Franz Schubert's Symphony No. 8 in B minor, D. 759 (sometimes renumbered as Symphony No. 7, in accordance with the revised Deutsch catalogue and the Neue Schubert-Ausgabe), commonly known as the Unfinished Symphony (German: Unvollendete), is a musical composition that Schubert started in 1822 but left with only two movements—though he lived for another six years. A scherzo, nearly completed in piano score but with only two pages orchestrated, also survives.

This orchestra learned to play these symphonies under the legendary George Szell, whose Sony recordings have been reissued on CD and remain a prime recommendation in this music. For those seeking digital sound, however, these new versions are very distinguished, combining the Cleveland Orchestra's customary superb ensemble with a warmth and urgency of expression usually in short supply from this conductor. At mid-price, this is an excellent recommendation.

There are no highlights in this cycle - the level of consistency is remarkable - but Dohnanyi's Third has always been regarded as one of the three or four reference recordings of the symphony. And rightfully so. Rarely are conductors been able to elicit such an unclogged sound from an orchestra on modern instruments while maintaining such a high level of focused energy. The brass work in the first movement is stunning while the wind parts all register with appropriate clarity. The appearance of the coda is violent and awesomely effective.

The Cleveland Orchestra conducted by their regular director music, Christoph Von Dohnanyi, have made a wonderful studio recording of Brahms first two symphonies and the two overtures which brings off these lyrical and exciting works of the Romantic period to perfection.

The Cleveland Orchestra will release a new audio recording of Pyotr Ilyich Tchaikovsky’s Symphony No. 4 in F minor on Friday, December 1, 2023. Led by Music Director Franz Welser-Möst, the recording will be available worldwide for digital streaming and download in spatial audio on all major platforms. Tchaikovsky: Symphony No. 4 was recorded live at the Jack, Joseph and Morton Mandel Concert Hall at Severance Music Center, the home of The Cleveland Orchestra, during two community appreciation concerts in the fall of 2021.

Written in the final year of his life, Schubert’s Mass No. 6 in E-flat major is often regarded as the composer’s own requiem. In this recording, The Cleveland Orchestra is joined by soprano Joélle Harvey, mezzo-soprano Daryl Freedman, tenors Julian Prégardien and Martin Mitterrutzner, bass-baritone Dashon Burton, and The Cleveland Orchestra Chorus.

This programme is something of a memorial to Daniel Majeske who died from cancer in November 1993 after being Concert Master of the Cleveland Orchestra for 25 years. Christoph von Dohnanyi honours his memory in a written note, and Majeske's performance of Mozart's Sinfonia concertante, K364, recorded two years before his death, celebrates his searching, highly cultivated solo playing.

The air on Mt. Olympus must have been something like that in Berlin’s Jesus-Christus-Kirche when, in September 1969, the threesome of Richter, Oistrakh and Rostropovich joined Herbert von Karajan for this majestic recording of Beethoven’s underrated Triple Concerto. That there could have been such a meeting of the minds in this gathering of greats is difficult to believe, until one remembers that the three soloists were frequent collaborators who all spoke the same musical language, and after years in the trenches knew each other and their conductor very well. As one would expect, the solo work of the three Russians is brilliant and deeply musical. But just as delightful is the way they adjust from solo to ensemble roles and play together, with perfect unanimity, in the duet and trio passages. Karajan and the Berliners provide a monumental accompaniment, weighty, powerful, and rich in tone. The recording, one of the best from EMI in this venue, has been remastered in exemplary fashion and is impressively detailed and vivid.

This recording of Alban Berg’s Three Pieces from Lyric Suite and a Suite in Three Parts from Richard Strauss’s opera Der Rosenkavalier, compiled by Franz Welser-Möst, pairs two early-20th-century masterpieces grappling with an all-consuming love and lust through vastly expressive but different means.

George Szell was the greatest opera conductor who never recorded a complete opera. Early in his career, he decided to leave the opera house because he was unable to work with what he considered to be the compromising conditions of modern opera production. The most tantalizing recording he never conducted was the complete "Ring" for London. The honor went instead to Sir Georg Solti, and although Solti's work was hardly inconsiderable, this exceptional disc gives us some sense of what we lost.

Romeo and Juliet is such a perfectly conceived masterpiece (perhaps the finest symphonic poem ever written) that when it is presented with a fair degree of ardour it cannot fail to make its effect. Chailly's view is a romantic one. He secures an excellent response from the Cleveland players as he does in Francesca, especially in the beguiling middle section (notably from the principal clarinet). But he treats this epic piece like ballet music and the passionate final climax, when the lovers are discovered, sounds like a grand pas de deux.

The fifth audio release on The Cleveland Orchestra’s own label once again showcases the ensemble’s unparalleled artistry and polished music-making, alongside as its longstanding commitment to perform and present new repertory under the direction of Music Director Franz Welser-Möst. This album features four works spanning half a century by pioneering American composer George Walker (1922-2018). Together, they demonstrate his wide-ranging musical vision and meticulously-crafted sound-worlds.

This Sony-made 30CD classical music collection covers almost all classical music, from the early Baroque period represented by Bach to the schools of classical music by Haydn, Mozart, Beethoven and Brahms represent romantic, national and even modern musical schools led by Schubert, Schumann, Mendelssohn, Dvorak, Tchaikovsky, Chopin, etc. representative, everything wonderful and vivid.

This Sony-made 30CD classical music collection covers almost all classical music, from the early Baroque period represented by Bach to the schools of classical music by Haydn, Mozart, Beethoven and Brahms represent romantic, national and even modern musical schools led by Schubert, Schumann, Mendelssohn, Dvorak, Tchaikovsky, Chopin, etc. representative, everything wonderful and vivid.

This Sony-made 30CD classical music collection covers almost all classical music, from the early Baroque period represented by Bach to the schools of classical music by Haydn, Mozart, Beethoven and Brahms represent romantic, national and even modern musical schools led by Schubert, Schumann, Mendelssohn, Dvorak, Tchaikovsky, Chopin, etc. representative, everything wonderful and vivid.