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The Bela Lugosi Collection (1932-1940) [Re-UP]

Posted By: Someonelse
The Bela Lugosi Collection (1932-1940) [Re-UP]

The Bela Lugosi Collection (1932-1940)
2xDVD9 | ISO+MDS | NTSC 4:3 | Total: 336 mins | 8,01 Gb + 7,99 Gb
Audio: English AC3 2.0 @ 192 Kbps | Subs: English, French, Spanish
Genre: Horror, Crime, Classics

As well as their famous Frankenstein and Dracula series of films, Universal also shot a number of one-off horror titles during the height of their horror sucesses in the 1930s and 1940s, this set brings together five of those starring their unique and distinctive leading man, Bela Lugosi. In four of the films he is also joined by frequent screen sparring partner, Boris Karloff.
The films range from the original and exciting Invisible Ray (1936) to the missed opportunities of Horror/Gangster fusion in Black Friday (1940). The Edgar Allan Poe based stories range from decent Black Cat (1934) to the average Raven (1935) and the dull Murders in the Rue Morgue (1932).

DVDBeaver | DVD Savant

Bela Lugosi was born on October 20th, 1882 in the small Hungarian (now Romanian) village of Lugos. Be'la Ferenc Dezso Blasko was his given name. He was the youngest of four children in an upper-middle-class family, which he ran away from when he was twelve. He wanted to act, but found himself working in mines and on railroads instead. He began to appear in Hungarian theatre productions at night, despite a lack of training. He was a workhorse of an actor, often appearing in as many as forty plays in a year. He was known for his marvelous singing voice, and appeared in diverse roles from Jesus to Romeo. In 1911 he was asked to join the National Theatre of Hungary in Budapest. By this time he had simplified his stage name to "Bela Lugosi," which simply meant "Bela from the town of Lugos." During the war years, Bela served in the military. He had to flee his home country due to political unrest, and arrived in New York City (after a short period in Germany) in December of 1921. He worked steadily in silent films and in the theatre, and then in 1927 he was cast in a Broadway production of a Bram Stoker novel that would change his life forever. The play - Dracula - ran for years, and during its national tour stop in California, Lugosi was noticed by the major film studios. In 1930, Todd Browning cast him in the film version of Dracula, and Lugosi - like his vampire alter ego - became immortal.

================== Disc 1 ==================


Murders In The Rue Morgue
1932 | 61 Minutes | Crime, Horror, Mystery | IMDB

The film is a highly visual, disturbing Gothic tale directed by Robert Florey. The style recalls German Expressionist classics such as The Cabinet of Dr. Caligari. It features Bela as Dr. Mirakle, a sideshow exhibitor who displays an ape with a human brain named Erik. Monkey Man is lonely, and Mirakle is looking for a suitable mate for his hairy friend. He plucks women off the streets of Paris to perform mysterious blood experiments on them, and dumps them naked into the Seine once he finds they are not suitable. One night the beautiful Camille (Sidney Fox) comes to the show, and seems to capture Erik's eye. Mirakle seeks her out—but she is dating a man who is determined to stop Mirakle's nefarious plot to prove Darwin's theory of evolution.

The Black Cat
1934 | 66 Minutes | Horror, Crime | IMDB

Probably the best teaming of Karloff and Lugosi ever produced, The Black Cat is a gloriously twisted film filled with a gleeful sense of the morbid. A couple on their honeymoon in Hungary share a train compartment with the creepy Dr. Werdegast (Lugosi), who has just been released from a military prison. As if that weren't enough to weird them out, a bus accident on the way to their hotel forces the travelers to seek refuge in a spooky fortress built by Hjalmar Poelzig (Karloff). Soon the newlyweds find themselves in the middle of a cat-and-mouse game between the war criminal and the architect, which will have dire consequences.

The Raven
1935 | 61 Minutes | Horror | IMDB

This silly hodgepodge of a movie was made by Universal as a follow-up to The Black Cat, because the previous film was their top earner that year. Bela plays a brilliant retired brain surgeon who saves the life of a young woman (Irene Ware), but becomes convinced she is his "lost Lenore." Karloff appears as his servant, who must kill for his master so that the surgeon will repair his mutilated face. Bela hatches a plot to get his love away from her fiancée; it climaxes with everyone trapped in a torture chamber that recalls The Pit and the Pendulum.

================== Disc 2 ==================


The Invisible Ray
1936 | 79 Minutes | Horror, Sci-Fi | IMDB

A rather strange sci fi entry featuring both Karloff and Lugosi, The Invisible Ray stars Karloff as a mad scientist and Lugosi as a sane philanthropist. Karloff's character becomes obsessed with finding a meteorite he believes struck Africa eons ago, which is made of a new element he calls "Radium-X." Against the wishes of his mother (blinded by a similar experiment) and the urgings of Bela's philanthropist, Karloff sets off to find the meteorite site, which he believes will uncover a power to heal and destroy. The scientist is exposed to rays from the meteor, and comes back glowing. He returns to Lugosi to ask his help in developing an antidote to the deadly rays.

Black Friday
1940 | 70 Minutes | Drama, Horror | IMDB

This movie probably should have been included in a Stanley Ridges collection—the character actor is given the best role, while Lugosi is miscast as a New York gangster with a Hungarian accent. At the start of the movie, a gangster smashes his car into a kindly literature professor (Ridges). Karloff plays a surgeon who learns the gangster with a broken back has secret loot stashed somewhere, so he transplants part of the crook's brain into the body of the professor. When Karloff takes the professor to the gangster's old New York haunts, the professor begins to turn into the crook who hit him. New York gang boss Eric Marnay (Lugosi) suddenly finds out his men are being rubbed out by a mysterious man who acts like an old nemesis, but looks like someone else.

–––––––––––––––––––––––––––––––––––––––––––––––––––––––––-


Five creepy old black-and-white movies featuring my favorite horror actor, The Bela Lugosi Set is irresistible. The man is an icon, and his enduring legacy is richly deserved. Bela is the American dream made flesh. He was a struggling immigrant who came to this country with aspirations to make it big, and he did. Despite a thick Hungarian accent, he became a top box office draw during the Depression. Like Greta Garbo or John Wayne, he never acted so much as he transformed every role he played into his own unmistakable persona. I may be a freak, but I have a framed picture of Bela that looks over me in my living room at all times. He's watched me type hundreds of DVD reviews, so I leapt at the chance to take on this one.

The Bela Lugosi Collection (1932-1940) [Re-UP]

These five movies are all atmospheric and well done for what they are—simple popcorn fare meant to capitalize on the success of horror classics like Dracula and Frankenstein. Each of them are accessible crowd pleasers with much entertainment value to recommend them. Oddly, Bela Lugosi is really the star of only two out of the five films contained in The Bela Lugosi Collection, but he makes the most of his screen time no matter how small the role. Lugosi had a grace and charisma few actors could ever duplicate.

The Bela Lugosi Collection (1932-1940) [Re-UP]

Murders in the Rue Morgue was Universal's first attempt to exploit Lugosi's growing fame after Dracula. It owes much to The Cabinet of Dr. Caligari, and was helmed by Robert Florey - whom rumor states was the original intended director of Frankenstein before James Whale entered. Here style takes over an impossibly silly story about a mad doctor trying to find the perfect mate for his highly evolved monkey sideshow attraction. The film has a black little heart which takes swipes at the raging debate about religion and evolution. It's also surprisingly kinky, featuring many scenes of morbid sexuality, played out with women tied up on crosses with the potential of having to copulate with a gorilla. In other words, it's a whole mess of fun. Bela's Dr. Mirakle is picking up whores off the street, performing blood tests on them, and discovering they are unsuitable. They never explain why, but the subtext is a not-so-subtle reference to venereal disease. Of course these ill "women of the night" aren't even good enough to be ravaged by a monkey. And then you have to wonder what Mirakle is ultimately doing. What would the child of this unholy union be? Even more than just a mixed race baby, it would be of two species. Could the movie be railing against a prejudice that still exists today? It's all hokey good fun, with excellent production design and some blasphemous subtext. The movie is surreal to the point that it looks like it could be a contemporary of the German Expressionist films it pays homage to.

The Bela Lugosi Collection (1932-1940) [Re-UP]

The Black Cat is the real gem of the set. Rumor has it the film was produced while studio head Carl Laemmle was off in Europe; his son let the director, Edgar G. Ulmer, run wild without interference. When Dad returned, he demanded that certain alterations and cuts be made to the film to soften its brutality. Although rumors continue that someday the lost footage will see the light of day, what we have here is the traditional studio cut. Karloff and Lugosi do some of their best work in this film as rivals, and it is probably responsible for the continuing stories of the two competing with each other on-screen. Lugosi plays Dr. Vitus Werdegast, a man who has lived as a prisoner waiting to find his wife. Karloff appears as Hjalmar Poelzig, an architect who has built a house on the site where thousands of men met their death because of a betrayal he committed. The architect married Werdegast's wife, and when she died put her on display in an underground mausoleum. Karloff is a Satan worshipper who has an entire collection of corpses hidden away. The movie must have given censors fits, and it is deliriously trippy and a true classic to discover.

The Bela Lugosi Collection (1932-1940) [Re-UP]

The Raven is a silly follow up to The Black Cat, with Lugosi appearing as Dr. Vollin. He is a torture fanatic who seems to be living out the fantasies of the Marquis de Sade more than Poe, but it's still a rather fun film. Karloff shows up as Lugosi's servant, and both actors seem to be having a blast with the twisted story that has practically nothing to do with the source material. It's a classic of campy fun. Not bad for a Fall night in anticipation of Halloween.

The Bela Lugosi Collection (1932-1940) [Re-UP]

The Invisible Ray is a curious little sci fi tale that really is a showcase for Boris Karloff, with Lugosi in a supporting role. But Bela fans will appreciate that the actor took to second billing quite well, and delivered one of his finest, most subdued performances in the film. The Invisible Ray presents a mysterious substance called "Radium-X" which has the power to cure and destroy. Not all that random or out there. But the film starts off as an African safari search for the alien chemical, and then turns into a murder mystery in Paris. It becomes scatological at best. The movie feels like a patchwork quilt of many disparate elements, but all the actors seem to hold this messy affair together nicely. Lugosi in particular does fine work, and shows a surprising soft side which alludes to his possible diversity.

The Bela Lugosi Collection (1932-1940) [Re-UP]

The last movie in the set is Black Friday, which finds Bela miscast in a supporting role as a New York gangster. The film itself is interesting, a more medically-minded Jekyll and Hyde tale about a kindly college professor who finds himself with a gangster's brain after a car accident. Karloff was initially approached to play the professor, but he backed away from the role and asked for the part of the doctor. It's ironic that Karloff feared branching out into new territory, and Lugosi cried foul at always being typecast. But there you have it. So Karloff and Lugosi both play second fiddle to Stanley Ridges. Black Friday is interesting, but (alas) hardly belongs in this collection, considering it is a bit off for poor Bela.

The Bela Lugosi Collection (1932-1940) [Re-UP]

What surprises me is how good these features look on DVD. Universal has restored these little films from the '30s and '40s and made them look shiny and new. The black and white looks incredible on DVD, especially when the transfers are this good. And that's important, because the artistic direction of these films are what stands out the most. Blurry 16mm prints are what most people have seen, but these are glorious looks at the films. For the first time you can see deeply into the sets which created so much of the mood and atmosphere for these creepy tales. The sound on each movie is also vastly improved, which helps immensely given that Bela Lugosi had a thick Hungarian accent. All around, the film restoration work is amazing.

The Bela Lugosi Collection (1932-1940) [Re-UP]

Bela Lugosi may have lived the American dream by coming to New York an immigrant and turning into a star, but by the end of his life he was living in a nightmare. Roles became harder to find, as many people could not divorce him from Dracula. He had a series of failed marriages, and began to slide into drug addiction to numb his personal and professional woes. The man who was once considered the national treasure of Hungary had slid down into a deep depression and addled state. Ed Wood captured it perfectly. Lugosi wanted to keep working until he died, and appeared in any movie that wanted him. When he died in 1956 he was buried in his cape from Dracula—the role he loved and felt trapped by. The nice thing about The Bela Lugosi Collection is it offers a glimpse of the man's talent beyond the vampire that made him famous. All the films are fun, a little spooky, and beautifully restored. It's a set that would have made Lugosi proud. His legacy lives on. He is immortal, and he will always be back.
The Bela Lugosi Collection (1932-1940) [Re-UP]


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http://www.uploadable.ch/file/...Lugo.D2.avaxhome.ru.part15.rar
http://www.uploadable.ch/file/...Lugo.D2.avaxhome.ru.part16.rar

password: www.AvaxHome.ru

Interchangable links.