"Bad As Me" is Tom Waits’ first studio album of all new music in seven years. This pivotal work refines the music that has come before and signals a new direction. Waits, in possibly the finest voice of his career, worked with a veteran team of gifted musicians and longtime co-writer/producer Kathleen Brennan.

"Bad As Me" is the first studio recording in over seven years from influential singer/songwriter Tom Waits. The exquisite album triumphs as one of his finest performances in a long and established career. Waits’ unparalleled songwriting, raspy vocals and masterful arrangements are on full display. Included is the beautiful ballad “Last Leaf”, a bluesy “Talking at the Same Time”, a gospel “Satisfied”, and more. This high resolution recording is the perfect way to experience one of music’s most important songwriters.

"Orphans: Brawlers, Bawlers & Bastards" is a limited edition three CD set by Tom Waits, originally released in November 2006. The album is divided into three sections, with each disc being a separate collection in its own. It borrows from Tom Waits’ rock sound, with the first disc being blues and rock-based, the second centred on slow-tempo, melancholic ballads, and the third on more experimental compositions. Additionally, the record contains influences of other genres, including folk, gospel, jazz and roots music. Orphans: Brawlers, Bawlers and Bastards received universal acclaim from critics, who lauded its experimentation and composition, as well as Waits' vocals. It was listed as one of the highest-scoring albums of the year in Metacritic, and was nominated for a Grammy Award for Best Contemporary Folk Album. Furthermore, it was a fair commercial success, charting in the United States Billboard 200, as well as in Australia, Switzerland and Austria, reaching the top twenty in the latter.

Tom Waits is one of the most influential musicians in the world today, an artist who never rests on his laurels. He continues to re-invent music, push boundaries and create new sounds. On Real Gone, the up tempo tracks are some of the rawest and most kinetic he's ever laid down…He's never sounded like he's had this much fun…while the ballads are among his most beautiful and even chilling at times. Real Gone also contains his first overtly political song, "The Day After Tomorrow", a plaintive letter home from a young soldier in the middle of a war. Taken as a whole, the experience is breathtaking.

"Bad As Me" is Waits' first album consisting completely of new material in five years since "Orphans". Waits' label, ANTI-, had recently agreed on a distribution deal with Warner Music Group allowing them to release the album internationally. This marks Waits' first release through the Warner organization since "Heartattack and Vine". Upon its release, "Bad as Me" received widespread critical acclaim. The album was nominated for a Grammy Award for Best Alternative Music Album. This Deluxe edition features three bonus tracks.

Alice, once dubbed "the lost Tom Waits masterpiece" by the press, was originally done as an avant-garde opera directed by Robert Wilson for Hamburg's Thalia Theater in the winter of 1992. "Alice" was based loosely on Lewis Carroll's obsession with young Alice Liddell, the girl who inspired his Alice in Wonderland and Through The Looking Glass. Working with wife and collaborator Kathleen Brennan, they wrote fifteen songs for the Wilson opera in the summer of 1992. The Thalia performed "Alice" for eighteen months, with an eclectic orchestra of Waits' design.

Not much else can be said about this album other than this is Tom Waits at his best. Tom Waits is one of the most innovative artists in popular music. His singular vision embraces everything from blues to tin-pan-alley to jazz to just about anything else you can think of. Grammy winner, actor, poet, a master of the musical collage and lyrical surprise, Tom Waits is simply a giant. "Mule Variations" offers the most complete picture of Tom Waits of any of his albums. Edgy stomps, humor and experimentation are interspersed with some of the most beautiful and personal songs he’s ever written.

"Glitter And Doom: Live" is a live album by Tom Waits recorded during the Glitter and Doom Tour of the USA and Europe in the summer of 2008. Disc One is designed to sound like one evening's performance, even though the 17 tracks are selected from 10 cities, from Paris to Birmingham; Tulsa to Milan; and Atlanta to Dublin. Sonically the album is superb and has been beautifully recorded and meticulously mastered. Disc Two is a bonus compendium called TOM TALES, which is a selection of the comic bromides, strange musings, and unusual facts that Tom traditionally shares with his audience during the piano set. Waits' topics range from the ritual of insects to the last dying breath of Henry Ford.

Rain Dogs is the eighth studio album by American singer-songwriter Tom Waits. A loose concept album about "the urban dispossessed" of New York City, Rain Dogs is generally considered the middle album of a trilogy that includes Swordfishtrombones and Franks Wild Years. The album, which includes appearances by guitarists Keith Richards and Marc Ribot, is noted for its broad spectrum of musical styles and genres, described by Rolling Stone as merging "Kurt Weill, pre-rock integrity from old dirty blues, [and] the elegiac melancholy of New Orleans funeral brass, into a singularly idiosyncratic American style". In 1989, it was ranked number 21 on the Rolling Stone list of the "100 greatest albums of the 1980s". In 2012, the album was ranked number 399 on the magazine's list of "The 500 Greatest Albums of All Time".

"Blood Money" is based on the socio/political play "Woyzeck", originally written by a young German poet Georg Buchner as a spare, cinematic piece in 1837 and inspired by the true story of a German soldier who was driven mad by bizarre army medical experiments and infidelity, which led him to murder his lover. Waits, along with wife and collaborator Kathleen Brennan, wrote songs for an avant-garde production of "Woyzeck" directed by Robert Wilson, which premiered in November 2000 at the Betty Nansen Theater in Copenhagen and went on to win Denmark's version of the Tony for Best Musical. The album careens from the brutal to the tender with assaulting rhythms and romantic melodies.

A stunning collection of artists and performances celebrate the timeless music of legendary gospel bluesman Blind Willie Johnson. From Derek Trucks’ and Susan Tedeschi’s reverent reading of Keep Your Lamp Trimmed And Burning to Lucinda Williams’ slide guitar-fueled lament in Nobody’s Fault But Mine, from Luther Dickinson’s spirited take on Bye And Bye I’m Going To See The King (with The Rising Star Fife & Drum Band) to Tom Waits’ virtual embodiment of Johnson himself on The Soul Of A Man and John The Revelator, this record is packed with incomparable recordings that speak as much to the greatness of the performers as they do the enduring legacy of Blind Willie Johnson.