Sparks new album, 'The Girl Is Crying In Her Latte', is a modern masterpiece. For the uninitiated, Sparks are an art pop duo comprised of brothers Ron and Russell Mael. Their influence on pop music cannot be overstated, having inspired everyone from Queen to Bjork. In Edgar Wright's Sparks documentary, super-producer Jack Antonoff states, "all pop music is re-arranged Sparks." 'The Girl Is Crying In Her Latte' marks Sparks' first release on the venerable Island Records label in close to five decades, following such classics as 1974's landmark Kimono 'My House', highlighted of course by the indelible hit single 'This Town Ain't Big Enough For Both Of Us'. The album includes such instantly intriguing new musical vignettes as 'Mona Lisa's Packing, Leaving Late Tonight' and 'Nothing Is As Good As They Say It Is', songs which once again display Sparks' seemingly ceaseless ability to craft complete, intricately detailed stories within perfect three-and-a-half minute pop masterpieces. Both characteristically timeless and unequivocally modern, 'The Girl Is Crying In Her Latte' once again affirms that, after more than a half century making such masterpieces, Sparks remain inimitable, ingenious and, as ever, utterly one of a kind.

The most complete collection ever of this beloved Pittsburgh vocal quintet! Includes all their key Calico recordings, including hit and outtake versions of Since I Don't Have You and This I Swear plus It Happened Today; Pennies from Heaven, and Footsteps, AND rare Colpix, Capitol (Where Have They Gone), Jubilee (The Loser), Joe Rock and Warner Bros. Recordings. 40 tracks, every chart hit!

The Ballad Hits is the second greatest hits compilation album by Swedish pop duo Roxette, released on 4 November 2002 by Roxette Recordings and Capitol Records. It was the first of a two-part series of "best of" albums released by the duo in quick succession, and was followed by The Pop Hits in March 2003. Two new songs were recorded specially for The Ballad Hits: lead single "A Thing About You" and "Breathe". The album was a commercial success upon release, and has been certified gold or platinum in a number of territories.

Odessey and Oracle is the second studio album by English rock band The Zombies. Mainly recorded between June and August 1967 at Abbey Road and Olympic Studios, it was released on 19 April 1968 by CBS Records. "Time of the Season" was released as a single and became a surprise hit in early 1969. The album was received indifferently on release, but has since become critically acclaimed. It ranked #100 on Rolling Stone magazine's list of the 500 Greatest Albums of All Time.

Mr. Bad Guy is the first solo album from Queen singer, Freddie Mercury. Released in 1985, during a period in which Queen were on hiatus from recordings, it contains eleven songs, all written by him. It was dedicated "to my cat Jerry—also Tom, Oscar and Tiffany, and all the cat lovers across the universe—screw everybody else". For the album, Mercury compiled influences ranging from disco to dance music. It was a contrast to typical Queen work, as they were rock-orientated. The album took nearly two years to record as Mercury had to gather enough material, while committing to band activities. Initially, the album was supposed to feature duets with Mercury and Michael Jackson.

Boneshaker is the fifth studio album by Australian hard rock band Airbourne. It was released on 25 October 2019 via Spinefarm and was produced by American record producer, songwriter and music executive Dave Cobb. It is the first Airbourne album to feature Matt "Harri" Harrison on rhythm guitar, taking the place of the band's rhythm guitarist and longtime original member David Roads, who left in 2017.

With his fourth album Gandalf continues the same formula of the previous "To Another Horizon" record. A whole instrumental opus based on spiritual or phylosophical reflection. The sense of loss and the chance to get up of each single man and woman is what he's trying to explain in music. So the nine tracks are put in a precise order that goes from desperation to real joy. His visionary and fertile imagination builds up the scene of a magic theatre in front of which the listener comes, alone. When he enters in, through the main door that stands in front, he is at the beginning of a long corridor with seven doors.

Five CD box set containing a quintet of original albums packaged in mini LP sleeves and housed in a slipcase. Collects "Twice Removed From Yesterday" (1973), "Bridge Of Sighs" (1974), "For Earth Below" (1975), "Live" (1976) and "Long Misty Days" (1977).

Known in her heyday as "the blues sensation of the West," the big-voiced Sara Martin was one of the best of the classic female blues singers of the '20s. Martin began her career as a vaudeville performer, switching to blues singing in the early '20s. In 1922, she began recording for OKeh Records, cutting a number of bawdy blues like "Mean Tight Mama." She continued recording until 1928. During this time, Martin became a popular performer on the southern Theater Owners' Booking Association circuits, eventually playing theaters and clubs on the east coast as well. In the early '30s, Sara Martin retired from blues singing and settled in her hometown of Louisville, Kentucky. While she was in Louisville, she ran a nursing home and occasionally sang gospel in church. Sara Martin died after suffering a stroke in 1955.

Computer Games is a 1982 album by funk musician George Clinton, released on Capitol Records. Though technically Clinton's first "solo" album, the record featured most of the same personnel who had appeared on recent albums by Parliament and Funkadelic, both formally disbanded by Clinton in 1981. Conceived in the aftermath of a period marked by financial and personal struggles for Clinton, "Computer Games" restored his popularity for a short time before P-Funk fell victim to renewed legal problems and scant label support in the mid 1980s. The album was listed by Slant Magazine at #97 on its list of "Best Albums of the 1980s.

George Szell's Philips Concertgebouw legacy includes some distinguished recordings, with the scintillating Midsummer Night's Dream suite taking pride of place. Few if any rivals can match the ''Scherzo'' (not even Szell's later Cleveland recording is as buoyant or precise), while the Overture is extraordinarily well drilled and the ''Nocturne'', although cool, has a genuine sense of repose. The Schubert Rosamunde excerpts display all the drive and textural clarity that Szell habitually brought to, say, the Great C major Symphony…

With Constant to Death, their twelfth studio album, Necronomicon embarks on an explosive tightrope walk between thrash, punk and powermetal. The hard, uncompromising characteristics of the songs have remained. New is the tidy, fat sound and the dominance of the vocals, in which songwriter and frontman Freddy shows himself more vocally powerful than ever.

Erotic Lounge - there is no better music to sex! A good collection of music - like a carefully cut diamond, find it among the slag heaps at times as difficult as to give the latter form. If we continue the analogy, the Sony BMG music produces such "diamonds" is not worse than the precious masterpieces by Cartier or Tiffany & Co. Therefore, past collections Erotic Lounge series to go hard, they cover charmingly attractive and content even more striking. The first collection was released in 2003, and each subsequent out once per year, revealing new facets as erotic titles.

Tenor saxophonist Scott Hamilton's debut for Concord alerted the jazz world to the young swing stylist and predated Wynton Marsalis' first record (and the emergence of the Young Lions) by a couple years. Hamilton, who mixed together Zoot Sims and Ben Webster to form his own recognizable tone, already sounded in prime form for this set. Teamed up with trumpeter Bill Berry, pianist Nat Pierce, bassist Monty Budwig, and drummer Jake Hanna, Hamilton essentially launched the revival of mainstream jazz with this record. Highlights include "Indiana," "Stuffy," "Broadway," and "Blue Room," but all eight selections are quite enjoyable.

This three-disc box contains a trio of entries from King Crimson's archival series. Housed within the Collectors' King Crimson, Vol. 3 (2000) are Live in San Francisco: The Roar of P4, The VROOOM Sessions, 1994, and Live at Summit Studios: Denver, 03/12/1972, respectively. After the fraKctilization of King Crimson's mid-'90s double-trio lineup, Robert Fripp (guitar) formed various "projeKcts" involving all six members; however, not necessarily at the same time. Live in San Francisco: The Roar of P4 features the fourth mini-Crim (aka ProjeKct Four) at the 7th Note Club in the city by the Bay. This all-instrumental and highly experimental aggregate features the collective efforts of touch guitarist Trey Gunn and electronic and acoustic percussionist Pat Mastelotto, guitarist Fripp, as well as bassist and Chapman stick player Tony Levin…