An interesting coupling of two chamber symphonies (one from the old world and one from the new) yet, Adams himself admits his work is only a superficial resemblance to its predecessor. His chamber symphony served as a mere starting point for a new and challenging compositional format.

Ilya Gringolts plays with a ferocity that – in tandem with taut rhythmic control – adroitly avoids even the slightest hint of frenzy. And yet, for all its intensity and firmness of grip, there’s an equally riveting sense of spontaneity to his playing, too – particularly in Adams’s Concerto, with its intricately variegated, continuous solo part. Gringolts phrases assertively and with such expressive agility that at times in the first movement it sounds as if the violin and orchestra are working independently yet in sync, like separate gears in a great machine.

Not only is the piece amazing! (of course) but the performance is incredible! The London Sinfonietta plays with remarkable virtuosity and STYLE! As a musician having listened and seen the score, I know this piece is extremely difficult, and they play with wonderful competence and character. Aside from the fantastic playing, the piece is a real ear opener for fans of Adams. The majority of his music (or, that which is being recorded) are large orchestral works. Large orchestras, lots of soloists, etc. Wonderful stuff, if you haven't heard Harmonium yet, go listen. .