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Fiona Apple - Studio Albums 1996-2012 (4CD + 2xDVD5)

Posted By: Designol
Fiona Apple - Studio Albums 1996-2012 (4CD + 2xDVD5)

Fiona Apple - Studio Albums 1996-2012 (4CD + 2xDVD5)
EAC | FLAC | Image (Cue&Log) ~ 1.22 Gb | Mp3 (CBR320) ~ 544 Mb | Scans included
2xDVD5 | NTSC | 4:3/16:9 (720x480) | LPCM 2.0, 1536 Kbps | Time: 00:28:49/0022:27 | 1.2/2.3 Gb
Adult Alternative, Piano Rock, Baroque Pop, Art Pop, Vocal Jazz | Time: 03:07:43

Collection includes: 'Tidal' (1996); 'When The Pawn…' (1999); 'Extraordinary Machine' (2005), and 'The Idler Wheel…' (2012).

Fiona Apple defied categorization or any easy career path, almost running the pattern in reverse, opening her career as a highly touted and popular alternative singer/songwriter, then transitioning into a cult artist. Apple certainly benefited from the open-door policy of modern rock in the mid-’90s, following the path of crossover alt-rock piano-based songwriters like Tori Amos, but Apple was hardly an Amos copycat: she had a strong jazz undertow in her vocal phrasing and melodies, she had richer arrangements, she had a poppier bent to her songs. All these things helped her 1996 debut, Tidal, find a wide audience, one that increased considerably in the wake of the controversial video for the single “Criminal,” but Apple made it abundantly clear that she wasn’t an amateur provocateur with her sophomore album, When the Pawn Meets the King, an album that increased her critical reputation and cult, which would be pillars of support during her intense battles while making her third album, Extraordinary Machine.

Born to singer Diana McAfee and actor Brandon Maggart in 1977, Fiona Apple started playing and writing songs at the age of 12, in an effort to work out a traumatic childhood that included a rape at the age of 11. Apple continued to write, leaving high school for Los Angeles at the age of 16. She cut a demo tape that eventually earned her a contract with Sony Music in 1995. Teamed with producer Andrew Slater, she cut her debut, Tidal, releasing the album in the summer of 1996.

Tidal was a slow build, earning critical acclaim and a cult that exploded when the controversial video for “Criminal” turned the single and album into a hit. Mark Romanek’s seedy, suggestive clip was overtly sexual – a path Apple notably avoided afterward – but it did the trick, helping the album reach the Top Ten and earning Apple a Grammy. Despite this titillation, Tidal appealed to the middle of the road, a path Apple definitively rejected with her next album, 1999’s When the Pawn Meets the King. The entire title was a 90-word poem, a fair indication of the artistic ambition that lay within. Produced by Jon Brion, the album was dense, literate, and melodic, not matching the commercial success of the debut but deepening her cult. Despite a romance with director Paul Thomas Anderson – she contributed to the soundtrack of his 1999 magnum opus Magnolia – Apple retreated from the spotlight, fostering an element of mystery that only grew when her next album experienced a series of delays.

By 2003, the lack of a sequel became a sensation among some music message boards, where rumors swirled that Sony rejected her newest music for being uncommercial. Within the next year, unfinished mixes leaked onto the Internet and the saga of the album spilled over into the mainstream, earning ink in The New York Times. All this helped usher the album to completion in the fall of 2005, when the original Brion productions were tweaked and expanded with producer Mike Elizondo, who helped Extraordinary Machine reach its final shape. The album was greeted by generally positive reviews – some compared it not entirely favorably to the leaked album – and the record received healthy sales. In its wake, Apple maintained a moderate presence, touring with Nickel Creek in 2007 and appearing with the Watkins Family at times during their residency at the Largo in Los Angeles. In 2012, Apple previewed three songs from her fourth studio album (which boasted a typically enigmatic title in The Idler Wheel Is Wiser Than the Driver of the Screw and Whipping Cords Will Serve You More Than Ropes Will Ever Do) to a wildly enthusiastic audience at the South by Southwest music festival in Austin, Texas. Produced by Apple with her touring drummer, Charley Drayton, the album earned excellent reviews upon release in June 2012.

Biography by Stephen Thomas Erlewine, Allmusic.com

Fiona Apple - Studio Albums 1996-2012 (4CD + 2xDVD5)







Fiona Apple - Studio Albums 1996-2012 (4CD + 2xDVD5)

Fiona Apple - Tidal (1996)
EAC | FLAC | Image (Cue&Log) ~ 330 Mb | Mp3 (CBR320) ~ 129 Mb | Scans included
Label: Work, Clean Slate, Columbia | # 483750 2, WRK 483750 | Time: 00:51:41

Fiona Apple demonstrates considerable talent on her debut album, Tidal, but it is unformed, unfocused talent. Her voice is surprisingly rich and supple for a teenager, and her jazzy, sophisticated piano playing also belies her age. Given the right material, such talents could have flourished, but she has concentrated on her own compositions, which are nowhere near as impressive as her musicianship. Most of Tidal is comprised of confessional singer/songwriter material, and while they strive to say something deep and important, much of the lyrics settle for clichés. Apple does have a handful of impressive songs on Tidal, like the haunting "Shadowboxer" and "Sullen Girl," but the gap between her performing talents and songwriting skills is too large to make the album anything more than a promising, and very intriguing, debut.

Review by Stephen Thomas Erlewine, Allmusic.com

Tracklist:

01. Sleep To Dream (04:10)
02. Sullen Girl (03:54)
03. Shadowboxer (05:24)
04. Criminal (05:43)
05. Slow Like Honey (05:57)
06. The First Taste (04:46)
07. Never Is A Promise (05:54)
08. The Child Is Gone (04:14)
09. Pale Shelter (05:50)
10. Carrion (05:43)


Exact Audio Copy V1.0 beta 3 from 29. August 2011

Отчёт EAC об извлечении, выполненном 10. февраля 2014, 22:34

Fiona Apple / Tidal

Дисковод: ASUS BW-12B1ST Adapter: 3 ID: 0

Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет

Коррекция смещения при чтении : 6
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Встроенный Win32-интерфейс для Win NT/2000

Выходной формат : Внутренние WAV-операции
Формат сэмплов : 44.100 Гц; 16 бит; стерео


TOC извлечённого CD

Трек | Старт | Длительность | Начальный сектор | Конечный сектор
––––––––––––––––––––––––––––––––––-
1 | 0:00.00 | 4:09.67 | 0 | 18741
2 | 4:09.67 | 3:54.53 | 18742 | 36344
3 | 8:04.45 | 5:24.20 | 36345 | 60664
4 | 13:28.65 | 5:43.50 | 60665 | 86439
5 | 19:12.40 | 5:57.60 | 86440 | 113274
6 | 25:10.25 | 4:46.72 | 113275 | 134796
7 | 29:57.22 | 5:54.40 | 134797 | 161386
8 | 35:51.62 | 4:14.65 | 161387 | 180501
9 | 40:06.52 | 5:50.70 | 180502 | 206821
10 | 45:57.47 | 5:43.50 | 206822 | 232596


Характеристики диапазона извлечения и сообщения об ошибках

Выбранный диапазон

Имя файла D:\EAC\Fiona Apple - 1996 - Tidal (Enhanced CD) (Clean Slate ‎- OK 67439)\Fiona Apple - 1996 - Tidal.wav

Пиковый уровень 100.0 %
Скорость извлечения 7.8 X
Качество диапазона 100.0 %
CRC теста 8AF18612
CRC копии 8AF18612
Копирование… OK

Ошибок не произошло


AccurateRip: сводка

Трек 1 : извлечено точно (доверие 10) [C4A89A38] (AR v2)
Трек 2 : извлечено точно (доверие 10) [BA01924B] (AR v2)
Трек 3 : извлечено точно (доверие 10) [01D0F08F] (AR v2)
Трек 4 : извлечено точно (доверие 10) [44D6EEC2] (AR v2)
Трек 5 : извлечено точно (доверие 10) [ED63B0D3] (AR v2)
Трек 6 : извлечено точно (доверие 10) [96769578] (AR v2)
Трек 7 : извлечено точно (доверие 10) [30A1E27D] (AR v2)
Трек 8 : извлечено точно (доверие 10) [F669BB37] (AR v2)
Трек 9 : извлечено точно (доверие 10) [DBA6EC1E] (AR v2)
Трек 10 : извлечено точно (доверие 10) [F3FD6B28] (AR v2)

Все треки извлечены точно

Конец отчёта

==== Контрольная сумма отчёта 4D93A84608846409D500C7A2D90978064684532786C5A4C0D58C3EB70D912F39 ====

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2017-02-07 15:15:47

––––––––––––––––––––––––––––––––––––––––
Analyzed: Fiona Apple / Tidal
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR9 0.00 dB -10.35 dB 4:10 01-Sleep To Dream
DR8 0.00 dB -11.30 dB 3:55 02-Sullen Girl
DR8 0.00 dB -10.27 dB 5:24 03-Shadowboxer
DR9 0.00 dB -9.86 dB 5:44 04-Criminal
DR10 0.00 dB -12.17 dB 5:58 05-Slow Like Honey
DR9 0.00 dB -10.56 dB 4:47 06-The First Taste
DR12 0.00 dB -14.80 dB 5:55 07-Never Is A Promise
DR10 0.00 dB -10.82 dB 4:15 08-The Child Is Gone
DR11 0.00 dB -14.32 dB 5:51 09-Pale September
DR8 0.00 dB -11.18 dB 5:44 10-Carrion
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 10
Official DR value: DR9

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 838 kbps
Codec: FLAC
================================================================================




Fiona Apple - Studio Albums 1996-2012 (4CD + 2xDVD5)

Fiona Apple - When The Pawn… (1999)
EAC | FLAC | Image (Cue&Log) ~ 306 Mb | Mp3 (CBR320) ~ 131 Mb | Scans included
Label: Clean Slate, Epic | # EK 69195 | Time: 00:42:42

Fiona Apple may have been grouped in with the other female singer/songwriters who dominated the pop charts in 1996 and 1997, but she stood out by virtue of her grand ambitions and considerable musical sophistication. Even though her 1996 debut Tidal occasionally was hampered by naiveté, it showcased a gifted young artist in the process of finding her voice. Even so, the artistic leap between Tidal and its long-awaited 1999 sequel When the Pawn Hits… is startling. It's evident that not only have Apple's ambitions grown, so has her confidence – few artists would open themselves up to the ridicule that comes with having a 90-word poem function as the full title, but that captures the fearless feeling of the record. Apple doesn't break from the jazzy pop of Tidal on Pawn, choosing instead to refine her sound and then expand its horizons. Although there are echoes of everything from Nina Simone to Aimee Mann on the record, it's not easy to spot specific influences, because this is truly an individual work. As a songwriter, she balances her words and melodies skillfully, no longer sounding self-conscious as she crafts highly personal, slightly cryptic songs that never sound precocious or insular. With producer Jon Brion, she created the ideal arrangements for these idiosyncratic songs, finding a multi-layered sound that's simultaneously elegant and carnival-esque. As a result, Pawn is immediately grabbing, and instead of fading upon further plays, it reveals more with each listen, whether it's a lyrical turn of phrase or an unexpected twist in the arrangement; what's more, Apple has made it as rich emotionally as it is musically. That's quite a feat for any album, but it's doubly impressive since it is only the second effort by a musician who is only 22 years old.

Review by Stephen Thomas Erlewine, Allmusic.com

Tracklist:

01. On The Bound (05:23)
02. To Your Love (03:40)
03. Limp (03:31)
04. Love Ridden (03:22)
05. Paper Bag (03:40)
06. A Mistake (04:58)
07. Fast As You Can (04:40)
08. The Way Things Are (04:18)
09. Get Gone (04:10)
10. I Know (04:55)


Exact Audio Copy V1.0 beta 3 from 29. August 2011

Отчёт EAC об извлечении, выполненном 10. февраля 2014, 23:46

Fiona Apple / When The Pawn

Дисковод: ASUS BW-12B1ST Adapter: 3 ID: 0

Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет

Коррекция смещения при чтении : 6
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Встроенный Win32-интерфейс для Win NT/2000

Выходной формат : Внутренние WAV-операции
Формат сэмплов : 44.100 Гц; 16 бит; стерео


TOC извлечённого CD

Трек | Старт | Длительность | Начальный сектор | Конечный сектор
––––––––––––––––––––––––––––––––––-
1 | 0:00.00 | 5:23.32 | 0 | 24256
2 | 5:23.32 | 3:40.70 | 24257 | 40826
3 | 9:04.27 | 3:31.10 | 40827 | 56661
4 | 12:35.37 | 3:22.60 | 56662 | 71871
5 | 15:58.22 | 3:40.43 | 71872 | 88414
6 | 19:38.65 | 4:58.05 | 88415 | 110769
7 | 24:36.70 | 4:40.12 | 110770 | 131781
8 | 29:17.07 | 4:18.53 | 131782 | 151184
9 | 33:35.60 | 4:10.50 | 151185 | 169984
10 | 37:46.35 | 4:55.35 | 169985 | 192144


Характеристики диапазона извлечения и сообщения об ошибках

Выбранный диапазон

Имя файла D:\EAC\Fiona Apple - 1999 - When The Pawn (Clean State, Epic ‎- EK 69195)\Fiona Apple - 1999 - When The Pawn.wav

Пиковый уровень 100.0 %
Скорость извлечения 7.5 X
Качество диапазона 100.0 %
CRC теста 03EAC4A3
CRC копии 03EAC4A3
Копирование… OK

Ошибок не произошло


AccurateRip: сводка

Трек 1 : извлечено точно (доверие 11) [BE6941B6] (AR v2)
Трек 2 : извлечено точно (доверие 12) [54C61647] (AR v2)
Трек 3 : извлечено точно (доверие 11) [1E3FC1B2] (AR v2)
Трек 4 : извлечено точно (доверие 12) [678CEFCA] (AR v2)
Трек 5 : извлечено точно (доверие 12) [0B5287AC] (AR v2)
Трек 6 : извлечено точно (доверие 11) [1F3AD04E] (AR v2)
Трек 7 : извлечено точно (доверие 11) [2CEB7393] (AR v2)
Трек 8 : извлечено точно (доверие 11) [E890F07E] (AR v2)
Трек 9 : извлечено точно (доверие 11) [B65FDDF4] (AR v2)
Трек 10 : извлечено точно (доверие 11) [912D4F5F] (AR v2)

Все треки извлечены точно

Конец отчёта

==== Контрольная сумма отчёта F4E48493A48E089C65F16A5A4F4524A2E6C33A7EF1ADE53FDAC478F07DF28E60 ====

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2017-02-07 15:16:03

––––––––––––––––––––––––––––––––––––––––
Analyzed: Fiona Apple / When The Pawn
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR7 -0.31 dB -9.01 dB 5:23 01-On The Bound
DR7 -0.19 dB -8.51 dB 3:41 02-To Your Love
DR7 0.00 dB -10.53 dB 3:31 03-Limp
DR10 -0.50 dB -14.83 dB 3:23 04-Love Ridden
DR7 -0.50 dB -9.42 dB 3:41 05-Paper Bag
DR7 0.00 dB -8.37 dB 4:58 06-A Mistake
DR7 0.00 dB -9.09 dB 4:40 07-Fast As You Can
DR8 -0.10 dB -10.12 dB 4:19 08-The Way Things Are
DR6 -0.50 dB -9.92 dB 4:11 09-Get Gone
DR9 -0.50 dB -11.83 dB 4:55 10-I Know
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 10
Official DR value: DR8

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 865 kbps
Codec: FLAC
================================================================================




Fiona Apple - Studio Albums 1996-2012 (4CD + 2xDVD5)

Fiona Apple - Extraordinary Machine (2005) DualDisc CD/DVD
EAC | FLAC | Image (Cue&Log) ~ 354 Mb | Mp3 (CBR320) ~ 153 Mb | Scans included
Label: Epic, Clean Slate | # EN 96530 | Time: 00:50:40

To say that the released version of Extraordinary Machine is a marked improvement over the bootlegged version is not to say that it sounds more complete – after all, the booted Jon Brion productions sounded finished, as evidenced by the two cuts that were retained; the intricate chamber pop of the opening title track and the closing "Waltz (Better Than Fine)" are the only time Brion's productions not only suited, but enhanced Fiona Apple's songs – but they are both more accessible, and more fully realized, letting Apple's songs breathe in a way they didn't on the original sessions. While Brion's productions were interesting, they stretched his carnivalesque aesthetic to the limit, ultimately obscuring Apple's songs, which were already fussier, artier, and more oblique than her previous work. When matched to Brion's elaborately detailed productions, her music became an impenetrable Wall of Sound, but Mike Elizondo's productions open these songs up, making it easier to hear Apple's songs while retaining most of her eccentricities. Now, Extraordinary Machine sounds like a brighter, streamlined version of When the Pawn, lacking the idiosyncratic arrangement and instrumentation of that record, yet retaining the artiness of the songs themselves. Like her second record, this album is not immediate; it takes time for the songs to sink in, to let the melodies unfold, and decode her laborious words (she still has the unfortunate tendency to overwrite: "A voice once stentorian is now again/Meek and muffled"). Unlike the Brion-produced sessions, peeling away the layers on Extraordinary Machine is not hard work, since it not only has a welcoming veneer, but there are plenty of things that capture the imagination upon first listen – the pulsating piano on "Get Him Back," the moodiness of "O' Sailor," the coiled bluesy "Better Version of Me," the quiet intensity of the breakup saga "Window," the insistent chorus on "Please Please Please" – which gives listeners a reason to return and invest time in the album. And once they do go back for repeated listens, Extraordinary Machine becomes as rewarding, if not quite as distinctive, as When the Pawn. Nevertheless, this is neither a return to the sultry, searching balladeering of Tidal, nor a record that will bring her closer to tasteful, classy Norah Jones territory, thereby making her a more commercial artist again. Extraordinary Machine may be more accessible, but it remains an art-pop album in its attitude, intent, and presentation – it's just that the presentation is cleaner, making her attitude appealing and her intent easier to ascertain, and that's what makes this final, finished Extraordinary Machine something pretty close to extraordinary.

Review by Stephen Thomas Erlewine, Allmusic.com

Tracklist:

01. Extraordinary Machine (03:44)
02. Get Him Back (05:26)
03. O' Sailor (05:37)
04. Better Version of Me (03:01)
05. Tymps (The Sick In the Head Song) (04:05)
06. Parting Gift (03:36)
07. Window (05:33)
08. Oh Well (03:42)
09. Please Please Please (03:35)
10. Red Red Red (04:08)
11. Not About Love (04:21)
12. Waltz (Better Than Fine) (03:46)


Exact Audio Copy V1.0 beta 3 from 29. August 2011

Отчёт EAC об извлечении, выполненном 11. февраля 2014, 0:23

Fiona Apple / Extraordinary Machine

Дисковод: ASUS BW-12B1ST Adapter: 3 ID: 0

Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет

Коррекция смещения при чтении : 6
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Встроенный Win32-интерфейс для Win NT/2000

Выходной формат : Внутренние WAV-операции
Формат сэмплов : 44.100 Гц; 16 бит; стерео


TOC извлечённого CD

Трек | Старт | Длительность | Начальный сектор | Конечный сектор
––––––––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:44.10 | 0 | 16809
2 | 3:44.10 | 5:26.64 | 16810 | 41323
3 | 9:10.74 | 5:37.16 | 41324 | 66614
4 | 14:48.15 | 3:01.44 | 66615 | 80233
5 | 17:49.59 | 4:05.64 | 80234 | 98672
6 | 21:55.48 | 3:36.58 | 98673 | 114930
7 | 25:32.31 | 5:33.47 | 114931 | 139952
8 | 31:06.03 | 3:42.61 | 139953 | 156663
9 | 34:48.64 | 3:35.43 | 156664 | 172831
10 | 38:24.32 | 4:08.04 | 172832 | 191435
11 | 42:32.36 | 4:21.30 | 191436 | 211040
12 | 46:53.66 | 3:46.14 | 211041 | 228004


Характеристики диапазона извлечения и сообщения об ошибках

Выбранный диапазон

Имя файла D:\EAC\Fiona Apple - 2005 - Extraordinary Machine (Epic, Clean Slate ‎- EN 96530)\Fiona Apple - 2005 - Extraordinary Machine.wav

Пиковый уровень 99.0 %
Скорость извлечения 3.3 X
Качество диапазона 100.0 %
CRC теста F019F5F5
CRC копии F019F5F5
Копирование… OK

Ошибок не произошло


AccurateRip: сводка

Трек 1 : извлечено точно (доверие 131) [56F667E8] (AR v2)
Трек 2 : извлечено точно (доверие 130) [3A59446D] (AR v2)
Трек 3 : извлечено точно (доверие 130) [F3F22CDE] (AR v2)
Трек 4 : извлечено точно (доверие 130) [B4FE6BAD] (AR v2)
Трек 5 : извлечено точно (доверие 128) [2BB2C516] (AR v2)
Трек 6 : извлечено точно (доверие 130) [5315B369] (AR v2)
Трек 7 : извлечено точно (доверие 129) [A1F9F894] (AR v2)
Трек 8 : извлечено точно (доверие 130) [25EE14EC] (AR v2)
Трек 9 : извлечено точно (доверие 129) [C6B36892] (AR v2)
Трек 10 : извлечено точно (доверие 128) [AAE238E6] (AR v2)
Трек 11 : извлечено точно (доверие 128) [014717F5] (AR v2)
Трек 12 : извлечено точно (доверие 128) [F8B7434C] (AR v2)

Все треки извлечены точно

Конец отчёта

==== Контрольная сумма отчёта CEAEFFD47056FBF9026F8B4710DFB396DAF4075B35F17DFFAF5311487606F7E6 ====

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2017-02-07 15:16:24

––––––––––––––––––––––––––––––––––––––––
Analyzed: Fiona Apple / Extraordinary Machine
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR8 -0.81 dB -11.07 dB 3:44 01-Extraordinary Machine
DR7 -0.10 dB -8.68 dB 5:27 02-Get Him Back
DR6 -0.10 dB -8.44 dB 5:37 03-O' Sailor
DR7 -0.10 dB -9.47 dB 3:02 04-Better Version of Me
DR8 -0.10 dB -10.19 dB 4:06 05-Tymps (The Sick in the Head Song)
DR8 -0.10 dB -13.08 dB 3:37 06-Parting Gift
DR7 -0.08 dB -9.28 dB 5:34 07-Window
DR7 -0.10 dB -8.45 dB 3:43 08-Oh Well
DR7 -0.10 dB -8.84 dB 3:36 09-Please Please Please
DR8 -0.10 dB -11.43 dB 4:08 10-Red Red Red
DR8 -0.10 dB -10.64 dB 4:21 11-Not About Love
DR8 -0.10 dB -11.30 dB 3:46 12-Waltz (Better Than Fine)
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 12
Official DR value: DR7

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 850 kbps
Codec: FLAC
================================================================================


Fiona Apple - Studio Albums 1996-2012 (4CD + 2xDVD5)

Fiona Apple - Studio Albums 1996-2012 (4CD + 2xDVD5)

Fiona Apple - Studio Albums 1996-2012 (4CD + 2xDVD5)

Fiona Apple - Studio Albums 1996-2012 (4CD + 2xDVD5)

Fiona Apple - Studio Albums 1996-2012 (4CD + 2xDVD5)

Fiona Apple - Studio Albums 1996-2012 (4CD + 2xDVD5)


DVD5 | NTSC | 4:3 (720x480) | English (PCM), 1536 Kbps | Time: 00:28:49 | 1.92 Gb


DVD Content:

01. Not About Love (video)
02. Extraordinary Machine (live at Club Largo)
03. River, Stay Away from My Door (live at Club Largo)
04. Paper Bag (live at Club Largo)
05. Fast As You Can (live at Club Largo)
06. You Belong to Me (live at Club Largo)
07. Parting Gift (live at the Jazz Factory)




Fiona Apple - Studio Albums 1996-2012 (4CD + 2xDVD5)

Fiona Apple - The Idler Wheel Is Wiser Than the Driver of the Screw and Whipping Cords
Will Serve You More Than Ropes Will Ever Do (2012)

EAC | FLAC | Image (Cue&Log) ~ 260 Mb | Mp3 (CBR320) ~ 131 Mb | Scans included
Label: Clean Slate, Epic, Sony Music | # 88691978632/88725402512 | Time: 00:42:39

So much of the drama surrounding Fiona Apple's third album, Extraordinary Machine, focused on its recording and release – how the original Jon Brion productions were scrapped in favor of new versions helmed by Mike Elizondo, all fueling fan panic and an Internet protest pleading for a free Fiona – that ultimately all the clamor obscured Apple herself, both her songs and performances. She runs no such risk on The Idler Wheel Is Wiser Than the Driver of the Screw and Whipping Cords Will Serve You More Than Ropes Will Ever Do, her fourth album, arriving some seven years after Extraordinary Machine. Alone with her voice, piano, and percussionist Charley Drayton, Apple has nowhere to hide, nor does she give any indication she'd prefer to run. These spare but not skeletal arrangements – each cut is subtly colored with harmonies, slight effects, overlapping rhythms, and additional keyboards – never shift focus away from Fiona's magnetic vocals, the human element pulling us into these songs. Some hooks are stronger than others – "Periphery" cuts to the quick, whereas "Every Single Night" surges – but what was rumored about Extraordinary Machine is actually true about The Idler Wheel: there are no singles here, nothing concise and concentrated to facilitate an easy sell. But that's not to say that The Idler Wheel is alienating. As elliptical as the melodies and words can be, the music is immediate and the songs unfold quickly, certain turns of phrase or thrilling runs swiftly seeping into the subconscious. Lacking either ornate production or a pop single, The Idler Wheel plays like Fiona Apple at her purest and that's plenty complicated: she takes no shortcuts or easy turns, her intent somewhat shrouded but never absent. Much of the charm of Apple's music isn't decoding what it all means but learning its internal clockwork, letting the songs take root, so the love songs ("Jonathan") seem sweeter, the braggadocio ("Hot Knife") funnier, the pathos ("Valentine," "Regret") and paranoia ("Werewolf") feeling fathomless. Once the startling Spartan surfaces of The Idler Wheel become familiar, similarities to her three previous albums are apparent – she takes certain jazzy strides that hark back to Tidal, there's a rigorous dexterity reminiscent of When the Pawn – but what's new is an unwavering determination and cohesion. Nothing is wasted, either in the composition or arrangement, and this lean confidence binds The Idler Wheel. Stripped of all her carnivalesque accouterments, Fiona Apple remains as rich and compelling as she ever was, perhaps even more so.

Review by Stephen Thomas Erlewine, Allmusic.com

Tracklist:

01. Every Single Night (03:33)
02. Daredevil (03:28)
03. Valentine (03:32)
04. Jonathan (05:03)
05. Left Alone (04:50)
06. Werewolf (03:12)
07. Periphery (04:58)
08. Regret (05:16)
09. Anything We Want (04:40)
10. Hot Knife (04:02)


Exact Audio Copy V1.0 beta 3 from 29. August 2011

Отчёт EAC об извлечении, выполненном 11. февраля 2014, 21:59

Fiona Apple / The Idler Wheel Is Wiser Than the Driver of the Screw and Whipping Cords Will Serve You More Than Ropes Will Ever Do

Дисковод: ASUS BW-12B1ST Adapter: 3 ID: 0

Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет

Коррекция смещения при чтении : 6
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Встроенный Win32-интерфейс для Win NT/2000

Выходной формат : Внутренние WAV-операции
Формат сэмплов : 44.100 Гц; 16 бит; стерео


TOC извлечённого CD

Трек | Старт | Длительность | Начальный сектор | Конечный сектор
––––––––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:33.10 | 0 | 15984
2 | 3:33.10 | 3:28.15 | 15985 | 31599
3 | 7:01.25 | 3:32.63 | 31600 | 47562
4 | 10:34.13 | 5:03.55 | 47563 | 70342
5 | 15:37.68 | 4:50.51 | 70343 | 92143
6 | 20:28.44 | 3:12.53 | 92144 | 106596
7 | 23:41.22 | 4:58.21 | 106597 | 128967
8 | 28:39.43 | 5:16.72 | 128968 | 152739
9 | 33:56.40 | 4:40.67 | 152740 | 173806
10 | 38:37.32 | 4:02.02 | 173807 | 191958


Характеристики диапазона извлечения и сообщения об ошибках

Выбранный диапазон

Имя файла D:\EAC\Fiona Apple - 2012 - The Idler Wheel…. (Clean Slate, Epic ‎- 88725402512)\Fiona Apple - 2012 - The Idler Wheel….wav

Пиковый уровень 100.0 %
Скорость извлечения 3.4 X
Качество диапазона 100.0 %
CRC теста 3ECA7A73
CRC копии 3ECA7A73
Копирование… OK

Ошибок не произошло


AccurateRip: сводка

Трек 1 : извлечено точно (доверие 178) [5D8B64C3] (AR v2)
Трек 2 : извлечено точно (доверие 179) [062FAF80] (AR v2)
Трек 3 : извлечено точно (доверие 179) [15B9530D] (AR v2)
Трек 4 : извлечено точно (доверие 177) [63F4DE65] (AR v2)
Трек 5 : извлечено точно (доверие 177) [DBA8A0DE] (AR v2)
Трек 6 : извлечено точно (доверие 178) [093A6FC2] (AR v2)
Трек 7 : извлечено точно (доверие 176) [1D5DE86F] (AR v2)
Трек 8 : извлечено точно (доверие 176) [FFA1C616] (AR v2)
Трек 9 : извлечено точно (доверие 178) [E567C44D] (AR v2)
Трек 10 : извлечено точно (доверие 175) [E77E9A2A] (AR v2)

Все треки извлечены точно

Конец отчёта

==== Контрольная сумма отчёта D6750FC34FB6B079748D9F629BEDA6E3E9727F0122F1D13076534EFFAA058274 ====

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2017-02-07 15:16:40

––––––––––––––––––––––––––––––––––––––––
Analyzed: Fiona Apple / The Idler Wheel Is Wiser Than the Driver of the Screw and Whipping Cords Will Serve…
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 0.00 dB -15.03 dB 3:33 01-Every Single Night
DR11 0.00 dB -13.78 dB 3:28 02-Daredevil
DR10 0.00 dB -14.00 dB 3:33 03-Valentine
DR11 0.00 dB -14.24 dB 5:04 04-Jonathan
DR11 0.00 dB -14.54 dB 4:51 05-Left Alone
DR12 0.00 dB -14.54 dB 3:13 06-Werewolf
DR11 0.00 dB -13.76 dB 4:58 07-Periphery
DR10 0.00 dB -14.89 dB 5:17 08-Regret
DR11 0.00 dB -13.31 dB 4:41 09-Anything We Want
DR11 0.00 dB -13.43 dB 4:02 10-Hot Knife
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 10
Official DR value: DR11

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 726 kbps
Codec: FLAC
================================================================================


Fiona Apple - Studio Albums 1996-2012 (4CD + 2xDVD5)

Fiona Apple - Studio Albums 1996-2012 (4CD + 2xDVD5)

Fiona Apple - Studio Albums 1996-2012 (4CD + 2xDVD5)

Fiona Apple - Studio Albums 1996-2012 (4CD + 2xDVD5)

Fiona Apple - Studio Albums 1996-2012 (4CD + 2xDVD5)

Fiona Apple - Studio Albums 1996-2012 (4CD + 2xDVD5)

Fiona Apple - Studio Albums 1996-2012 (4CD + 2xDVD5)

Bonus DVD from Deluxe Edition
DVD5 | NTSC | 16:9 (720x480) VBR | LPCM 1536 kbps | Time: 00:22:27 | 1.24 Gb


DVD Content:

1. Fast As You Can (Live)
2. A Mistake (Live)
3. Anything We Want (Live)
4. Sleep To Dream (Live)
5. Every Single Night (Live)




All thanks to original releaser

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