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Sibylle Mahni, Andreas Spering & Brandenburger Symphoniker - Mozart: Horn Concertos Nos. 1-4 (2024)

Posted By: delpotro
Sibylle Mahni, Andreas Spering & Brandenburger Symphoniker - Mozart: Horn Concertos Nos. 1-4 (2024)

Sibylle Mahni, Andreas Spering & Brandenburger Symphoniker - Mozart: Horn Concertos Nos. 1-4 (2024)
WEB FLAC (tracks) - 209 Mb | MP3 CBR 320 kbps - 121 Mb | 00:52:09
Classical | Label: Prospero Classical

Prospero Classical proudly presents Mozart's Horn Concertos Nos. 1-4, a captivating musical journey featuring the extraordinary talents of horn virtuoso Sibylle Mahni, conducted by Andreas Spering alongside the impeccable Brandenburger Symphoniker. This masterful album showcases Mozart's timeless horn concertos, highlighting Mahni's artistry as she skillfully navigates the intricate melodies with precision and passion. The collaboration between Mahni, Spering, and the Brandenburger Symphoniker creates a harmonious blend of classical elegance and expressive dynamics, capturing the essence of Mozart's genius. From the lyrical beauty of the slow movements to the exuberant energy of the allegros, this album is a testament to the enduring brilliance of Mozart's compositions and the exceptional musicianship of the performers.

Andreas Spering, Capella Augustina, VokalEnsemble Koln - Joseph Haydn: Il ritorno di Tobia (2007)

Posted By: ArlegZ
Andreas Spering, Capella Augustina, VokalEnsemble Koln - Joseph Haydn: Il ritorno di Tobia (2007)

Andreas Spering, Capella Augustina, VokalEnsemble Köln - Joseph Haydn: Il ritorno di Tobia (2007)
EAC | FLAC | Image (Cue & Log) ~ 710 Mb | Total time: 55:28+58:16+55:20 | Scans included
Classical | Label: Naxos | # 8.570300-02 | Recorded: 2006

Although Haydn’s place in the history of the oratorio has been secured by his great vocal masterpieces The Creation and The Seasons, his first oratorio, Il ritorno di Tobia (The Return of Tobias), is among the better-kept secrets of music history. The Italian libretto deals with the return of Tobias and the curing of his blind father, an exceptionally popular story in eighteenth century Vienna. With its vivid portrayal of the protagonists’ emotional turmoil, achieved largely through wide-ranging arias of great virtuosity, Il ritorno di Tobia is a work of considerable beauty and dramatic impact. This recording includes the two magnificent choruses Ah gran Dio! and Svanisce in un momento written for a performance of Tobia in 1784.

Andreas Spering, Capella Augustina - George Frideric Handel: Imeneo (2003)

Posted By: ArlegZ
Andreas Spering, Capella Augustina - George Frideric Handel: Imeneo (2003)

Andreas Spering, Capella Augustina - George Frideric Handel: Imeneo (2003)
EAC | FLAC | Image (Cue & Log) ~ 582 Mb | Total time: 51:58+70:13 | Scans included
Classical | Label: CPO | # 999 915-2 | Recorded: 2002

This opera, Handel's penultimate, is relatively direct, both in its scoring–just strings and oboes–and its plot: Rosmene (soprano) must choose between Tirinto (mezzo-soprano), whom she loves and who loves her, and Imeneo (bass-baritone), who rescued her from pirates. Rosmene's confidante Clomiri (soprano) loves Imeneo, but it is unrequited; he loves Rosmene. Argenio (bass) is Rosmene's father; he wants her to marry Imeneo. This simplicity might lead you to believe that the opera is lightweight or emotionally void (it was referred to as an "operetta" at its premiere), but it's remarkable how involved the listener gets in the plot.

Andreas Spering, Cappella Coloniensis - Handel: Siroe, Re di Persia (2004)

Posted By: ArlegZ
Andreas Spering, Cappella Coloniensis - Handel: Siroe, Re di Persia (2004)

Andreas Spering, Cappella Coloniensis - Handel: Siroe, Re di Persia (2004)
EAC | FLAC | Image (Cue & Log) ~ 830 Mb | Total time: 79:08+75:57 | Scans included
Classical | Label: Harmonia Mundi | HMC 921826.27 | Recorded: 2003

While it isn't Handel's most obscure opera (hum a few bars from Catone, anyone?), Siroe, Re di Persia is definitely on the margins. It's hard to say why exactly, although the unflatteringly edited Metastasio libretto (by Nicola Haym) is surely part of the reason; the character and conflict development of the original are largely missing from the version Handel set. But the music is Handel at his best, and let's face it: from the perspective of a modern listener, plot is not the main draw of opera seria. With that in mind, Harmonia Mundi's complete recording, with Andreas Spering and the Cappella Coloniensis, is an excellent first step toward giving Siroe wider exposure. It's well played, thoughtfully conducted, and it features an excellent trio of leading ladies.