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Concertos and Choral Works: Selections from Essays in Musical Analysis

Posted By: ksveta6
Concertos and Choral Works: Selections from Essays in Musical Analysis

Concertos and Choral Works: Selections from Essays in Musical Analysis (Dover Books on Music and Music History) by Donald Francis Tovey
2014 | ISBN: 0486784509 | English | 448 pages | EPUB | 41 MB

Tito Aprea, "L'arte del pedale nel pianoforte: trattato teorico pratico", vol. 1

Posted By: TimMa
Tito Aprea, "L'arte del pedale nel pianoforte: trattato teorico pratico", vol. 1

Tito Aprea, "L'arte del pedale nel pianoforte: trattato teorico pratico", vol. 1
De Santis | 1959 | ISBN: N/A | Italian | PDF | 134 pages | 12.8 MB

Trattato di notevole importanza che spiega in maniera metodica e con parecchi esempi tratti dalla letteratura pianistica, l'uso del pedale sul pianoforte, troppo spesso sottovalutato o studiato in maniera superficiale.

Ralph Kirkpatrick, "L'interpretazione del Clavicembalo ben temperato"

Posted By: TimMa
Ralph Kirkpatrick, "L'interpretazione del Clavicembalo ben temperato"

Ralph Kirkpatrick, "L'interpretazione del Clavicembalo ben temperato"
Franco Muzzio | 1987 | ISBN: 8870213803 | Italian | PDF | 132 pages | 7.2 MB

Questo è un "discorso sul metodo"dell'interpretazione musicale:che poi l'argomento sia il clavicembalo ben temperato di Bach è, in un certo senso, secondario. Ralph Kirkpatrick clavicembalista e musicologo, è stato uno dei maggiori interpreti del nostro secolo, e ha contribuito in modo determinante al rifiorire degli interessi per il clavicembalo e la musica barocca.

Edward Shanaphy, "Piano Stylings of the Great Standards", Vol 1

Posted By: TimMa
Edward Shanaphy, "Piano Stylings of the Great Standards", Vol 1

Edward Shanaphy, "Piano Stylings of the Great Standards", Vol 1
Ekay Music | 2003 | ISBN: 1843286181 | English | PDF | 104 pages | 91.7 MB

'Piano Stylings of the Great Standards' is a series of books created for the pianist who longs to play the best-loved and most important songs of the popular genre in very special and elegant musical settings. The arrangements are represented in varying styles, written and influenced by the many great pianists who, over the years, have helped to shape popular piano performance…

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Bert Ligon, "Comprehensive Technique for Jazz Musicians: For All Instruments"

Posted By: TimMa
Bert Ligon, "Comprehensive Technique for Jazz Musicians: For All Instruments"

Bert Ligon, "Comprehensive Technique for Jazz Musicians: For All Instruments"
Houston Publ | 1999 | ISBN: 0634001760 | English | PDF | 219 pages | 80.4 MB

An incredible presentation of the most practical exercises an aspiring jazz student could want. All are logically interwoven with fine "real world" examples from jazz to classical. This book is an essential anthology of technical, compositional, and theoretical exercises, with lots of musical examples.

Mark Levine, "The Jazz Piano Book"

Posted By: TimMa
Mark Levine, "The Jazz Piano Book"

Mark Levine, "The Jazz Piano Book"
Sher Music | 1989 | ISBN: 0961470151 | English | PDF | 306 pages | 14.8 MB

The most highly acclaimed jazz piano method ever published! Over 300 pages with complete chapters on Intervals and triads, The major modes and II-V-I, 3-note voicings, Sus. and phrygian Chords, Adding notes to 3-note voicings, Tritone substitution, Left-hand voicings, Altering notes in left-hand Stride and Bud Powell voicings, Block chords, Comping …

Randy Felts, "Reharmonization Techniques"

Posted By: TimMa
Randy Felts, "Reharmonization Techniques"

Randy Felts, "Reharmonization Techniques"
Berklee Pr | 2002 | ISBN: 0634015850 | English | PDF | 190 pages | 18.9 MB

When you reharmonize a tune, you give the melody new color by changing its underlying harmonies. Whether you direct a band or choir, play piano or guitar, or write film scores, you will find simple and innovative techniques to update songs and develop exciting new arrangements by studying the hundreds of copyrighted examples throughout this book.

Neil Olmstead, "Solo Jazz Piano: The Linear Approach"

Posted By: TimMa
Neil Olmstead, "Solo Jazz Piano: The Linear Approach"

Neil Olmstead, "Solo Jazz Piano: The Linear Approach"
Berklee Pr | 2003 | ISBN: 0634007610 | English | PDF | 110 pages | 13 MB

A step-by-step approach to solo jazz improvisation for piano. Learn to improvise using the techniques pioneered by piano greats Lenny Tristano and Dave McKenna. This methodical approach to learning the art of solo jazz piano improvisation will free your creative sense of music. It begins with a review of chord symbol interpretation, walks through bass line development, and ends with how to play several melodic lines simultaneously in stimulating musical conversation. …

Maurice Lieberman, "Keyboard Harmony and Improvisation", Vol. 1 & 2

Posted By: TimMa
Maurice Lieberman, "Keyboard Harmony and Improvisation", Vol. 1 & 2

Maurice Lieberman, "Keyboard Harmony and Improvisation", Vol. 1 & 2
W.W. Norton | 1957 | ISBN: N/A | English | PDF | 217+217 pages | 150 MB

The study of harmony is universally recognized as one of the basic disciplines in the musical education of the composer, performer, researcher, and music teacher. It should nor be unreasonable to cxpcct that a course of study in harmony, seriously pursued, would enable the student to use the material fluently and practically; yet comparatively few students achieve that end. …

Phil DeGreg, "Jazz Keyboard Harmony"

Posted By: TimMa
Phil DeGreg, "Jazz Keyboard Harmony"

Phil DeGreg, "Jazz Keyboard Harmony"
Aebersold | 1994 | ISBN: 1562240692 | English | PDF | 241 pages | 150.6 MB

Piano Voicing Method for All Musicians by Phil DeGreg. A practical and systematic method that teaches how to practice jazz piano voicings so that they become automatic and intuitive. The method progresses step by step from 2-voice to 7-voice chord structures with fourths and upper-structure triads. …

Bill Dobbins, "Jazz Arranging and Composing : A Linear Approach"

Posted By: TimMa
Bill Dobbins, "Jazz Arranging and Composing : A Linear Approach"

Bill Dobbins, "Jazz Arranging and Composing : A Linear Approach"
Advance Music | 1986 | ISBN: 3892210063 | English | PDF | 148 pages | 10.8 MB

Many different possibilities for harmonizing the same melody are illustrated and analyzed, using techniques by such influential arrangers and composers as Duke Ellington, Billy Strayhorn, Oliver Nelson, Gil Evans, and Clare Fischer. Techniques of melody harmonization, linear writing, and counterpoint for 2, 3, 4, and 5 horns. A chapter on writing for the rhythm section clearly illustrates the techniques commonly used by jazz arrangers and composers.

Bill Dobbins, "A Creative Approach to Jazz Piano Harmony"

Posted By: TimMa
Bill Dobbins, "A Creative Approach to Jazz Piano Harmony"

Bill Dobbins, "A Creative Approach to Jazz Piano Harmony"
Advance Music | 1994 | ISBN: 0206309341 | English | PDF | 130 pages | 13.8 MB

This is definitely not a harmonic system for those who are looking for rules by which to write music. Rather this is an approach to unlocking the limitless harmonic possibilities which are unique to the piano. This approach can be developed in a personal manner through a lifetime without ever exhausting the creative possibilities. …

Dick Lowell, Ken Pullig, "Arranging for Large Jazz Ensemble"

Posted By: TimMa
Dick Lowell, Ken Pullig, "Arranging for Large Jazz Ensemble"

Dick Lowell, Ken Pullig, "Arranging for Large Jazz Ensemble"
Berklee Pr | 2003 | ISBN: 0634036564 | English | PDF | 201 pages | 14.1 MB

Create arrangements with texture and style with this complete guide to arranging for large horn sections! Now, for the first time, learn the same jazz ensemble arranging techniques taught by renowned Berklee College of Music faculty, and studied by the best and brightest arrangers working today. …

Barrie Nettles, Richard Graf, "The Chord Scale Theory & Jazz Harmony"

Posted By: TimMa
Barrie Nettles, Richard Graf, "The Chord Scale Theory & Jazz Harmony"

Barrie Nettles, Richard Graf, "The Chord Scale Theory & Jazz Harmony"
Advance Music | 1997 | ISBN: 389221056X | English | PDF | 180 pages | 6.4 MB

Jazz harmony, as taught at the Berklee College of Music, is based on the so-called ""chord scale theory."" This method–-further developed–-is now available as a comprehensive textbook for the first time–-'The Chord Scale Theory & Jazz Harmony' by Barrie Nettles and Richard Graf. Emerged from practice and designed for practical use, it provides theoretical knowledge necessary for improvisation, composing, and arranging.

Ted Pease, "Jazz Composition: Theory And Practice"

Posted By: TimMa
Ted Pease, "Jazz Composition: Theory And Practice"

Ted Pease, "Jazz Composition: Theory And Practice"
Berklee Pr | 2003 | ISBN: 0876390017 | English | PDF+MP3 | 254 pages | 81.8 MB

When you think of jazz composers, who comes to mind? Jelly Roll Morton, Charlie Parker, Dizzy Gillespie, Thelonious Monk, Charles Mingus, Bob Brookmeyer. This book is about what they (and many others) do. Jazz composition has evolved into a disciplined art that often evidences great emotional depth and breadth of sophistication. …