ACAB - All Cops Are Bastards (2012)

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ACAB - All Cops Are Bastards (2012)

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Negro, Mazinga e Cobra sono tre celerini, ossia tre agenti antisommossa, ma anche tre compagni che svolgono il loro lavoro dentro gli stadi, lungo le strade e intorno alle piazze, ‘ripulendo' queste la domenica dagli ultras e le case dagli sfrattati, dai delinquenti e dalle prostitute. Tutti e tre soffrono nella vita familiare, combattendo contro pesanti situazioni - un divorzio e la paura di non poter vedere più la propria figlia; una denuncia per aggressioni; un figlio violento e ribelle che arriva quasi ad odiare il proprio padre - scaricando così tutta la loro rabbia sui loro nemici quotidiani.

IMDB Rating: 6.5/10

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ACAB - All Cops Are Bastards (2012)

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Quando alla centrale arriva la nuova recluta, Adriano Costantini, viene subito coinvolto nel mondo violento e pericoloso che è quello degli agenti antisommossa, immischiandosi nei problemi e nel, seppur sadico, piacere nel punire i malfattori. Nel suo periodo da poliziotto del Reparto Mobile vive situazioni diverse e significative: la rabbia nel vedere l'aggressività degli ultras verso i celerini, il piacere nel punire come un normale poliziotto non potrebbe fare. Quando ormai si accorge che il limite del rispetto della legge è stato valicato, nel momento di punire gli ultras coinvolti nel ferimento di Mazinga davanti allo stadio, denuncia i suoi compagni di squadra, sostenendo la sua moralità di poliziotto giusto e non quella del punitore al di sopra di ogni legge.

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ACAB - All Cops Are Bastards (2012)

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ACAB - All Cops Are Bastards è un film del 2012 diretto da Stefano Sollima tratto dall'omonimo libro di Carlo Bonini.

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ACAB - All Cops Are Bastards (2012)

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..:: Storyline ::..
Nominated for six David di Donatello Awards, Stefano Sollima's "A.C.A.B. All Cops Are Bastards" (2012)
Cobra: The main protagonists in Stefano Sollima's first feature film are seasoned cops in a Riot Squad unit in Rome. They have tremendous respect for each other and spend more time together than they do with their families. They are often called to confront violent soccer fans and skinheads attacking immigrant camps across the city.
Mazinga : (Marco Giallini), the oldest and most experienced one, has learned to control his temper and ignore the problems his job regularly creates at home. He talks to his wife but rarely communicates with his son, who has recently joined a neo-fascist gang.
Negro : (Filippo Nigro, La finestra di fronte) is also having problems at home. His Cuban wife has threatened to divorce him and take with her their daughter. Unable to stop thinking about her and filled with anger, Negro often goes berserk and confronts strangers.

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Cobra (Pierfrancesco Favino, Piazza Fontana: The Italian Conspiracy, Romanzo Criminale) is single and living alone. He treats Mazinga and Negro like brothers and frequently swears that he will always defend them – no matter what they do or why. In the police station he is respected by everyone, including cops from other units.
Rookie cop Adriano (Domenico Diele, The Family Friend) joins Cobra's unit and immediately realizes that his new job isn't what he imagined it would be. At first the violence seriously disturbs him, and then it disgusts him. But the more time he spends with Cobra and his men, the more he begins to realize why they act as they do - in order to be successful against the various criminal elements their Riot Squad is sent to deal with, they have to be as cruel and amoral as their targets. But when the riot cops begin clashing with immigrants and skinheads on their own, Adriano becomes confused.

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Stefano Sollima's (son of legendary Italian director Sergio Sollima) directorial debut A.C.A.B. All Cops Are Bastards is a raw and quite disturbing film that is likely to create some very polarizing emotions. It reminds a lot about Jean-François Richet's Ma 6-T va crack-er, another very gritty film about street violence, cops and young angry men. The latter is just a lot more chaotic and ultimately also endorsing nihilism.
Sollima's film argues that the violence often seen on the streets of big Italian cities can be traced back to the country's serious economic problems. This isn't difficult to believe because during the '80s and '90s soccer hooliganism in England, for instance, was also linked to the economic problems the country was experiencing at the time. Similar to the ultras in Italy today, English soccer fans often mixed with far-right groups attacking just about anyone, from visiting soccer fans to immigrants.

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Extra Features:
- Trailers
- Dietro le quinte (making of)
- Scene inedite in lingua originale

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