The fifteen tracks carefully selected here come from popular music pieces owned by Sony/BMG Music. Ten of these wonderful pieces are first Japanese SACD for this project, and these particular tracks by the world famous artists such The Alan Parsons Project, Boz Scaggs, Roger Waters, Karla Bonoff, and Sarah McLachlan are a world exclusive on SACD only in this series.

The Wall – Live in Berlin was a live concert performance by Roger Waters and numerous guest artists, of the Pink Floyd studio album The Wall, itself largely written by Waters during his time with the band. The show was held in Berlin on 21 July 1990, to commemorate the fall of the Berlin Wall eight months earlier.

It's nothing short of remarkable that Roger Waters has built a successful career on obsessive ruminations on alienation, megalomania, and guilty fame, largely on the backs of one of history's most long-lived arena acts. The musical legacy Waters has shared with "another band" (as he sharply refers to his former Pink Floyd mates in this collection's self-penned liner notes) has served two distinctly different functions: part and parcel of the latter's nostalgia act; autobiographical foundation for the former's ongoing, if decidedly egocentric, Rage at the World. That's essentially the rationale this live collection uses to lean heavily on Waters's Pink prime, from Dark Side of the Moon through The Final Cut. And if that frame sometimes overshadows the images of Waters's solo work–well, no one said he wasn't a pragmatic entertainer.

Ça Ira (French for "It'll be fine", subtitled "There is Hope") is an opera in three acts by Roger Waters based on the French libretto co-written by Étienne and Nadine Roda-Gil on the historical subject of the early French Revolution. Ça Ira was released 26 September 2005, as a double album featuring baritone Bryn Terfel, soprano Ying Huang, and tenor Paul Groves.

To celebrate the 50th Anniversary year of ‘The Dark Side Of The Moon’, Roger Waters announces the release of his homage to the original, ‘The Dark Side Of The Moon Redux’ Waters says ‘when we recorded the stripped down songs for the Lockdown Sessions, the 50th anniversary of the release of The Dark Side Of The Moon was looming on the horizon. It occurred to me that The Dark Side Of The Moon could well be a suitable candidate for a similar re-working, partly as a tribute to the original work, but also to re-address the political and emotional message of the whole album.

The Pros and Cons of Hitch Hiking is the first solo album by Roger Waters; it was released in 1984, the year before Waters announced his departure from Pink Floyd. The album was certified gold in the United States by the Recording Industry Association of America in April 1995.

Roger Waters' album "Amused to Death" returns in a remastered release from Columbia Records / Legacy Recordings. "Amused to Death" sounded the alarm about a society increasingly – and unthinkingly – in thrall to its television screens. Twenty-three years later, "Amused to Death" speaks to our present moment in ways that could scarcely have been anticipated two decades ago.

Roger Waters The Wall captures Roger Waters' sold-out 2010-2013 "The Wall Live" tour, the first complete staging of the classic Pink Floyd concept album since 1990. A tour-de-force of rock & roll stagecraft anchored in a powerful message of peace and compassion, "The Wall Live" became a must-see concert event for music fans everywhere. It played to over 4.5 million people at more than 200 shows across four continents, making it the most successful worldwide tour by a solo artist in history.

"Radio K.A.O.S." is the second studio album by British rock musician and former Pink Floyd member Roger Waters. It was Waters' first album after his split from Pink Floyd in 1985. Like his previous and future studio albums and many works of his during his time with Pink Floyd, this is a concept album. The album is based around a number of key factors of politics in the late 1980s – monetarism, and its effect on citizens. It also makes criticisms of Margaret Thatcher's government, much like Pink Floyd's The Final Cut, another album conceived by Waters. Other influences include popular culture of the 1980s, and the choices and consequences of the Cold War and its effect on world politics and society.

During lock down Roger and the band recorded lots of new versions of various songs that they were working on and shared them as he went along. It would seem these recordings have probably been spruced up and sent to me mastered to make them sound nice and polished ready for consumption.

Dozens of luminaries from rock, country, and soul gathered at the Meadowlands’ Izod Center on October 3, 2012, to pay their collective respects in an unforgettable final tribute to Levon Helm. This incredible night was filled with one-of-a-kind performances by greats including Gregg Allman, Mavis Staples, Allen Toussaint, John Prine, Joan Osborne, Ray LaMontagne, John Mayer, Joe Walsh, Dierks Bentley and many others. The iconic artists performed songs associated with Levon Helm and The Band including “Up on Cripple Creek,” “Life Is a Carnival,” “Ophelia,” “The Weight,” “Rag Mama Rag,” “Ain’t Got No Home” and “The Night They Drove Old Dixie Down”.

"Is This the Life We Really Want" is the fifth studio album by English rock musician and former Pink Floyd bassist and vocalist Roger Waters. It is his first studio album in nearly 25 years since "Amused to Death" (1992), as well as his first solo album in 12 years since "Ça Ira" (2005). At Metacritic, which assigns a normalized rating out of 100 to reviews from critics, the album received an average score of 70, based on 10 reviews, indicating "generally favorable reviews".