Arnold Eidus (November 28, 1922, New York - July 3, 2013, Delray Beach, Florida) was an American violinist.

Limited MONO Edition of Chet Baker’s 1959 Riverside album Chet. Featuring jazz legends Bill Evans, Pepper Adams, Herbie Mann, Kenny Burrell, Paul Chambers, Connie Kay and Philly Joe Jones, with all-analog mastering from the original MONO tapes by Kevin Gray at Cohearent Audio.

Jazz in Silhouette is a jazz album by pianist-composer Sun Ra and His Arkestra. It was recorded on March 6, 1959 and released in May of the same year.

Experience the timeless brilliance of Tchaikovsky's Symphony No. 5 in E Minor, Op. 64, rejuvenated for 2024 through meticulous remastering from the original Somerset Tapes.

Chuck Berry Is on Top is the third studio album by rock and roll artist Chuck Berry, released in July 1959 on Chess Records,

Peter Appleyard, OC (26 August 1928 – 17 July 2013) was a British–Canadian jazz vibraphonist, percussionist, and composer.

Memphis Slim, one of the greatest blues pianists of all time, performed in London and Paris between '60 and '61.Disc 1 recorded 1960-7 at the City of London Recording Studio with 18 songs backed by Alexis Corner of guitar and Stan Greig of drums, and disc 2 recorded 1961-7 at a studio in Paris with almost 14 solo piano sessions.

Sixty years after the release of Miles Davis' masterpiece, explanations for its everlasting allure and mysterious beauty remain elusive.

Recorded over the span of more than 18 months, Strictly Instrumental was the ninth rock and roll album by Bill Haley & His Comets, and their final album of new material for Decca Records (although Decca would release previously unissued recordings during the 1960s).

Saxophone Supremacy is an album by saxophonist Sonny Stitt recorded in 1959 and released on the Verve label.

This is THE great album of iconic, classic Christmas instrumentals. No doubt at some point in the past half century or so you've heard at least a few of Percy Faith's renditions of Christmas music standards, and listening to this album you will instantly recognize them.

One of Dakota Staton's early albums, DYNAMIC! definitely lives up to the promise of it's title. With some magical arrangements from Sid Feller, Ms. Staton riffs her way through a selection of jazz and theatre standards, stamping each and every one with her unique brand of musical showmanship.

Longtime Philadelphia Orchestra conductor Eugene Ormandy (born Jenó Blau) developed what came to be known as the "Philadelphia Sound." (He groused that it should be called the "Ormandy Sound," even though its fundamentals had already been established during Leopold Stokowski's long tenure with the Philadelphia Orchestra.) Largely as an effort to overcome the dry acoustics of the orchestra's home, the Academy of Music, Ormandy emphasized lush string sonorities and, often, legato phrasing and rounded tone. He was lauded even by his own musicians for his ability to conduct everything from memory, even complex contemporary scores. Still, aside from the voluptuous tone, Ormandy's interpretations rarely bore an individual stamp. They were, however, highly polished, intelligently balanced, and well paced, always serving the scores honorably, and often with a dash of controlled excitement.

This CD reissue brings back one of Annie Ross' most obscure albums of the 1950's. Recorded at a time when the singer was just starting to get known for her work with Lambert, Hendricks and Ross, the set is a swinging but largely straight rendition of the score from the play "Gypsy.

Johnny and the Hurricanes were an American instrumental rock and roll band from Toledo, Ohio, United States.