Projekt celebrates the 40th anniversary of this ambient classic with a beautiful remastered limited edition LP, 1CD, & 3CD. Structures from Silence‘s breathing, suspended embrace of atmospheres and serene melodies instantly struck a chord with listeners in 1984; the album continues to reiterate its timeless resonations with new listeners today. On this landmark recording of gentle proportions, the three long-form tracks were the birth of something new: an original and pure statement striking a balance between diaphanous and understated, deep and reflective. The listening experience evokes a sense of silence within the music as well as the space between the chords. It expresses the breath of life and offers a meditation on delicate strands of subtle awareness.

Blue Luminaire is a new project from Copenhagen-based, British-born composer, Nick Martin, marking a transition from their previous EPs – where they were composing and directing – to step into the spotlight as a performer, creating a sonic universe stretching across time to create an ever-moving, cyclical experience.

This lot have released 5 x 12”s anonymously over the last 3 years via Hardwax and there’s no info about them anywhere, pretty sneaky. They now land on Mana, a label so esoteric it has a flowchart on its website showing you how to get from Luc Ferrari to Nico Jaar in one short leap.

This suite of three intricate, hour-long guitar drones from the Swiss experimental musician suggests no ends or beginnings, just an unfathomable expanse of immersive sound…

…this unique, dark and sparse, tribal, minimal synth, drone, trance, new age recording from the mysterious Kano. Previously only issued as an obscure cassette back in 1986 which is now much sought after…

"The album 'Mikroskopien III' is a 55-minute composition that develops slowly and delicately over time. Purposefully, Zimoun assembles the fragile sounds into a wide and open sound space. Listening attentively, new details seem to unfold all the time, as when outlines appear in the fog and disappear again. Zimoun 'found' the sounds in microscopic examinations, as he describes, in order to then isolate them and use them as components for the composition. The result is a hypnotic, psychoacoustic sound space of poetic beauty and minimalist consistency." Nina Naok