerous festivals as well as prestigious awards shows.
Vox Archangeli’s big Sanctus project is based upon the three archangels: Michael, Gabriel and Raphael - each holding the theme for one full length album…

Julianna Barwick is a composer, vocalist and producer who makes deep, reflective compositions out of the human voice. Over the past decade and a half, she’s honed an intuitive approach to music, built on improvisation and a close affinity to a couple of trusted items of gear. She spins engrossing, expansive universes out of a single idea. Her fourth album, Healing Is A Miracle, on Ninja Tune, marks another distinctive meditation on sound, reverb and the voice. Built out from the same instinctive, improvisational approach as those which preceded it, she also draws on the input of three collaborators she’s nurtured long friendships with: Jónsi (Sigur Rós), Nosaj Thing and Mary Lattimore, gently nudging out at the edges of Barwick’s organically-evolved sound.

Garden of the Arcane Delights - The John Peel Sessions is a compilation coupling the re-issue of the first and only EP by Australian band Dead Can Dance and two different sessions for the BBC Radio One John Peel show. It was released in November 2016 on record label 4AD with the Peel-supervised recordings allowed by arrangement with BBC Music.