Dysphotic Zone is a freely improvised solo piano album and it's Margaux Oswalds debut recording for Clean Feed. The unedited performance was recorded live at the Monopiano Festival in Stockholm.

Hoechan Lee’s sensitive renditions of the Romantic repertoire have made him one of Korea’s fastest rising cellists. His takes on classics by Franz Schubert as well as Robert and Clara Schumann are like letters to his audience – telling a personal story between two continents and his love for the music uniting them.

Extended guitar hero Oren Ambarchi returns with Shebang, the latest in the series of intricately detailed long-form rhythmic workouts that includes Quixotism (2014) and Hubris (2016). Like those records, Shebang features an international all-star cast of musical luminaries, their contributions recorded individually in locations from Sweden to Japan yet threaded together so convincingly (by Ambarchi in collaboration with Konrad Sprenger) that it’s hard to believe they weren’t breathing the same studio air!

The electrifying trio of Glen McDaniel, Nick Villalobos, and Zack Clark, together known as Simply Three, has been captivating audiences worldwide with high-octane performances since 2010.

Contrairement à son titre, le sextuor Souvenir de Florence de Tchaikovski, composé en 1890, doit davantage à la tradition russe qu’à l’école italienne. Très contrasté, incroyablement exigeant pour les interprètes et d’une grande intensité, il constitue l’une des pierres angulaires du répertoire. Moins d’une dizaine d’années plus tard, Schönberg compose un autre monument du sextuor à cordes, dont la vigueur n’a probablement rien à envier à celui de Tchaikovski : La Nuit transfigurée, inspirée du poème de Robert Dehmel, pousse l’expression romantique à son paroxysme dans un tableau musical noir et fiévreux.Héritier des grands interprètes russes, le Oistrakh Quartet est chez lui dans ces deux chefs-d'œuvre, qu’il enregistre en compagnie de l’altiste Daniel Austrich et du violoncelliste Alexander Buzlov.

Veronika Harcsa, Bálint Gyémánt and time - the relationship between the three contains some genuine thrills, and in more ways than one. The name of their new record is About Time. Being in time to the music is an art, while the distinctive rhythms of time are the soul of jazz. There is also a more subjective interpretation: a special moment has arrived in the life of the two musicians. Both their mentors and their huge influence are still active, and the younger generation, perhaps influenced by them, arrive with a mature, fresh sound. The duo felt that now is the time to celebrate all of the above.

Known for her poetic expression and peerless technical control, French pianist Hélène Grimaud is one of the most sought-after artists performing with leading orchestras, in chamber music, and in solo recitals internationally and is an exclusive Deutsche Grammophon recording artist. A multi-faceted Renaissance woman with a deep dedication to her musical career, Hélène also nurtures passionate environmental, literary, and artistic interests.

The curious musicophile is always in quest of new repertoires, hidden gems and unjustly forgotten figures. This Da Vinci Classics album represents such a discovery, whose value is increased by the unusual instrumental combination it features, i.e. a piano trio with clarinet and cello.

The Unusual Trio, explore the trio formation without bass, showcasing the powerful left hand of Terraza, the multi-instrumentalism of Cunningham, and a resulting groove , fresh and light, with a repertoire firmly rooted in the jazz tradition ranging from Swing to Hard-Bop.

Louis Anthony deLise is an award-winning American composer, pianist, and percussionist. He was born in Philadelphia, Pennsylvania and at age six moved with his family to rural Pennsylvania where he attended the public schools and began his music study.

Daniel Pio Dal Barba (1715–1801) is known for his role as maestro di cappella at Verona Cathedral, as well as his successful career as an opera composer and male soprano, also in Verona. His large catalogue of liturgical music is mostly well preserved, and his sacred music can be considered a simplified version of the dominant style (in terms of harmony, counterpoint and timbre) of the first half of the 18th century. His compositions were most often written for a relatively small ensemble (three or four voices, two violins and basso continuo), whereas works by his contemporaries would typically include wind instruments also.

The Pasture & Storm Project brings together the composer Sadie Harrison, three pianists in Nicholas McCarthy, Sophia Benton and Tomáš Klement, the singer Peyee Chen, flautist Stephanie Gilbert, violinist Roger Huckle, and the Bristol Ensemble, conducted by John Pickard. The CD includes 8 new works written to celebrate the unique talents of the left-hand-only pianist.

Dans la lignée de l'album "Thérèse, vivre d'amour", Natasha St Pier retrace aujourd'hui la vie de Jeanne d'Arc.Reconnue comme l'une des premières icônes féministes à travers le monde, Jeanne d'Arc a connu une destinée exceptionnelle. Elle demeure depuis toujours une source d'inspiration et un modèle résolument moderne par le message qu'elle incarne.Thérèse de Lisieux, l'une des plus grandes figures spirituelles et mystiques à travers le monde, fut aussi lune des premières à se passionner pour cette héroïne française, allant jusqu'à écrire une poésie et deux pièces de théâtre en hommage à Jeanne d'Arc.Natasha Saint Pier est aujourd'hui le trait d'union reliant ces deux saintes, ces soeurs intimes, ces deux figures inspirantes.Avec la force des mots de Thérèse de Lisieux, sur des chansons écrites et composées sur mesure par Véronique Sanson, Lionel Florence, ou Jacques Vénéruso, Natasha St Pier raconte l'incroyable destin de Jeanne d'Arc dans un album exceptionnel qui sortira le 30 septembre.

The Ares Trio brings together two requiems in the form of piano trios by two composers whose active periods fell during those of the Soviet Union and who were harassed by the cultural bureaucracy there: Shostakovich composed his Trio for Piano and Strings op. 67 in memory of his beloved friend, the musician and music critic Iván Sollertìnski, who had always stood by him, even when the Leningrad composer's music was condemned by Stalin and he thus had to constantly fear arrest.

The encounter of different epochs is often the decisive moment of tension in music programmes. Chorwerk Ruhr chooses a particularly original path in its latest prank: a central work by Heinrich Schütz is juxtaposed with what Nikolaus Brass, born in 1949, develops from his encounter with the work of arguably the greatest German vocal composer of the early Baroque.