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Sergei M. Eisenstein-Ivan Groznyy II, Boyarsky zagovor (1958)

Posted By: FNB47
Sergei M. Eisenstein-Ivan Groznyy II, Boyarsky zagovor (1958)

Sergei M. Eisenstein-Ivan Groznyy II, Boyarsky zagovor (1958)
726.8 MB | 1:24:52 | Russian with English <F> s/t | DivX, 1050 Kb/s | 512x384

Navigating the deadly waters of Stalinist politics, Eisenstein was able to film two parts of his planned trilogy about the troubled 16th-century tsar who united Russia. Visually stunning and powerfully acted, Ivan the Terrible charts the rise to power and descent into terror of this veritable dictator. Though pleased with the first installment, Stalin detected the portrait in the second film—with its summary executions and secret police—and promptly banned it. Criterion

Sergei M. Eisenstein-Ivan Groznyy II, Boyarsky zagovor (1958)

Sergei M. Eisenstein-Ivan Groznyy II, Boyarsky zagovor (1958)

Sergei M. Eisenstein-Ivan Groznyy II, Boyarsky zagovor (1958)

His wife dead from poisoning and his chief warrior, Kurbsky, defected to the Poles, Ivan is lonely as he pursues a unified Russia with no foreign occupiers. Needing friendship, he brings to court Kolychev, now Philip the monk, and makes him metropolitan bishop of Moscow. Philip, however, takes his cues from the boyars and tries to bend Ivan to the will of the church. Ivan faces down Philip and lets loose his private force, the Oprichniks, on the boyars. Led by the Tsar's aunt, Euphrosyne, the boyers plot to assassinate Ivan and enthrone her son, Vladimir. At a banquet, Ivan mockingly crowns Vladimir and sends him in royal robes into the cathedral where the assassin awaits. (http://imdb.com/title/tt0051790/plotsummary)

Sergei M. Eisenstein-Ivan Groznyy II, Boyarsky zagovor (1958)

Sergei M. Eisenstein-Ivan Groznyy II, Boyarsky zagovor (1958)

Sergei M. Eisenstein-Ivan Groznyy II, Boyarsky zagovor (1958)

Part II continues with the struggle for power and the use of secret police, a controversial segment that caused the film to be banned by Stalin in 1946 (the film was not released until 1958). The predominantly black-and-white film features a banquet dance sequence in color. Obviously the two parts must be viewed as a whole to be fully appreciated. Many film historians consider this period in Eisenstein's career less interesting than his silent period because of a sentimental return to archaic forms (characteristic of Soviet society in the '30s and '40s). (amazon.com)

Sergei M. Eisenstein-Ivan Groznyy II, Boyarsky zagovor (1958)

Sergei M. Eisenstein-Ivan Groznyy II, Boyarsky zagovor (1958)

Sergei M. Eisenstein-Ivan Groznyy II, Boyarsky zagovor (1958)