For Norwegian pianist Tord Gustavsen, the title of his sixth album for ECM has a programmatic significance. "Extended Circle" refers, he says, to the completion of a “double circle” of trilogies: the first with the trio heard on Changing Places, The Ground and Being There, and the second with the quartet (formed inside the expanded ensemble of Restored, Returned in 2009 and then documented on The Well in 2012). Extended Circle opens and closes with a trio piece, while exploring textural and dynamic variations in between. “You come back to the point of departure but with new insight – and things are the same but not the same,” Gustavsen sums up an album that in his view points forward to musical openness, but also back to his 2003 ECM debut.

Whatever one thinks and believes about salvation, sin and grace, one must have a heart of stone not to believe in Kim Rysstad when he interprets old spiritual songs such as "Jesus din søde forening at smake", "Villfarande barn" and " Langt Inn På Ville Heii".

Of the Norwegian artists that ECM has introduced over the years, pianist Tord Gustavsen must count as one of the least “Nordic” in musical temperament. If the contemplative component of his music and its quietude still reflect Scandinavian priorities, the manner in which he has sought and located connections to early jazz – especially the blues, gospel music, and the nexus of Caribbean music and New Orleans jazz - is entirely his own. An immediate success, "The Ground" topped Norway's pop charts in its second week of release.

Norwegian pianist Tord Gustavsen considers "Being There" as the third installment of a trilogy that began in 2001 with "Changing Places" and continued with "The Ground", recorded in 2004. The album’s title is borrowed from a tune on The Ground, intentionally stressing the continuity of the music while also underlining its working concept, characterized by Gustavsen as “being acutely present, aware and focused in the fullness of the moment. The group has a definite direction or sound, but there are still many nuances to explore”.

After a trilogy of highly successful trio albums, Tord Gustavsen branches off in new directions. His new band adds two players familiar to ECM listeners – bassist Mats Eilertsen and saxophonist Tore Brunborg – and introduces the blues-inflected voice of Kristin Asbjørnsen on Tord’s settings of the poetry of W.H. Auden. Inside the ensemble, duo and trio interaction unfolds, taking off from the clear melodic language of Gustavsen’s songwriting.

Two years after “Restored, Returned” introduced this line-up and with extensive touring behind them, on “The Well” the four musicians of the Gustavsen Quartet really blossom as a band in a programme of new tunes by Tord. Sax player Tore Brunborg is given an important voice here, his melodic lines combining bluesy sonority and Nordic cry. Gently but effectively propelled by the subtle pulses of drummer Jarle Vespestad and bassist Mats Eilertsen, Gustavsen’s gospel-tinged, unhurried piano playing displays a characteristic warmth and tenderness.