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Leos Janacek - Chamber Music, Orchestral Works (2004) 5CD Box Set

Posted By: Designol
Leos Janacek - Chamber Music, Orchestral Works (2004) 5CD Box Set

Leos Janáček - Chamber Music, Orchestral Works (2004) 5CD Box Set
Paul Crossley, Christopher Van Kampen, Kenneth Sillito, Thomas Trotter
Gabrieli String Quartet, London Sinfonietta, Los Angeles Chamber Orchestra
Slovak Philharmonic Choir, Wiener Philharmoniker, Riccardo Chailly
Charles Mackerras, François Huybrechts, Neville Marriner, David Atherton
Eva Urbanová, Vladimir Bogachov, Marta Benacková, Richard Novák

EAC | FLAC | Tracks (Cue&Log) ~ 1.48 Gb | Scans ~ 20 Mb
Genre: Classical | Label: Decca | # 475 523-2 DC5 | Time: 06:04:07

To celebrate the 150th anniversary of Janáček’s birth, this Decca Collector Edition brings together most of the composer’s chamber works and solo pieces plus his most popular orchestral works and the magnificent Glagolitic Mass in a superb digital recording with Riccardo Chailly and Wiener Philharmoniker. The recordings of the solo works and chamber pieces feature one of the world’s most distinguished ensembles: the London Sinfonietta and David Atherton. Their recordings were originally released as a 5-LP set in 1981 and many of these performances have not been available for several years; many also make their first international appearance on CD. This set provides the listener with all the essential non-operatic Janáček in one convenient collection.

Hong Kong PO, David Atherton - Kurt Weill: Symphonies 1 & 2; Bastille Music (2000)

Posted By: Designol
Hong Kong PO, David Atherton - Kurt Weill: Symphonies 1 & 2; Bastille Music (2000)

Kurt Weill: Symphonies 1 & 2; Bastille Music (2000)
Hong Kong Philharmonic Orchestra, conducted by David Atherton

EAC | FLAC | Tracks (Cue&Log) ~ 240 Mb | Mp3 (CBR320) ~ 147 Mb | Scans included
Genre: Classical | Label: Global Music Network | # GMN 100 | Time: 01:08:49

David Atherton made a fine reputation for himself as a contemporary music conductor back in his salad days with the London Sinfonietta, nowhere more so than in his three-disc (now two-CD) set of music by Kurt Weill. He certainly hasn’t lost his magic touch in the intervening years. These performances of the two symphonies sweep the (not very full) board. Swift, lean, incisive, and always exciting, Atherton reveals all of this music’s anger, irony, and bittersweet lyricism without a trace of histrionics or self-indulgence. Indeed, a certain coolness is part of the point too. And so in the marvelous Second Symphony, Atherton catches the neo-classical temper of its outer movements with impeccable wit and grace, making the passionate intensity of the magnificent central slow movement all the more shocking as a result.

Lawrence Power, BBC Scottish SO, David Atherton - Paul Hindemith: The Complete Viola Music, Vol. 3 (2011)

Posted By: Designol
Lawrence Power, BBC Scottish SO, David Atherton - Paul Hindemith: The Complete Viola Music, Vol. 3 (2011)

Paul Hindemith: The Complete Viola Music, Vol. 3 (2011)
Lawrence Power, viola; BBC Scottish Symphony Orchestra; David Atherton, conductor

EAC | FLAC | Image (Cue&Log) ~ 306 Mb | Mp3 (CBR320) ~ 168 Mb | Artwork included
Genre: Classical | Label: Hyperion | # CDA67774 | Time: 01:12:52

Vol. 3 of Lawrence Power's survey of the complete Hindemith work for viola features a cluster of works written for viola and orchestra in the short time between 1927 and 1930. Though Hindemith did not write a traditional concerto in the classical sense, the Op. 48 Konzertmusik, Kammermusik No. 5, and Der Schwanendreher each put the viola's abilities at the forefront of the orchestra. His personal knowledge of the instrument's technical, lyrical, and emotive abilities become quickly apparent as the viola is made to scurry around as nimbly as a violin in Konzertmusik, as emotionally rich as a cello in Trauermusik, or as colorful and evocative as a piano in Der Schwanendreher. All of these many moods are captured effortlessly by Power. His playing balances the clarity needed to execute agile passagework with the richness and depth needed for more lyrical sections. What's more, Power never gives the appearance of trying to make the viola sound like a violin; instead, he celebrates the viola's idiosyncrasies and transforms them into a rich, satisfying tapestry of sound. Joined by the BBC Scottish Symphony Orchestra under David Atherton, Vol. 3 of Power's hefty undertaking is just as worthwhile and engaging as the previous two and is certainly worth checking out.