After spending nearly nine months as a guest of the Texas penal system, veteran rocker David Crosby emerged from his incarceration sober and brimming with ideas that had previously been stunted due to decades of substance abuse. In many ways Oh Yes I Can (1989)—Crosby’s second solo effort during his two-decade-plus career—is a musical rebuttal to his equally vital debut effort, If I Could Only Remember My Name (1971). Even the album’s title appears to indicate his newly achieved success and freedom from the haze that so indelibly influenced the earlier compositions.

When David Crosby, Stephen Stills and Graham Nash created this pop super trio in 1968 after their splits from the Byrds, Buffalo Springfield and The Hollies, respectively, it would have been a pipedream that a hits package released 37 years later would sound as eternal and essential as this one. The 19 songs straddle the four-album, landscape-altered timeframe between 1969's post-Woodstock debut Crosby, Stills & Nash and 1982's Daylight Again, which helped inaugurate the MTV era. Unbalanced sequencing–which randomly bounces 12 years ahead and five years back–is rescued by the superb harmonies, unique songwriting and divergent personalities of the three members. With politics and culture always at the forefront, Stills bookends the band's trademark canon with "Suite: Judy Blue Eyes" and "Southern Cross," Nash incorporates Eastern influences to "Marrakesh Express" and folk timber to "Just a Song Before I Go" and "Teach Your Children," and the ever-capricious Crosby leads the way lyrically with the lingering "Delta" to the Robert Kennedy tribute "Long Time Gone".

Live It Up is the tenth album by Crosby, Stills & Nash, their fourth studio album in the trio configuration, released on Atlantic Records in 1990. It peaked at #57 on the Billboard 200 with current sales of 300,000. It is the first of their studio albums not to gain either a gold or platinum certification by the. It was issued in all formats at the time (compact disc, cassette tape, and vinyl record) and was later released for streaming on Spotify and both streaming and download on Qobuz.

With the appearance of Lighthouse, singer/songwriter David Crosby, age 75, continues a late career renaissance that began with 2014's Croz – his proper studio follow-up to 1971's classic If I Could Only Remember My Name. This set was produced by Snarky Puppy boss Michael League, who co-wrote five of these nine tunes with Crosby. The producer, a lifelong fan of the 1971 album, approached Crosby about recording something quick and dirty over a couple of weeks. He was met with incredulousness. The artist was used to working on albums for months, even years. After three days, they completed three new songs, and Crosby was all in.

Continuing to forge new paths in his eighth decade, Crosby again joins forces with Becca Stevens, Michelle Willis and Michael League, the three musicians known as The Lighthouse Band, who he’s been working with since 2016’s Lighthouse album. Far from just a solo live album/ DVD, working with his first new band since CSNY, Crosby and The Lighthouse Band quickly discovered the chemistry took a collaborative leap during their 2018 tour together in support of Crosby’s sixth solo album Sky Trails (2017, BMG) culminating in this live recorded set on the last night of the run.

Another Stoney Evening is the sixth album by the duo of David Crosby and Graham Nash, issued in 1998 on Grateful Dead Records, catalog GDCD 4057. It had been recorded at the Dorothy Chandler Pavilion in Los Angeles, California more than 26 years prior to its release.

Singer-songwriter David Crosby's solo debut, If I Could Only Remember My Name, was dismissed by critics when it came out in 1971. Over the years, however, appreciation has grown for the album's adventurous aesthetic, stacked harmonies and haunting lyrics about loss and confusion. Billed as Crosby's solo debut, the album was anything but a one-man project.

In some ways, For Free plays like the culmination of David Crosby's late career purple patch. Working once again with James Raymond – his son who has turned out to be an unusually empathetic and intuitive producer – Crosby mines similar territory as he has on the records he's released since 2014's Croz, yet For Free contains its own distinctive vibe…