7 Films by Maurice Pialat [2 Criterion DVD9s & 12 Masters of Cinema PAL DVD9s]

One of the earth-shaking feature debuts in the history of cinema, Maurice Pialat’s L’Enfance-nue [Naked-Childhood] provides a perspective on growing-up that rejects both sentimentality and modish cynicism. Its unflinching, but also warmly accommodating, outlook on childhood attracted François Truffaut to take on the role as co-producer of Pialat’s film — which, ironically, exists as much as a response to Truffaut’s own debut The 400 Blows as that film was to the ‘cinema of childhood’ that came before the New Wave.

First-time actor Michel Tarrazon plays the young François, a provincial orphan whose destructive behaviour precipitates his relocation from the home of a long-term foster family to the care of a benevolent elderly couple. In the course of this transition, Pialat’s film presents the turbulence of François’s unmoored existence, and his explosive reactions to the contradictory emotions it engenders. This is the naked portrait of a soul’s — and an entire society’s — dysfunction, before the moment of reconciliation.

L’Enfance-nue represents the ideal introduction to the films of Maurice Pialat — an artist whose work resides alongside that of Jean Eustache and Philippe Garrel at the summit of the post-New Wave French cinema. One discovers in his pictures a raw and complicated emotional core which, as in the films of John Cassavetes, reveals upon closer examination a remarkably rigorous visual aesthetic, and a facility of direction which lifts both seasoned actors and debut amateurs to the level of greatness. Coupled here with Pialat’s poetic and brilliant early short L’Amour existe [Love Exists, 1960], L’Enfance-nue is the first masterpiece of an artist whose work has had an incalculable influence on contemporary directors as diverse as Bruno Dumont, Olivier Assayas, Michael Haneke, and the Dardenne brothers, among others — and whose 2003 passing led Gilles Jacob, president of the Festival de Cannes, to declare: “Pialat is dead and we are all orphaned. French cinema is orphaned.” The Masters of Cinema Series is proud to present Maurice Pialat’s 1968 debut feature film — and Prix Jean Vigo winner — in a magnificent restored transfer for the first time on home video in the UK.

Disc Features:
• New anamorphic transfer of the film in its original aspect ratio

• New and improved English subtitle translations

• L’AMOUR EXISTE [LOVE EXISTS] (1960) — Maurice Pialat’s poetic 19-minute film about life in the Paris banlieues

• 2003 video interview with co-screenwriter Arlette Langmann, and Pialat-collaborator Patrick Grandperret conducted by former Cahiers du cinéma editor-in-chief, and current director of the Cinémathèque Française, Serge Toubiana

• 32-minute 1973 interview with Maurice Pialat, from the programme Champ contre-champ

• CHOSES VUES AUTOUR DE L’ENFANCE NUE [OBSERVATIONS: AROUND L’ENFANCE NUE] (1969) — 50-minute documentary by Roger Stéphane shot in the course of L’Enfance-nue’s production, examining Pialat’s film-in-progress and the plight of foster children

• 2005 video interview with Michel Tarrazon, the star of L’Enfance-nue

• The film’s original trailer, along with trailers for other Maurice Pialat films to be released by The Masters of Cinema Series

• 40-page booklet containing a new essay by critic and filmmaker Kent Jones, and newly translated interviews with Maurice Pialat

The Criterion edition is here

Jean (Jean Yanne) and Catherine (Marlène Jobert) are a couple whose every move charts an advancement deeper into an emotional warzone. Theirs is the classic and the tragic case of an emotional abuse centred around a perplexing, but powerful, interdependency. As the moment approaches wherein the relationship can no longer perpetuate its cycle of weekend holidays, apologies, and submissions, Maurice Pialat discloses all the ways in which the future might be at once liberated, and enslaved, by the past.

Based on a novel by Pialat himself, and on the trauma of his own personal life in the years leading up to the film, Nous ne vieillirons pas ensemble was a smash-hit at the time of its release, and retains its power up to the present day. The Masters of Cinema Series is proud to present Pialat’s second feature masterpiece for the first time on DVD in the UK.

Disc Features:
• New anamorphic transfer of the film in its original 1.66:1 aspect ratio

• New and improved optional English subtitle translations

• La Camargue (1966) – a short film by Maurice Pialat [6:00]

• 2003 interview with actress Marlène Jobert [19:00]

• 1972 interviews with Pialat and Jean Yanne, including two scenes deleted from the film [5:00]

• 1972 interview with François Truffaut about Pialat’s films [8:00]

• 1972 conversation between Pialat and associates about the film [12:00]

• Original trailer for Nous ne vieillirons pas ensemble, plus six more

• 32-PAGE BOOKLET containing a new essay by critic Emmanuel Burdeau, and newly translated interviews with Maurice Pialat

Few filmmakers could rival Maurice Pialat’s facility for transforming autobiographical material into the stuff of Art, and his third feature-film, La Gueule ouverte [The Mouth Agape / The Slack-Jawed Mug], stands as one of the director’s most intensely personal — and most lacerating — works. It is a film about illness: a condition of the body, and a name for the capacity to injure the ones who love us most.

Monique Mélinand (a star of several of Raúl Ruíz’s ’90s works, and of Jacques Rivette’s Jeanne la pucelle) portrays a woman in the late stages of terminal illness. She — and her prone body — become the locus around which gather her son Philippe (Truffaut-veteran Philippe Léotard), his wife Nathalie (French screen icon Nathalie Baye, in one of her earliest roles), and Monique’s husband Roger (Hubert Deschamps, of Pialat’s early short Janine, and Louis Malle’s Zazie dans le métro). In short order, Monique recedes into the background of Philippe’s and Roger’s network of respective adulteries. But as the final, crushingly eloquent succession of shots starts to unreel, we are once more reminded that, in the work of Maurice Pialat, that which seems absent ultimately makes its presence felt with terrible force.

The Masters of Cinema Series is proud to present Maurice Pialat’s astonishing feature-length masterwork La Gueule ouverte, accompanied by nine Pialat shorts — three narrative works from the earliest part of the director’s career, and the six poetic essay-documentaries he shot in Turkey in the early ’60s — which alone total over two hours in length.

Disc Features:
• Gorgeous new anamorphic transfer of the film in its original aspect ratio

• New and improved English subtitle translations

• Three early short-films by Maurice Pialat: — Drôles de bobines [Funny Reels] – 1957, 17 minutes. — L’Ombre familière [The Familiar Shadow] – 1958, 24 minutes. — Janine – 1961, 17 minutes.

• The six short 1964 essay-documentaries made by Maurice Pialat in, and about, Turkey: — Bosphore [Bosporus] – 14 minutes. — Byzance [Byzantium] – 12 minutes. — La Corne d’or [The Golden Horn] – 12 minutes. — Istanbul – 13 minutes. — Maître Galip [Master Galip] – 11 minutes. — Pehlivan – 12 minutes.

• 12-minute 2004 interview with Pialat’s ex-wife and frequent collaborator, Micheline Pialat, conducted by former Cahiers du cinéma editor-in-chief, and current director of the Cinémathèque Française, Serge Toubiana

• 8-minute 2004 interview with actress Nathalie Baye

• 11 minutes of footage from the shoot of La Gueule ouverte, featuring commentary recorded in 2005 by actor Jean-François Balmer

• 16-minute 2004 interview with cinematographer Willy Kurant discussing his work with Pialat on the Turkish short-films

• 14-minute 1987 interview with Pialat about the Cinémathèque Française’s role in his film education

• 10-minute excerpt from a 2002 masterclass with Pialat, discussing the film Maître Galip

• Original theatrical trailer for La Gueule ouverte, along with trailers for the six other Maurice Pialat films released by The Masters of Cinema Series

• 32-page booklet containing a new essay by critic Adrian Martin, and newly translated interviews with Maurice Pialat

The world sometimes seems divided into two camps: those who recall their teenage years as having been an exhilarating dream, and those who remember them as having been an infernal, nightmarish hell. So it might do to describe Passe ton bac d’abord… [Graduate First… / Pass Your Bac First…] as Maurice Pialat’s “The Best Years of Our Lives”, while bearing in mind all that such a description might suggest: an unsparing portrait of the era when the words ‘sixteen candles’ still might have first conjured the image of flames.

A group of young actors including several local unknowns – Philippe Marlaud, Bernard Tronczyk, Patrick Lepczynski, and Sabine Haudepin (once the little girl of Truffaut’s Jules et Jim), among others – make up the cluster of friends adrift beneath the twilight of their school years. There’s drama, violence, and pot-induced laughs – group holidays, indiscriminate sex, advances from teachers twenty-five years their seniors, attempted moves to Paris, and few prospects of passing the bac, the final set of exams French students take before embarking into the world to… do what?

Marking the last work of Pialat’s turbulent cycle of films made in the 1970s, Passe ton bac d’abord… is the brilliant spiritual sequel to the great filmmaker’s feature-debut L’Enfance-nue – with the action taking place in the same region as the earlier film, ten years on. The Masters of Cinema Series is proud to present Pialat’s teenage drama in a beautiful new transfer for the first time on home video in the UK.

Disc Features:
• New anamorphic transfer of the film in its original 1.66:1 aspect ratio

• New and improved optional English subtitle translations

• A 2003 video interview with Pialat collaborators Arlette Langmann and Patrick Grandperret, made by Serge Toubiana (former editor-in-chief of Cahiers du cinéma and director of the Cinémathèque Française) [11:00]

• Après le bac [After the Bac] a 2003 documentary by Serge Toubiana and Sonia Buchman that catches up with the cast and location [26:00]

• Original trailer for the film, and trailers for the six other Maurice Pialat features available from The Masters of Cinema Series

• 52-page booklet containing a new essay by Craig Keller, three newly translated interviews with Maurice Pialat, and Pialat’s responses to a 1981 “cinema survey”







Masters of Cinema edition:

A portrait of youth in bloom; a tale of one family’s dissolution; a reflection upon the danger and the mystery in living. Maurice Pialat’s serene, perilous masterwork provides the movie romance a definitive check and eminently deceptive balance — the X scratched on top of the O.

In one of the astonishing film debuts, Sandrine Bonnaire plays Suzanne, a free spirit and the vessel for an almost Brontëan choler. She’s 16, and men exist — diverse lovers, an overbearing brother, and the father portrayed by Pialat himself in an unforgettable turn that displays the full magnitude of the cinema giant’s tenderness, force-of-will, and presence of being.

Woven through with indelible images and heart-stopping moments (and culminating in the infamous “dinner party scene”), A nos amours. [To Our Romance. / Here’s to Love.] is a pure creation, a film that will live so long as there’s still either movies or love. The Masters of Cinema Series is proud to present Pialat’s landmark film for the first time on DVD in the UK.

Disc Features:
• Gorgeous new anamorphic transfer of the film in its original aspect ratio

• New and improved English subtitle translations

• 16-minute 2003 interview with star Sandrine Bonnaire, conducted by former Cahiers du cinéma editor-in-chief, and current director of the Cinémathèque Française, Serge Toubiana

• L’Œil humain [The Human Eye], a 55-minute film by director Xavier Giannoli that analyses A nos amours. and features former Cahiers du cinéma editorial director Jean-Michel Frodon, actors Jacques Fieschi and Sandrine Bonnaire, and other members of the cast and crew

• 14-minute excerpt from a 1983 TV interview with Maurice Pialat from the set of A nos amours., and featuring rushes of scenes that don’t appear in the finished film

• 31 minutes of video screen-tests from 1982 for actors that variously appear and do not appear in the finished film

• Original theatrical trailer for A nos amours., along with trailers for the six other Maurice Pialat films released by The Masters of Cinema Series

• 48-page booklet containing a new essay about the film by writer and filmmaker Dan Sallitt, a two-page image-essay by Craig Keller, and a transcript of the sit-down conversation that took place between Maurice Pialat and Jean-Luc Godard in 1984, appearing for the first time in an English translation

Criterion Collection edition:

With his raw style of filmmaking, Maurice Pialat has been called the John Cassavetes of French cinema, and the scorching À nos amours is one of his greatest achievements. In a revelatory film debut, the dynamic, fresh-faced Sandrine Bonnaire plays Suzanne, a fifteen-year-old Parisian who embarks on a sexual rampage in an effort to separate herself from her overbearing, beloved father (played with astonishing magnetism by Pialat himself), ineffectual mother, and brutish brother. A tender character study that can erupt in startling violence, À nos amours is one of the high-water marks of eighties French cinema.

Disc Features:
* New, restored high-definition digital transfer
* Original theatrical trailer
* New and improved English subtitle translation
* New interviews with Catherine Breillat and Jean-Pierre Gorin
* A 2003 interview with actor Sandrine Bonnaire
* The Human Eye, a 1999 documentary on the film
* Archival interview with Maurice Pialat on the set
* Actor auditions
* A booklet featuring essays by critics Molly Haskell and Kent Jones and interviews with Pialat and cinematographer Jacques Loiseleux

Criterion .ISOs ripped from DVD-Rs created from .ISOs originally posted by the now-retired CerealRipper.

Maurice Pialat’s Police delivers on the raw promise of its title, insofar as much of its action qualifies as an insistently ‘procedural’ descent into the Paris drugs underworld. But the hyper-real route that the film takes to arrive there, before veering into a zone of dangerous emotional play, contributes to a disorienting, adventurous, and ultimately tremendously exciting experience unlike any ‘police-thriller’ ever before conceived.

The iconic Gérard Depardieu (who also collaborated with Pialat on Loulou, Sous le soleil de Satan, and Le Garçu) plays Mangin, a cop whose brutal method of investigation finds its obsessive outlet in an attempt to crack a Tunisian narcotics ring. It is when Mangin enters into close acquaintance with the defiant Noria (expertly played by Sophie Marceau in one of her first screen roles) that the film proceeds to chart an unexpected, emotionally ambiguous course — and the lines between ‘right’ and ‘wrong’, and ‘power’ and ‘freedom’, terminally blur.

Written with Catherine Breillat (director of The Last Mistress, Anatomy of Hell, Fat Girl), but relying in equal measure upon Pialat’s improvisatory control (directing, among others, his star-actress from A nos amours, Sandrine Bonnaire), Police is a genre-defying excursion rivaled only by John Cassavetes’ The Killing of a Chinese Bookie in the pantheon of cinema’s most idiosyncratic thrillers. The Masters of Cinema Series is proud to present Maurice Pialat’s daring 1985 film in a magnificent restored transfer for the first time on DVD in the UK.

Disc Features:
• New anamorphic transfer of the film in its original aspect ratio

• New and improved English subtitle translations

• 2003 video interview with director and Police co-screenwriter Catherine Breillat, conducted by former Cahiers du cinéma editor-in-chief, and current director of the Cinémathèque Française, Serge Toubiana

• ZOOM SUR POLICE [ZOOM ONTO POLICE] (2002) — 34-minute documentary by Virginie Apiou about the production of the film

• Vintage screen-tests featuring Maurice Pialat and C. Galmiche, the inspiration for the character of Lambert

• Excerpt from a 1985 episode of Cinéma Cinémas shot during the course of the 17th day of production on Police

• 23-minute video discussion with Yann Dedet, the editor of Police

• The film’s original trailer, along with trailers for other Maurice Pialat films to be released by The Masters of Cinema Series

• 40-page booklet containing a new essay by filmmaker and critic Dan Sallitt, and newly translated interviews with Maurice Pialat

Positioned somewhere between Bresson’s immortal Journal d’un curé de campagne and Dieterle’s The Devil and Daniel Webster, Maurice Pialat’s staggering Sous le soleil de Satan [Under the Sun of Satan] addresses the torrent of spiritual and intellectual turmoil unloosed among the denizens of a little country parish. It is a film by turns calm and violent, buoyant upon the tears of mercy and gurgling with the blood of the Lamb.

Gérard Depardieu (Loulou, Le Garçu) is the self-abasing curate tortured by questions about his role in God’s plan — before an encounter with a material Satan touches off a powerful revelation. At the crux of his vision is Sandrine Bonnaire (A nos amours., Police), the madly profligate sylph whose fate ruptures in a blast of gunpowder and the slash of a razor. As events unfurl, Maurice Pialat himself provides witness as the seasoned cleric who pronounces the words: “God wears us down.”

One of the great films of faith made by a non-believer, Sous le soleil de Satan left an indelible mark on spectators from the very moment of its premiere at the Cannes Film Festival in 1987 — where it won the Palme d’Or for Best Film. The Masters of Cinema Series is proud to present Maurice Pialat’s soul-shaking Sous le soleil de Satan on DVD in the UK for the first time.

Disc Features:
• Gorgeous new anamorphic transfer of the film in its original aspect ratio

• New and improved English subtitle translations

• Isabelle aux Dombes [Isabelle in La Dombes] — Maurice Pialat’s first film, an 8-minute silent work from 1951

• Congrès eucharistique diocésain. [Diocesan Eucharistic Congress.] — an 8-minute silent film by Maurice Pialat from 1953

• 11-minute 2003 interview with star Gérard Depardieu, conducted by former Cahiers du cinéma editor-in-chief, and current director of the Cinémathèque Française, Serge Toubiana

• 13 minutes of footage from the press conference for the film with Pialat and cast, directly following its debut at the 1987 Cannes Film Festival

• 7-minute interview with Pialat and Depardieu, directly after receiving the Palme d’Or award for Best Film at the 1987 Cannes Film Festival

• 54-minute 1983 television programme dedicated to the film, featuring lengthy interviews with Pialat (speaking about the film and his career) and esteemed Catholic writer André Frossard

• 14 minutes of footage shot on the set of Sous le soleil de Satan

• 55-minute featurette containing excised scenes and alternative versions of sequences from the film, commented upon by editor Yann Dedet, apprentice editor and future director Cédric Kahn, and screenwriter and assistant Sylvie Pialat

• Original theatrical trailer for Sous le soleil de Satan, along with trailers for the six other Maurice Pialat films released by The Masters of Cinema Series

• 28-page booklet containing a new essay by writer Gabe Klinger, and excerpts from a 1987 interview with Pialat accompanied by remarks from Sandrine Bonnaire one week after the director’s death in 2003, newly translated into English

DVD:
CATALOG: Criterion 337 / Eureka! Masters of Cinema 72 -77
SYSTEM: Pal (CC discs NTSC)
SCREEN: OCR
COLOUR: Colour
AUDIO: French Dolby Digital Mono
SUBTITLES: English (soft)

Extraction:
ENGINE: DVD Decrypter (CC discs originally MacTheRipper)
DVDS: 14 Full Dual-Layer DVDs
FILE EXTENSION: .ISO (Image)
TOTAL MoC DVD FILE SIZE: 76.38GBs
TOTAL CC DVD FILE SIZE: 14.53GBs

L'Enfance-nue

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Nous ne viellirons pas ensemble

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La gueule onverte

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Passe ton Bac d'abord…

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A nos amours MoC

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A nos amours Criterion

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Police

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Sous le soleil de Satan

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http://www.fileserve.com/list/t7t6v7Y

http://netfolder.in/vAWyXZQ/MP.SLS1

http://www.filesonic.com/folder/2253951

Disc 2 (Extras 5.95GB)

http://www.fileserve.com/list/XnYenxW

http://netfolder.in/e2pHBvj/MP.SLS2

http://www.filesonic.com/folder/2253971

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